«It would be a mistake to try to read landscape into [my painting] even less any specific landscape,» Tworkov told Edward B. Henning, Curator of Contemporary Art at the Cleveland Museum of Art in 1962, «For it is a willful part of my painting process to abolish specific references in
favor of abstract forms that stir a sense of recognition in me.
Not exact matches
Since the beginning
of his career, Ellsworth Kelly's emphasis on pure
form and color and his impulse to suppress gesture in
favor of creating spatial unity have played a pivotal role in the development
of abstract art in America.
Rejecting tradition, they
favored bold,
abstracted forms that broke free from the illusion
of depth, creating simplified and stylized landscapes that expressed their personal, subjective encounter with nature and response to the region, rather than trying to imitate the exact visual appearance
of a location.
Favoring stripped - down winter landscapes and nearly empty interiors, Wyeth savored windows» ability to isolate nearly
abstract forms outdoors or to transform an interior with a play
of shadow - in fact, he declared himself an «
abstract painter.»
Milton
favored those turbulent interlocking
forms of Rubens that prefigure the
abstract art that interested him, and he talked
of Ruben's high space — aspirational space — which I took to mean the sense
of ascendancy, the
forms moving up and out; a feature
of much Baroque painting, but not really present in Rembrandt.