Mead Gallery, Warwick, 4 — 6 October 2014 The Mead Gallery takes one of Manet's masterpieces — The Execution of Maximilian (1869), on loan from the National Gallery — as the subject for what looks like
a fascinating focus exhibition.
Not exact matches
Fake fireplaces in fake rooms, captivating abstract geometry and a cubist take on silent film are among the paintings on show at this
fascinating and
focused exhibition of contemporary British painting.
Like a «cabinet of curiosities», the
exhibition brings together an eclectic array of objects and
focuses on the
fascinating stories behind the works.
The retrospective solo
exhibition of Lasse Krog Møller's oeuvre
focuses in a documentary approach on the surprising and
fascinating qualities in the objects we otherwise tend to overlook, or completely ignore.
This
focused exhibition offers a
fascinating first - hand insight into this once innovative concept that is central to understanding objects.
The
fascinating, often gratifying
exhibition falters only in the narrowness of its
focus: Five of its six artists are New Yorkers, and four practice a strand of conceptual abstraction that's beginning to look dated.
This will be the first
exhibition to
focus on Newman's production in the last five years of his life, and will include a
fascinating group of unfinished work in his studio.
A
fascinating conversation between curator Jenni Lomax, and artists Gavin Turk and Jo Stockham,
focusing on the themes of the Poor Art Arte Povera
exhibition.
Dr. Gabriele Finaldi, Director, The National Gallery said: «Tacita Dean acts as both artist and curator in the National Gallery
exhibition,
focusing her, and our, attention to the
fascinating quality of objects, real, painted and filmed, from the origins of still life to now.»
Through a range of works on paper, models and sculptures rendered in a diverse range of materials, the
exhibition plots how Clark worked her way along a
fascinating trajectory, from the rationalistic art of geometric painting to a practice
focussed on the abstract interactive object, pointing finally towards a conception of art as immersive, subjective experience that animated the latter half of her career.