It's a very old -
fashioned kind of film, a remake of a 1942 Italian film Four Steps in the Clouds (Quattro Passi fra le Nuvole), and with the exception of some more modern themes and overall sexiness, this update probably could have been made without much alteration back then as well.
Not exact matches
At a press event for Perry's newest
film Madea's Big Happy Family, which came out on Friday, Perry addressed Spike Lee's criticisms in a most unexpected
fashion — by railing at me for a question I was making about a completely different
kind of potential backlash.
I guess that's why i'm
kind of indifferent about
fashion books and
fashion films, though i tend to watch
films with notable fashionable outfits, i don't choose them just because they are termed as
fashion films.
The
film makes little sense and isn't explained in any
fashion, it just happens cos it happens basically, director Cox manages to combine an Ed Wood level
of sci - fi with a
kind of urban punk ghetto gang theme running through it at the same time.
Directed by Lasse Hallstrom (Salmon Fishing in the Yemen, Casanova), who trod some similar food - tinged French romance in the Oscar - nominated Chocolat, and scripted by Steven Knight (Locke, Closed Circuit), it's a sumptuously presented, old -
fashioned feel - good
film, not too dissimilar to the
kind of Miramax
films Hallstrom and company would regularly churn out in its heyday.
Her MacGyver - like skills are somewhat questionable in their believability, given that she is an aspiring
fashion designer who apparently doubles as some
kind of warrior who has secretly been training her entire life for this exact situation, but it's best not to question too much
of the mechanics
of this story and to just have fun with what we're given, which the
film certainly knows how to deliver.
Written and directed by co-stars Taika Waititi (Eagle vs. Shark) and Jemaine Clement (Tongan Ninja), the
film is chock - full
of the
kinds of deadpan reactions, awkward situations and off - the - wall humor that has been in
fashion on such TV shows as «The Office» and Clement's own «Flight
of the Conchords».
When Sudeikis came in and read, Hopkins felt he was an «old -
fashioned, James Stewart
kind of film star.
Part
of the the first
film's arc was a
kind of makeover transformation
of Katniss the dowdy District 12 girl into the Girl On Fire (as daft as those costumes were), and while the Capitol
fashions were unbelievably over the top, there was a certain glamor to the flash and dazzle.
Movies that it beat that you should watch instead: Doctor Zhivago is the
kind of old -
fashioned epic that doesn't get made anymore, for reasons both good and bad, but you should really watch it to see that
kind of film at its apex.
A
kind of classy, old
fashioned, quad - sheet that features the
films star, James McAvoy, riding a pig.
But somewhere around the two - thirds mark, the wheels come off in such spectacular
fashion that all memories
of the time when the
film was
kind of okay are obliterated.
The helmer's not had that much praise, considering how well - received the
film is, in part because he's an old -
fashioned kind of director who gets out
of the way and tries to serve the script and his story.
My best explanation for this is that the
film ultimately found itself betwixt and between: too big to be the
kind of arty
film that critics love to champion, but not big enough (its domestic box office was almost exactly $ 100 million) to force its way into the conversation, à la Avatar, in a «the people have spoken»
fashion.
Club Dread starts in typical
fashion for a dumb comedy, with the usual foul - mouthed gags tinged with sex and alcohol references that should no doubt appeal to the college age crowd that is the target audience for this
kind of film.
It's set in the Los Angeles
fashion world, and it's the
kind of movie in which models look like mannequins that look like slasher -
film corpses, and corpses look like love objects.
What Crowley and Hornby achieve is not only a compelling love - story
of the old -
fashioned kind, but they choose, tellingly, to make the
film's most pertinent points about Eilis» self - discovery and journey.
The equivalent in theatre is perhaps audience participation, in
film the «werewolf break» in The Beast Must Die (1974) or the message «Based on a true story» occupy a similar meta - fictional space, as does a good ol'
fashioned cliffhanger
of the
kind associated with classic serial
films such as Flash Gordon (1936) and almost exhausted
of its possibilities in classic Doctor Who (1963 - 1989).
This last year, the Abramovic incursion has reached some
kind of critical mass — she's modelled for Givenchy, mentored Gaga, eyeballed Jay Z, made a movie with James Franco,
filmed Norwegians screaming, hustled for the Marina Abramovic Institute on Kickstarter and designed a
fashion collection.
It makes a
kind of sense, since her redheads in photographs and video draw on
film noir as well as
fashion.
Sometimes only minimally altering her appearance, she has taken familiar representations
of female sexuality from
film, art, pornography,
fashion, and fairy tales and created an impressive gallery
of women
of all shapes, sizes, classes, periods, and styles that together form a
kind of pathology
of womanhood.
Perhaps more so than any other contemporary painter
of his
kind, Phillips's imagery has achieved a level
of pop recognition outside
of the art world with
fashion, media, and
film collaborations.