Sentences with phrase «fast camera moves»

Relative to other very violent PG - 13 films, the carnage depicted here is muted with fast camera moves and cuts to another scene just as a knife or sword is about to do its bidding.

Not exact matches

And the camera caught these curtains in the middle of them moving really fast, giving it that motion blur.

Additionally, the still camera can shoot up to 10 fps bursts, so you will never miss fast moving objects (e.g. sports and animals).

«Automatically tracking the joint angles enables the system to produce a high - quality map even if the camera is moving very fast or if some of the sensor data is missing or misleading,» Klingensmith said.

The camera was either moving too fast, too close, or too far from anything to even tell what was going on most of the time... A sure sign of trying to hide something.

The camera was either moving too fast, too close, or too far from anything to even

Dear god, i was ready to pull my own teeth with the slow crawl through the gloomy landscape, desperately tapping the other buttons that made the camera zoom in, so that i could temporarily make it seem like i was moving faster.

Even when holding a perfectly stable and smooth 30 FPS, swinging the camera around reveals a more - than - healthy amount of motion blur, and frankly, it's far more difficult to orient yourself, let alone keep track of the fast - moving demons leaping about the stage.

Zombi 3 features a plethora of insane moments such a machete - wielding corpse who moves so fast as to almost lop off the lead actress's head IRL... right there on camera.

Benson also does a fine job behind the camera too: letting scenes play out unintrusively, capturing NYC with a woozy beauty, and generally showing that he has an excellent eye (on the evidence of this, «The Bling Ring» and «Night Moves,» Christopher Blauveldt is fast becoming one of the best rising cinematographers out there).

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

In addition to eliminating blind spots, the camera display can flash warning messages if the driver is about to merge in front of a faster - moving vehicle or perform a similarly hazardous maneuver.

, *** INCLUDES WARRANTY ***, *** PASSES CT STATE INSPECTION ***, SERVICE RECORDS AVAILABLE, NAVIGATION GPS NAV, LEATHER, NEW TIRES, MOONROOF SUNROOF, ALLOY WHEELS, HEATED SEATS, BLUE TOOTH, REAR BACK UP CAMERA, SIRIUS XM, RECENT TRADE, PRICE TO MOVE FAST, Accessory Chrome Package, AMG Style Front Rear Bumpers, Navigation System.

It is designed to make it easy to integrate new technology within fast - moving areas such as microprocessor, sensor and camera technology.

4.5 - inch 480 x 800 Super AMOLED Plus display Android 2.3 (Gingerbread) NFC support, though compatibility with the forthcoming ISIS mobile payment standard is «to be determined» Category 24 HSDPA (42 Mbps) and Category 6 HSUPA (5.76 Mbps) for extremely fast HSPA + support — faster than any HSPA + phone currently sold in the US AWS plus 850 / 1900 MHz compatibility for support on AT&T's «4G» network if the merger succeeds Preliminary measurements place it at 5.16 x 2.76 x 0.37 inches — within a few hundredths of an inch of the Infuse 16 GB internal ROM, 1 GB internal RAM, external microSD up to 32 GB Here's where it outdoes the Infuse: it's quoted with a Qualcomm 1.2 GHz dual - core APQ8060 application processor, which is extraordinarily unusual for a Samsung — particularly considering the availability of Samsung's own multi-core Exynos line; it's paired with an MDM8220 modem processor 8 megapixel primary camera with flash and 1080p video capture, secondary front - facing camera Like the Galaxy S II, the Hercules won't have a dedicated HDMI port — it'll move high - def video over Micro USB using MHL [CellphoneSignal]-LSB-...]

Capture the moment The 13 - megapixel camera with autofocus functionality guarantees you'll be able to photograph any fast - moving object to keep your social media platforms updated with your latest activities when you're touring the globe.

We had a chance to try the camera feature and were particuarly impressed with Time Rewind mode, which shoots photos for 2 seconds before you hit the shutter button and 1 second after, allowing you to better capture missed moments like a fast moving toddler.

We found that the SamTab would happily tackle a wide range of video types, the most impressive of which is DivX HD and Full HD MPEG4, so we could transfer content straight from a video camera (1920 x 1080 at 60 fps) onto the device and play it back - a rare and delightful treat for anyone who has been hampered by lack of video support in the past, although there was some breakup with fast moving scenes.

Remember when Ferris Bueller says to the camera «Life moves pretty fast.

One of the biggest issues was how the camera continuously taunted me; it's not fixed on your character and you actually move quite a bit faster than the camera, often resulting in you being at the top of the screen, not being able to see what awaits you.

-- Dynamic controllable camera: move the camera freely on the map to follow the battle or simply tap a player's hero icon to jump directly to them — Displays character builds, objectives, gold and more information on - screen — Spectate these game modes: Fast Game, Fun Mode, Custom and Co-op

We worked a lot on the speed of the camera motion and how fast everything moves around so it's really snappy.

Camera speed sliders Options to change how fast you move with the left thumbstick, and how fast you look with the right thumbstick.

Instead, Disney created multi-layered backgrounds with several glass panels that could be manipulated individually to create the illusion of parallax as a camera panned across the scene: glass panels with foreground features moved faster, while the panels with the farthest elements of the background moved slowly.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Even with that in mind, it's tough to argue that a new camera system, moved fingerprint sensor, slightly faster processor and brighter screen is worth the hundreds of dollars it'll cost to make the jump.

That said, the cameras did well when it comes to moving objects, and we did not get blurry pictures unless the subject was super fast.

And unlike the iPhone X, things work incredibly fast here — you are not required to move your face at all — in fact, the front - facing camera will in all probability enroll your face within seconds before you even realize it.

But the most interesting new camera feature is something called Predictive Hybrid Autofocus, which Sony claims will be able to track moving objects and predict where they will go, adjusting the focus on the fly to capture fast movement without any blur.

In fact if nothing this is the fastest mode switching I've seen on any camera software like it, moving between each mode in a fraction of a second.

The autofocus can get a little confused by fast moving objects and busy scenes, but the effect is no worse than the average smartphone camera.

Life moves pretty fast and you need a camera that can keep up and let you master a key component of great photos: light.

This can create a bit of frustration when combined with the aforementioned camera problems and an abundance of fast - moving flying enemies, at least in the demo.

The other main hardware change has taken place around the back: Sony's upgraded its flagship's main camera sensor for the first time in three years, moving to a new 23 - megapixel Exmor RS sensor with fast auto - focus — as quick as 0.03 seconds, Sony claims — and an f / 2.0 lens.

Again, it's not a terrible camera for daylight / standard shots, but it will struggle in low light or fast - moving objects.

Wait for Asus Zenphone 2, it's way better than Redmi 2 because you can move / install apps in sd card, ntfs support, big battery with fast charging, premium design and it's Pixel Master camera beats Iphone 6 Plus Ccamera beats Iphone 6 Plus CameraCamera!