Starring comic book movie veterans like Jeffrey Dean Morgan, Chris Evans, Idris Elba and Zoe Saldana, the film is really an A-list lineup of talent in a movie that is, for the most part, forgotten in
favor of films like «RED» that use a similar star - packed formula.
In fact I am quite shocked to tell you that in my Top 20 Most Likely To Oscar chart page (being revised at the moment) I missed only two of these fifteen (Command and Control and The Witness) in
favor of films like Newtown and Miss Sharon Jones.
Not exact matches
While a considerable number
of women
favor tear - jerkers or love stories, men find their enjoyment from action
films or adult entertainment
like Adult Avenue DVD's.
Like the
film, characters take the opportunity to play nice, adhering to the social strata
of the time, forcing us to give up the more overt subversion
of the first
film in
favor of pure genre immersion.
Much
like the love potion in this
film you will quickly ignore this lovefest in
favor of other more superior
films.
Like the abominable «Napoleon Dynamite,» director Jared Hess» second feature will doubtless capture the hearts and minds
of 12 - year - old boys everywhere, even if Nacho Libre sacrifices the earlier
film's aggressive mean - spiritedness in
favor of gentle slapstick lunacy.
There's a certain kind
of film I see at many festivals: oblique, short on narrative and incident (or filled with repetitive incident), shot in a style that
favors long (distance and time) shots
of people doing nothing, or doing mundane things
like crossing the street in real time.
Most
of his best 1950s
films were westerns, which
like his war pictures
favored slowly escalating personal tensions over wanton gunplay.
After watching a
film like Pulse, I feel a bit insulted that movie executives think so little about the intelligence
of the American movie - going public that the vast majority
of the attempts at popular entertainment are completely stripped
of anything remotely resembling a thought - provoking element, eschewing those in
favor of noise, special effects and music stimuli to try to induce a subconscious reaction in the audience.
The rest
of the
film is spent resolving this dispute, with Robert against the entire underworld still seeming
like a pretty one - sided fight in his
favor.
Obvious Child felt
like a revelation in the wake
of a festival that had distressingly begun to
favor glamorously stripped - down Hollywood stars posturing in
films that reveled in cheap nostalgia and grating quirkiness.
I still feel
like we were being lectured and that means the
film is condescending to those not part
of the intended emphasis on the religion
favored here.
Of all of the films directed by women this year (And there have been many), most have favored it over the MORE «important» stories — like Bigelow's trauma at the Algiers Motel, or Dee Rees» Mudbound or Dayton and Faris» Battle of the Sexe
Of all
of the films directed by women this year (And there have been many), most have favored it over the MORE «important» stories — like Bigelow's trauma at the Algiers Motel, or Dee Rees» Mudbound or Dayton and Faris» Battle of the Sexe
of the
films directed by women this year (And there have been many), most have
favored it over the MORE «important» stories —
like Bigelow's trauma at the Algiers Motel, or Dee Rees» Mudbound or Dayton and Faris» Battle
of the Sexe
of the Sexes.
Unlike the kitschy
films of someone
like John Waters (whose Hairspray came out only a few years prior to this), Dottie Gets Spanked skips obvious laughs in
favor of tighter storytelling.
A big part
of the reason why comes from the
film playing more
like a comical character study with a world events backdrop, letting us see the craziness that would be front page headlines through the filtered and skewed view
of a man whose own political views stemmed more through
favors and paybacks than through heartfelt convictions.
Like its predecessor, the
film favors a dark, foggy palette driven by shades
of gray.
Particularly notable: Finding Nemo eschews a big - name voice cast in
favor of talented character actors
like Albert Brooks and Allison Janney, a lesson that too many recent animated
films have failed to learn.
However, what the future holds for the Rock will certainly depend on wise choices, and while we can overlook the fact that The Scorpion King is a bad
film in his
favor, a career
of these will make Johnson seem more
like the Brian Bosworth for the new millennium.
Thank goodness for small
favors,
like Shankman's relatively subtle direction (relative only to the first
film's Shawn Levy) and the stilletto delivery
of Bonnie Hunt as Tom's wife Kate.
As stated above, the
film is heavy on style,
favoring a washed - out look most
of the time that makes things
like Tonto's bird and even the Lone Ranger's white hat really pop.
The one thing I can say in its
favor is that Amanda Peet (Syriana, A Lot
Like Love) is quite good in it, and Dermot Mulroney (The Wedding Date, Must Love Dogs) is more than adequate in his role (that's two
films in a row for Mulroney featuring people dying
of cancer before they can see their next Christmas — The Family Stone is his other), but even then, they aren't quite enough to elevate the terrible script into something remotely approaching believable or plausible.
Stevens relates his initial enthusiastic response to the script, as well as his
favored description
of the
film as being
like «Captain America gone very, very wrong.»
2:30 p.m., Hall H — Warner Bros & Legendary Pictures Probably the biggest ticket
of the weekend, this sees Warners eschewing the chance for a last minute push for «The Dark Knight Rises» (
like it needs it) in
favor of the first look anywhere at next summer's big superhero
film, Superman reboot «Man
of Steel.»
Here, Godzilla's default disinterestedness and the
film's elegiac depiction
of a sudden urban warzone — one which mainly eschews the triumphalism
of ascending missiles in
favor of shattered glass and base - jumping soldiers both falling from the reddened sky
like teardrops as abstractions
of Barber and Penderecki fill the soundtrack — add up to $ 160 million worth
of roaring existentialism.
Though the Oscars don't typically
favor genre
films, Get Out could be one
of the rarities to make the cut, joining the ranks
of predecessors
like The Silence
of the Lambs and Rosemary's Baby.
But the inert interview framing narrative does no
favors to the
film or Natalie Portman's straining lead performance, and Larraín's attempts to convey the spirit
of the era feels
like watered - down Todd Haynes, minus the fascination with mystique, glamour, and forms that can make Haynes» work enticing.
While I
like the idea
of Kit's character his role in the
film is under - developed, and I would have had no issue with it being cut in
favor of other things.
With the
likes of Han Solo, Chewbacca, Leia and even Luke returning to join a new cast
of heroes perhaps the intent was to make the first
of the new trilogy feel very familiar to fans
of the original trilogy before fading out the old guard in
favor of the new characters and diverging from previous plots for the next two
films.
Solid
film that did us all the
favor of treating us
like we had a brain to tell a fun story... really not much more too it than tat.