Sentences with phrase «far bigger artist»

Hoyland is not only a far bigger artist than Louis, he's of quite a different order.

Not exact matches

For evidence of artists who've been able to maintain their credibility while licensing their music for commercials, you might look no further than a certain Canadian songstress who got a «big break» when her song was featured in an iPod commercial in 2007:
As far as I know (and I'm not a makeup artist), the biggest issue with flashback comes from sunscreen, so I would try to stay away from that if possible.
Life Lessons features a young Steve Buscemi in one of his first big movie roles as performance artist Gregory Stark, who performs comic monologues (written by Buscemi himself) on abandoned subway tracks, falling far short of Dobie's definition of art, which is «you make art because you have to,»cause you got no choice.»
I will stop to say how gorgeous the environments are looking so far, big props to the environmental artists (release an artbook please?).
This year's lineup includes big names like Anamanaguchi, Bit Shifter, cTrix, Henry Homesweet, Nullsleep, and many other artists not yet announced — you can see all the musicians revealed fo far on Blip Festival 2011's official site.
I'd even go as far as to say that a starving artist might believe that «starving will make me a better artist» just so that their art becoming better will make that «big break» more likely to happen.
So far I'm realizing I am not a good graphic artist, but i am a big dope!
Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.
Take a look on why the french artist born in 1977 in Pompey went to work in Hettange - Grande, a small commune far away in the north - east region of France, but close enough to some of the biggest locations in european art.
Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.
And indeed «Until,» says Markonish, «is far and away the biggest project at Mass MoCA focused on a single artist
Be it the rebound of the real estate market, continued financial hard - luck of Gen - Y» ers or the proclivity of New York City to run on pretension, permanent project spaces and artist - run galleries remain few and far between in the Big Apple.
Other far - flung artists come to mind upon viewing Hendler's work, as he was clearly in the thick of the big names of the abstract expressionist movement.
It's clear that she is moving into new terrain, and at the same time she is looking backward, releasing My Photo Album, a new book of photos taken of the artist in the years before she hit the big time with headline - grabbing works like My Bed — in other words, back when she was young, full of talent, and a far cry from what her conservative culture deemed respectable.
Friends in High Places — Some of the Whitney's biggest art stars are giving back to the institution next month by donating artworks for a set of sales at Sotheby's on May 14 - 15 to benefit the museum's new building being constructed at the foot of the High Line, and so far Jeff Koons, George Condo, Cindy Sherman, Glenn Ligon, and Cy Twombly are among the artists (or estates) that have collectively donated an estimated $ 8 million worth of art to the sale.
Rebels Artists Fuel Establishment Riches — Souren Melikian points out the irony that «art produced... by young rebels who challenged the establishment,» such as Basquiat, Pollock, and Lichtenstein, was the fodder for the biggest sale in history, with the proceeds going to far - from - anti-estabishment pockets.
And this year, with liquidity flooding the financial sector and art viewed as a safe and attractive place to park it, sellers are planning to push the art market even further into the stratosphere with new records for the biggest name - brand artists, testing what the top buyers can sustain.
The work is the largest ever by the American artist Richard Tuttle — far bigger than the small, more intimate works he is best known for.
Many of the works, such as Rosler's grainy, 1976 video, tap into female rage, though Semiotics does undercut its righteous anger with subtle humour: it's clearly a parody of the kind of cookery show that was popular across US TV networks, and the big shrug the artist gives at the end is deployed to further deflect that anger.
David Kordansky might not be the biggest player in the L.A. gallery scene, but his manic enthusiasm and seemingly genuine determination to draw attention to underappreciated artists make him the most interesting by far.
In fact, far from being «competitive» in the sense still felt by the most recent — and perhaps last — generation of New York School artists, Kos shares the typical Bay Area artist's sense of diffidence, of being not quite sure about his place in the Big Time, of being not quite sure whether Art is quite that serious.
However, unlike the website for a video game or an artist's portfolio, as a law firm your potential customers are far more interested in understanding how you can help them than they are in seeing big - ass images of your office and your staff as they scroll.
But no matter how big or small, almost every artist has a percentage of listeners who are die - hard fans, willing to pay far more than they'd earn a creator in streaming royalties or ad - revenue share.
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