Sentences with phrase «far wall of a room»

Here, he sometimes goes outright theatrical, slowly dimming the lights in the middle of a scene, or gradually bringing them up to reveal what's on the far wall of a room.

It was surely no accident, then, that Samaras's patterned fabric patchwork Reconstruction # 41, 1978 — hung on the far wall of a room adjoining the reception gallery — was the first work one noticed on entering Higgs's show.

Scottish - based Richard Wright, who specializes in large wall paintings made for specific spaces, has adorned the far wall of a room with symmetrical, intricate gold - leaf patterns.

Not exact matches

A video wall on the far end of the room is playing ESPNU, and Lane Kiffin's monotone Florida Atlantic commercial airs.

So far I've only painted my girl's room, one wall in my kitchen, and touched up other spots on the walls (to get rid of the previously mentioned writing and kid prints).

Unfortunately, our room is just wayy to narrow and by adding a shelf behind the couch, the couch would protrude too far from the wall and into the middle of the living space.

The far wall of the dining room is paneled in antiqued mirror; a brass sculpture by John Raible sits on a Howard Werner table, which is surrounded by a suite of Paul Evans chairs found at Todd Merrill Antiques and Craig Van Den Brulle.

Mr Mullins has gruffly forbade them to enter his dead daughter's room, but further investigation there under the cover of darkness reveals a secret room behind the wall that contains the doll we saw in the original.

Please put all of your bags against the wall, stack all of the chairs, and push the desks into one big desk in the corner of the room farthest away from the door.

What this means is that a math lesson might have started on the board in the far left corner of the room and as teaching and learning progressed, all the problems, all the information were added to the boards moving around the room until all four walls contained the learning of the lesson.

The No. 3 moved to go past the No. 45, but without enough room to maneuver, the two cars made contact, sending the No. 3 spinning across the track in front of the No. 45, with a hard impact into the far concrete wall.

Located in two buildings on the Nam Khan at the far end of the peninsula, Villa Somphong has small rooms with polished wood floors, flat screen TVs, neatly painted walls, beds... Read our full review of Villa Somphong.

Beyond the porch, the ample, sparely furnished living room held further evidence of Titus's stature in a wall - sized portrait of him with a tattooed shoulder, burly bicep and menacing gaze.

INDOOR LIVING - Bright living and dining area opens to the garden and makes a great social hub - Opulent double jacuzzi extends right into the living room - Fan - cooled space with hardwood floors, comfy chairs, satellite - channel TV, and dining for six - Stylish interiors feature artwork, antique carvings and two ornate timber doors - Feature staircase spirals up to the master suite OUTDOOR LIVING - 12 - metre swimming pool - Large comfortably furnished balé hung with billowing white drapes - Private walled garden with lush lawn, shaded sun loungers and bursting with tropical foliage - Massage pavilion at the far end of the pool Beachside deck with thatched balé shared with Villa Raj

Decorated with gold leaf lined display niches and Wenge veneered bespoke wall furniture, the treatment rooms offer a further layer of relaxation.

On the far side of this great room is a unique curved glass brick wall, on the other side of which is the gourmet kitchen that is decked out with an espresso machine and ice cream maker among other major appliances.

Once you have it, go to Dead Orbit in the Tower, and go behind their base to the small set of stairs behind (that only goes up on level, not the one that takes you far above to the Tower secret room) and access the console on the wall at the far end.

Take a couch and move it to the far end of the room, face it toward the wall and then put a monitor or TV on the wall.

In early work by Dan Flavin, the fluorescent bulbs tilt casually, barely disturbing the wall, while their light fills the room — a far cry from the mind - boggling LED art of Jessica Bronson.

If painting as a practice is viewed with far more skepticism today, the sense of conversation evoked by the works on this wall — and in a smaller room off the main gallery, which is also filled with the art of Schloss's friends and acquaintances — rings eerily familiar.

Her intentions for the room are perhaps stated most clearly by the placement of her work Set for play II (2017), on the far wall, at the head of the table.

A number of the sculptures feature tubes traversing corners or doorways, or at a right angle to the wall, further engaging the architecture of a room.

Entering a dark room alone, the viewer stands in the shadows until light slowly allows the perception of a blue mirage, which nearly fills the far wall.

Modifying the architecture of the biennial building, she affixed transducers to the backs of the gallery's drywall, causing the room to literally vibrate - a sensation that could be both heard and felt; a plumb bob hanging from the far wall rattled against the surface, rendering the vibrations of the wall visible.

This five foot wide canvas depicts the complicated space of a modern living room, made far more complex by a particular illumination: the late - afternoon light, flooding through a wall of windows behind the viewer, so that their frames cast numerous disjointed shadows across furniture, floor and walls.

«When all this leaves,» Hunk said before the recent move, sweeping a glance around his living room's chock - a-block walls, «we may be trying to replace irreplaceable art with replaceable art,» meaning no insult to the far less time - tested purchases of younger artists» works that the couple continue to make.

She called the crude oil on paper and board Scalar, after the Italian for ladder, but a scalar, too, is an entity in math — one with zero spatial dimensions, like a further concentration of paper, walls, and room.

The installation of Die Frauen from 1992/2013 at MASS MoCA is similarly clean and classical, even though it looks as if an entire hospital ward had been moved into the gallery space, with twenty lead beds lining the walls, and a large photograph printed on a lead sheet hanging at the far end of the room.

As with all of Therrien's rooms and work, perspective is at play: ascending the gallery stairs, the viewer encounters an uncertainty of scale in the tables against the far wall.

Describing her works as «site - dependent,» Horn furthers the Minimalist principle of site - specificity by regularly installing a single piece on opposite walls, in adjoining rooms, or throughout a series of buildings, thereby manipulating the viewer's referential orientation.

As one goes further in, there is a small dressing room and closet, and at the far end of the wall, there are two sets of doors — one leading to the master bedroom, and another that is accessed via a few stairs, and into a lofted bedroom that's spatially stacked above the master bedroom.

As far as actual room tracking, the Vive is still the only system that allows you to walk around your play space without fear of crashing into a wall or a piece of furniture.

Much like the Echo, Home is basically a small speaker you plug into the wall, with a series of far - field microphones tuned to hear you from across the room.

There's a nice bay window in the living room that lets in a lot of light (similar to our house) and two exhaust holes for fireplaces on the far wall.

The mirrored wall will reflect the depth of the room — making it appear to go back twice as far.

Painted barn - board trim on the lower half of the walls and the same hardwood floors below keep this space in tune with the rest of the basement, with plenty of designer touches further elevating the room.

An offshoot of midcentury modern, Scandinavian modern — as shown in this lovely room from Keith Stephenson and Mark Hampshire of Mini Moderns, embraces a similar clean, streamlined, and functional look, but tends to use white far more than the other neutrals, particularly on the floors and walls.

Leading off this exceptional room is a TV / cinema room behind a sliding wall / door, whilst at the far end of the house, through a walnut panelled drinks area, lies the principal sitting room with bespoke fitted book shelves, an open, working fireplace and a set of glass sliding doors leading out to a substantial south and west facing terrace and garden beyond.

On the far side, a cleverly positioned recessed shelf with tiling that matches the right - hand wall draws the eye to the back of the room, while adding interest and providing a handy ledge for accessories.

As far as what projects that I'm doing in my home... well, Im trying to figure out a display of some blue & white platters and collection of Longerberger baskets for my dining room wall.

So, I need to figure out how to cover my wall vent without protruding too far into the room (our table sits right in front of this wall as well).

I adore the wall of windows over there on the far side of the room, and how they allow the view to just keep going and going!

At the far end of the family room, blend - into - the - wall white storage cabinets offer function without adding visual weight for a bright, airy space.

To define the dining area from the kitchen beyond, the end wall has been painted a deeper shade of lilac to the rest of the room, and lilac touches, such as a rug and striped table runner, help to further define the eating zone.

I'm not done with the room yet, I still have a big piece of artwork I'm doing for the far wall along with some smaller details.

We are in the process of making over my 12 yr olds room but have only gotten as far as painting the walls.

To further enhance the warm mood, paint the wall in this area a softer shade than used in the rest of the room.

So here's an update on the dining room so far: The tray ceiling and walls were given a fresh coat of paint; the buffet was sprayed and returned to the room; dining room chairs have been sprayed and have new seat covers (which I'll share along with the table); and the china cabinet has been sprayed SW Honorable Blue.

The existing large window and doors let in plenty of natural light but now that the wall is gone and the trim is updated, the room looks far larger than before.

The curtained off wall is by far my favorite part of the room - what a great way to hide storage!