The interiors are defined by elegant custom - designed furniture, color washed walls... and
fascinating objects of art from Jamaican the Caribbean and around the world.
The interiors are defined by elegant custom - designed furniture, color washed walls and
fascinating objects of art from Jamaican the -LSB-...]
Not exact matches
The Museum
of International Folk
Art contains 130,000 colorful and
fascinating objects from more than 100 countries.
A
fascinating account
of an extraordinary life, defined by the process
of accumulation and the unknown value
of objects, which was lived amidst the great
art and artists
of the 20th century.
Through the Eyes
of Texas will tell the
fascinating stories
of these
objects and their owners, as well as provide unique learning opportunities and a chance for visitors to experience significant works that span the history
of art.
★ METROPOLITAN MUSEUM
OF ART: «JERUSALEM 1000 - 1400: EVERY PEOPLE UNDER HEAVEN» (through Jan. 8) Three major faiths — Judaism, Christianity and Islam — have called Jerusalem their own, and its varying histories as a sacred space, a theater of conflict and a cosmopolitan cultural emporium are reflected in this exhibition modeled along classic Met epic lines: 200 fascinating objects from 60 international collections, with a time frame in the past and context in the present (in the form of short videos in each gallery
OF ART: «JERUSALEM 1000 - 1400: EVERY PEOPLE UNDER HEAVEN» (through Jan. 8) Three major faiths — Judaism, Christianity and Islam — have called Jerusalem their own, and its varying histories as a sacred space, a theater
of conflict and a cosmopolitan cultural emporium are reflected in this exhibition modeled along classic Met epic lines: 200 fascinating objects from 60 international collections, with a time frame in the past and context in the present (in the form of short videos in each gallery
of conflict and a cosmopolitan cultural emporium are reflected in this exhibition modeled along classic Met epic lines: 200
fascinating objects from 60 international collections, with a time frame in the past and context in the present (in the form
of short videos in each gallery
of short videos in each gallery).
Through a range
of works on paper, models and sculptures rendered in a diverse range
of materials, the exhibition plots how Clark worked her way along a
fascinating trajectory, from the rationalistic
art of geometric painting to a practice focussed on the abstract interactive
object, pointing finally towards a conception
of art as immersive, subjective experience that animated the latter half
of her career.