Sentences with phrase «favorite scenes in the film»

My favorite scene in the film depicts an intense stare down between Hemsworth and Oldman, during which they're literally playing chess.

I love the package design and transfer of the Blow - Up disc, and the scene in the park where David Hemmings stalks the couple with his camera really comes to life with the new transfer — it's maybe my favorite scene in any film ever made.

My favorite scene in the film is when Eric speaks about a bridge he once built.

And it's my favorite scene in the film.

Probably my favorite scene in the film is when the Warrens first go into the basement and it cuts to the cameraman's pov from the 1970s camera style / look.

My favorite scene in the film has to be when Heath serenades Julia Stiles» Kat with a rendition of «Can't Take My Eyes Off Of You» by Frank Valli, complete with marching band back - up:

This moment is precipitated by my favorite scene in the film, in which Robbie makes a beeline for the judge's table, skating onto the ice without acknowledging the other skater performing, pleading to know why she was given such a rotten score.

TL: I'll you the truth, the scene I had with Jessica, the one where we're drinking coffee and talking to each other is one of my favorite scenes in the film.

One of my favorite scenes in the film and definitely my favorite to shoot.

Whoopi She doesn't have many scenes (two or three), but she does have my favorite scene in the film.

Not exact matches

One of my favorite scenes from the film shows school children tending to an indoor vegetable farm in the South Bronx.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

My single favorite scene, though, comes early in the film, when Michelle's daughter asks, «Mom.

That's one of my favorite scenes in all the «Potter» films, and I wish there was more similarly imaginative filmmaking to be had.

My personal favorite being the first bar scene in the film with the song choice and the choreographed dance scene was just beautiful.

Various Clarke, Kubrick, and science fiction authorities are interviewed throughout the video, providing interesting commentary on their favorite scenes in the movie, as well as insights into the specific personalities of the creators of the film and the book.

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

Bring Me the Head of Alfredo Garcia (Twilight Time, Blu - Ray), Sam Peckinpah's personal favorite of his films, opens on an idyllic river scene with a pregnant girl soaking her feet in the lazy current with a beatific smile on her face.

Except that the final scene is of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.

That gets the attentions of their square parents (played by Dante alums Joe Flaherty, Robert Picardo, Belinda Balaski, Dee Wallace, and, in his penultimate film, Christopher Stone), police officers, and one savvy private investigator (Dante favorite Dick Miller in a scene - stealing role).

Most of my favorite films are those in which the lead character is in every scene of the film.

Bring Me the Head of Alfredo Garcia (Twilight Time, Blu - Ray), one of Sam Peckinpah's personal favorites of his films (and the rare Peckinpah film not to get reworked by the studio), opens on an idyllic river scene with a pregnant girl soaking her feet in the lazy current with a beatific smile on her face.

Unfortunately this film is not one of my favorites, it plays more like a slapstick comedy, which is not funny, with a few decent action scenes chucked in.

Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

Fans were thrilled to hear that the Merc with a Mouth might join Logan in the film (in a post-credits scene), bringing together two fan - favorite X-Men universe characters in a single, epic, R - rated moment.

In fact, while many of the scenes cited are from my favorite films of the year, believe it or not, nine of my top ten flicks have a scene listed below, so it wasn't ten for ten.

At the film's recent press day, Carrey and Daniels talked about reprising their roles in the sequel, how it was driven by fan demand, what it was like getting back into character and finding their chemistry again, the love between the characters, which one is Dumb and which one is Dumber, how the characters hold a special place in their lives as they do for the fans, the return of the Mutt Cutts van and other callbacks from the original film, working with Kathleen Turner, their favorite scene, and where they see their characters in another 20 years.

One of my personal favorite scenes ever in a feature film is from this romantic comedy / drama — and if you've seen the movie, you know exactly what I'm talking about.

At the film's recent press day, MacLaine talked about coming to terms with her own legacy, why she's not afraid to take risks, the advice Joan Crawford gave her that will remain a secret, her surprise at meeting Alan Ladd at Romanoff's, how aging people are underserved in our culture and what she'd like to do about it, her impressions of her talented co-star Ann» Jewel Lee, her favorite scene, presenting the Best Foreign Language Film Award at this year's Oscars, why she wants to do an improvisation with Marlon Brando, and the unusual role she'd like to play next.

Still, references to the movie, along with other Kelly favorites — «E.T. the Extra-Terrestrial» (bike scene pictured) and «Back to the Future» — appear in the film.

It was one of my favorite parts about the entire film, because it was used in such a way that it would enhance each scene and the greater story overall, but never feel overbearing or forced.

Filmed with handicams, starring a pair of art - house favorites, and scored by blog buzz band Grizzly Bear, «Blue Valentine» couldn't look like more of a stereotypical indie romance if it tried — but who wants to ring in the New Year with hopeful thoughts for 2011 and a round of «Auld Lang Syne,» when you can head to the theater and watch Ryan Gosling and Michelle Williams getting it on in this bleak romantic drama, already the center of a ratings controversy over the NC - 17 the MPAA slapped on it for an «emotionally intense» sex scene?

Like all of Haynes» films (my favorites: «Carol,» «Far from Heaven»), «Wonderstruck» is beautifully shot, with the 1920s sequences in velvety black - and - white and the 1970s scenes in worn - soft browns and yellows.

It's the little notes that he hits that are more memorable than the broad ones like the look on his face when he sees Peppy's new film opening in a much bigger venue than his own or the way he can't move past the young lady as they try to shoot a dance number (in easily one of my favorite scenes of the year).

Even the filmmakers knew a sequel was a lock; DP «s post-credits scene featured Reynolds» merc with a mouth spilling the beans about the follow - up, confirming that fan favorite X-character Cable would appear in the film.

Condon says that the deleted scenes you'll be able to watch on the Beauty and the Beast DVD contain some of his favorite moments, and I really hope this is one of them because it is amazing to imagine him and a team debating whether or not to keep the angry toilet scene in the film.

The green tea masturbation scene is my favorite in the film, but my favorite line in the film is something else.

While first - time director David Atkins gives the film a surrealistic feel in certain scenes, he actually could have made the film better by going further into the bizarro world, a la David Lynch — and why not since Lynch favorite Laura Dern (Jurassic Park III, Dr. T and the Women) is on board for the ride.

The bloody scenes are the most memorable scenes in the film and the hallway scene in front of the pink door is easily my favorite.

In the interview, Pete talks about some of his favorite movies he recommends to friends, the evolution of the project over the years, how he got involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star of this film, how directing the voice actors for the English version of Miyazaki's Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own filIn the interview, Pete talks about some of his favorite movies he recommends to friends, the evolution of the project over the years, how he got involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star of this film, how directing the voice actors for the English version of Miyazaki's Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own filin making this film, and find out who directs Peter Sohn when he performs in his own filin his own film.

Paths Of Glory — One of my favorite, and one of the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shot.

Though I thought about putting together a list of my five favorite scenes from the film in celebration of the Blu - ray release, I quickly realized that there were far too many great moments to choose from to settle on just five.

Robinson, Grant, McGann and other principals recount insightful and amusing anecdotes about the making of the film (most interesting of all: Grant had never gotten drunk before playing his hard drinking character), and diehard Withnail fans weigh in with their favorite characters, moments, and lines; not being a fan of the film, it was particularly interesting to find out what scenes and pieces of dialogue are especially notable for fans.

It was fascinating, for instance, to find out that actors in my favorite movies often filmed entire scenes without ever leaving the studio.

Sleek, stunning and redefying Mercedes - Benz, the Maybach 6 Cabriolet is the kind of motorcar you see in the glorifying scene of your favorite action film.

Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.