Which of this year's fantastical science fiction and
fantasy films at SXSW will hit the big time this year?
Not exact matches
Deniers, as both Lipstadt and Vidal - Naquet show, seem to have an endless supply of polemical tricks and dodges: they simply discount Jewish testimony out of hand as lie or
fantasy; inculpatory testimony from the Nazis themselves is said to have been coerced by the triumphant Allies; documents confirming such testimony are said to be forgeries; Nazi statements and memoranda about the Final Solution are taken
at face value if they are euphemistically phrased, but are interpreted as hyperbolic or figurative if they are blunt and explicit; photographs and
films of executions are dismissed as fakes.
You might not notice the failure, given the
film's
fantasy - ending wherein everyone winds up dancing, but the actual night she tries to debut the Salumbo
at a dance bar, nobody comes.
And, as a non-reader of the J.K. Rowling books (I'm saving them to read with my daughter when she's old enough) and a non-aficionado of the
fantasy genre, I find
at least some stretch of every Harry Potter
film arcane and a bit dull (usually the parts involving magician - vs.
Harry Potter and the Deathly Hallows, Part 2 is the eighth and final installment of the long - running
film series adapted from the children's
fantasy novels by British author J. K. Rowling, centering on the titular half - human boy wizard and his adventures
at Hogwarts School for Witchcraft and Wizardry.
The first
fantasy film that Mr McClure starred in which lead to him starring in three more out of this world flicks that are all slightly similar... in visual style
at least.
Toy Soldiers is a movie that appeals
at once to adolescent self - pity and adolescent anger - a
film that takes feelings of rejection and inadequacy and transforms them into a violent revenge
fantasy, directed against all those distant daddies.
Yet to look
at the trailer, the sci - fi
fantasy aspect and the
films title you could be fooled into thinking this might not be too bad.
An interview with Michael J. Bassett (8:51) allows the filmmaker to speak
at greater length of his love of
fantasy fare, his intention for a serious tone, the
film's casting, dismissed ideas, and religious themes.
Universal Pictures have unveiled a new full - length U.S. trailer for the upcoming samurai
fantasy action
film «47 Ronin» which opens
at Christmas.Keanu Reeves stars in the
film about a group of banished samurai who long to restore their honor...
While
at Comic - Con for a presentation in Hall H, co-stars Jeff Bridges, Ben Barnes and Kit Harington talked to press about their
fantasy action - adventure
film Seventh Son.
We kick off the show looking
at some of this month's key
films, including Steven Spielberg's literally - ripped - from - the - headlines true story The Post, Guillermo Del Toro's dark romantic
fantasy The Shape of Water, Don Hertzfeldt's animated science fiction sequel World of Tomorrow Episode 2: The Burden of Other People's Thoughts, and Ridley Scott's ambitious Getty family biopic All the Money in the World.
It's sense of scale was something completely new to the
fantasy genre on
film at the time.
In 2009, the MPAA assigned the
film a PG rating «for
fantasy action violence and peril», which is one way of describing the fact that our young heroes get shot
at with some regularity, with one of them even getting bloodily grazed on his cheek.
Ignoring the absurd idea that somehow the Korean resistance to the Japanese was a key to the winning of the war (which the
film explicitly states
at one point), the creation of noble resistance heroes (even when sometimes compromised) versus the evil Japanese villain is pure escapist nonsense that passes itself off as realism instead of the Tarantino-esque
fantasy it actually is.
A protégé of Dario Argento who matured to develop a unique style of his own while
at once carrying the tradition of such Italian horror icons as Mario Bava and Riccardo Freda, Michele Soavi almost single - handedly kept the slumping Italian horror /
fantasy tradition afloat in the 1990s with his strikingly original philosophical zombie
film Dellamorte, Dellamore (1994).
A literary adaptation of a coming - of - age story, with links to Charles Dickens» classic «Great Expectations,» the
film leaves you with the wish that Adamson would stick to
fantasy —
at least in that world there's some fun to be found.
Clocking in
at a brisk 103 minutes, «The Great Wall» has very little on its mind beyond its B - movie premise, operating like a weird hybrid between a Hollywood swashbuckling adventure and a Chinese
fantasy film.
At first the
film is played out as a
fantasy where you are almost certain that you are going to discover that Hesher is a figment of the boy's imagination.
Guillermo del Toro, who directed the
fantasy drama, announced
at San Diego Comic - Con on Saturday that the
film will be made into a maze
at Southern California's most extreme horror experience.
A packed slate of genre
film awaits him, and
at a time when it's never been more fashionable to be into the far out, the Man Who Would Be Sparrow is surely the ace in the pack for any mooted
fantasy releases.
Anorak: «The
film flows
at a good pace, and even without the
fantasy action pieces every 20 minutes the events transpiring in the whorehouse world are captivating in and of themselves.»
Without nagging time - lapse problems, a few sloppy matching shots, central questions glossed (Gandalf's resurrection — without a reading of The Silmarillion, of course — is obscure
at best), and a few story conveniences (Cate Blanchett's Galadriel makes a lame cameo, the abovementioned gauzy Arwen love scenes), the
film would be something of a masterpiece (and even with its problems, it's among the best
fantasies ever made).
As grownups those two remain as besotted with the military — or
at least, the military of their war -
film fantasies — as they were when they battled with toy guns.
«The Shape of Water,» Guillermo del Toro's striking, sensual
fantasy film, won the Producers Guild of America's top honor Saturday night
at the PGA Awards, cementing its place as one of the front - runners of this year's wide - open Oscar best picture race.
DAILY DEAD — Revealed
at Las Vegas» CinemaCon are release date changes for upcoming
films of the horror, sci - fi, and
fantasy varieties, as Universal has pushed back the releases of Pacific Rim 2, The Mummy, and Warcraft.
To celebrate the
film's premiere
at the Music Box Theatre, star Peyton Kennedy, producer Kishori Rajan and writer / director Anne Hamilton are accompanying the movie to Chicago and doing a Q&A for this drama -
fantasy about an 11 - year - old girl who lives in a world that blends fables and reality.
Unless your child is still
at an impressionable age when the «Goosebumps» books can give them real goose bumps, this PG - rated
film is more likely to elicit more smirks than scares, working better as a comedic
fantasy than as something meant to keep youngsters up all night.
I believed this to be the way movies naturally were, unaware then that I was poised
at the cusp of a decade of filmmaking that would redefine
fantasy and science - fiction, setting precedents for the genre with
films like Back to the Future and Predator, E.T., and Blade Runner, Near Dark, and Miracle Mile — the well was as deep for flights of fancy in the Eighties as it was for incomparable character - driven paranoia in the Seventies.
It complicates the
film's relation to history, so thinly veiled
at times (Thornton's James Carville, Emma Thompson's Hillary Clinton stand out in particular, but also Kathy Bates's conflation of Betsey Wright and Vincent Foster), but ultimately this is not a docudrama of historical recreation (like Oliver Stone's W. or the Jay Roach / Danny Strong HBO movies Recount and Game Change, let alone a
fantasy of a Hawksian White House as in its most direct descendant, Aaron Sorkin's The West Wing).
Perhaps because this is a
film written and directed by men, cutting loose for these moms does not mean acting like they did when they were young and single, but rather a frat boy
fantasy involving speeding in muscle cars, downing bottles of vodka and Jell - O shots, shrugging off any responsibilities, flipping their condescending boss the bird, throw wild and hedonistic parties, and trying to get laid with easy hookups
at the local bar.
Stay
at home and rent a superior action /
fantasy / horror
film.
From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist
film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II history as a magnificent movie
fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades of
film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold
at a leisurely pace so he can enjoy every word and gesture along the journey.
Best Director recipient Guillermo del Toro, whose amphibious romance
fantasy The Shape of Water won Best Picture, marveled
at how the
film industry has the ability to break down borders and «erase lines in the sand.»
When Marvel is willing to really embrace genre — for example, when Thor felt like an»80s
fantasy, or Captain America felt like a 70s political thriller (or 40s war
film)-- I think they are
at their best.
Casino Royale is
fantasy in a world that's earned its darkness, a mature
film that doesn't demand to be taken seriously but doesn't expect you to believe that the world is the same as it was when Sean Connery leered
at Ursula Andress walking out of the surf like Venus on the half shell.
Mononoke was the first
film to receive wide distribution and in retrospect it may have been the perfect introduction,
at least for the adult audience: an environmentalist epic as and blood and thunder
fantasy adventure on an apocalyptic scale.
The
film as a whole has a similar problem, feeling uncertain
at the script level about which characters to emphasize or discard, what genre or tone to pursue, and how much flashback or
fantasy to incorporate.
«Warm Bodies received a «B +» CinemaScore from its young audiences and easily outpaced last week's No. 1
film, the R - rated 3D
fantasy - action mash - up «Hansel and Gretel: Witch Hunters,» which took in $ 3.2 million Friday and is looking
at a $ 10 million second weekend for Paramount.
Jeff Bridges may be doing a variant on his True Grit voice for his role in Seventh Son, but if this
fantasy action adventure
film is made up of recycled parts,
at least they look like they've been assembled in a lively fashion.
I don't know; maybe you're just catching me on a bad day and I'm feeling particularly grumpy, but I'm sure as hell sick of seeing an endless sea of white faces staring back
at me from my
fantasy films.
It's easy to sneer
at these
films, which are
at bottom sentimental, feel - good
fantasies, but in fairness the Marigold
films do tackle issues like ageing and death that rarely get an airing in Hollywood.
The Shape of Water, Guillermo del Toro's strange and thrilling
fantasy epic about a woman who falls in love with a sea monster, will lead the charge
at this year's Bafta
film awards with 12 nominations.
Hammer recently appeared in
fantasy sci - fi
film «Sorry to Bother You», which Annapurna Pictures purchased
at this year's Sundance
Film Festival.
The
film is a sequel to the 2015
fantasy film about humans and monsters who lived alongside — and
at odds — with each other in ancient China, making $ 390 million.
A.O. Scott
at The New York Times slammed the
film's «pretense that this fantasia of misogyny is really a feminist fable of empowerment,» while Sady Doyle
at The Atlantic declared that director «Zack Snyder's gooey mix of fetish gear, rape
fantasies, and girls - with - guns action sequences represents the nadir of a long, slow, steady decline in action
films starring women.»
«It was definitely an opportunity to live out a
fantasy,» he said
at the
film's UK premiere
at London's O2 Arena.
One of the
films at Sundance that flew under the radar this year was jetpack
fantasy Pretty Bird, based on the book The Rocketbelt Caper.
She was the first black woman to win Best Director
at the Sundance
Film Festival (Middle of Nowhere, 2012), the first black woman to direct a
film receiving an Oscar nod for Best Picture (Selma, 2014), and in 2018, the first black woman to direct a studio
film budgeted over a hundred million with A Wrinkle in Time, an adaptation of Madeline L'Engle's 1963 Newbery Medal winning sci - fi
fantasy novel.
Find out by taking a look
at the collection of space
fantasies, fishy
fantasies, and horror
films now available for you to enjoy from the comfort of your very own home!