Sentences with phrase «favorite shots of the film»

My favorite shot of the film is the opening one in the psych ward — long continuous take, no audible dialog, set against disorienting synth music.

Features: The Blu - Ray release of The Witch contains a director's commentary track with Robert Eggers where Eggers dishes on everything from the technical making of the film to working with the performers to which are his least favorite shots of the film.

Not exact matches

When we were shooting the book trailer for Simply Vibrant, we took some time to film a few process cooking videos for some of our favorite recipes in the book.

Reichert wrote about Return of the Jedi, his favorite childhood film, and his reappraisal is rigorous, self - reflexive, and heartfelt — that is, very Reverse Shot.

No Escape — This was very cool; the cast and crew talk about the aesthetic of the film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.

Being the film buff that he is, I had to ask him some geeky questions... and now you can watch Wright while he reveals his favorites movies of 2017 (so far) and also the film that his friend Quentin Tarantino made him watch prior to shooting Baby Driver.

This haunting, surreal film is one of my absolute favorites, shot outside Munich in the rococo splendors of the Nymphenburg Palace and the Amalienburg.

The Tale of the Princess Kaguya: Isao Takahata's film, likely the last production by Studio Ghibli's two masters (Hayao Miyazaki's The Wind Rises lost to Frozen last year), probably has no shot at Best Animated Feature (How to Train Your Dragon 2 is the heavy favorite), but if it did somehow get the prize, no win on Oscar night would make us happier.

Directed by David Cronenberg (Scanners, Videodrome, The Fly, Naked Lunch, Crash), adapted from John Wagner and Vince Locke's graphic novel by screenwriter Josh Olson, shot by the British cinematographer and Cronenberg's favorite collaborator Peter Suschitzky, enhanced by the score of another Cronenberg's career - long partner Howard Shore, A History of Violence is a gorgeous film with a dark heart and a message that's impossible to shake.

Those films had a light touch, and so does «Trumbo,» which opens with a shot of the Oscar - winning screenwriter working on a script in his favorite location: the bathtub.

The three films in question were shot over three consecutive years (released in 1974, 1975, and 1976), and they all star Wenders» favorite actor, Rüdiger Vogler, as an itinerant lost soul, traveling across Germany (plus America, in one instance) in search of something that's never quite defined.

With her character becoming an instant favorite after the film's release, it was no surprise Marvel asked her to appear in one of their One Shot short films, Agent Carter, which was included on the Iron Man 3 Blu - ray.

«Strangers on a Train: The Victim's P.O.V.» looks into the shot uses for Laura Elliot in the film (one of my favorite shots).

At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.

Not content with being one of our favorite working cinematographers, Reed Morano (who shot films and TV shows including «Kill Your Darlings,» «The Skeleton Twins» and «Looking») moved into directing this year, and more or less aced it.

One of my favorite filmmakers, Darren Aronofsky is gearing up to shoot his fifth feature film in New York City in just a few weeks.

Like all of Haynes» films (my favorites: «Carol,» «Far from Heaven»), «Wonderstruck» is beautifully shot, with the 1920s sequences in velvety black - and - white and the 1970s scenes in worn - soft browns and yellows.

John Wick was hands - down my favorite action film of 2014 (and that's saying an awful lot for a year that also had The Raid 2), and that was largely because of the slick style and cleverly (and clearly) shot action sequences that Leitch and Stahelski brought to the table.

It's the little notes that he hits that are more memorable than the broad ones like the look on his face when he sees Peppy's new film opening in a much bigger venue than his own or the way he can't move past the young lady as they try to shoot a dance number (in easily one of my favorite scenes of the year).

(He also shot my two favorite films of 2014, Selma and A Most Violent Year.)

And Topsy - Turvy is one of my favorite of all Mike Leigh's films because, except for the actors who appear in it, it resembles no film he had ever shot before.

One of my favorite scenes in the film and definitely my favorite to shoot.

After battling several problems regarding the film's eerie theme, historical context and shooting location, Eggers and co. finally finished his directorial debut, the main subject of which is about witches (his favorite area of knowledge since childhood) and the horror they bestow upon a farmer family.

It's unclear which part of the state the film will target, although it's worth noting that Emmett - Furla Films is the same company behind such recent New Orleans - shot features as «Fire with Fire» and «Lay the Favorite,» both starring Bruce Willis; «Freelancers,» starring Robert de Niro and Forest Whitaker; and the just - wrapped «Broken City,» starring Mark Wahlberg and Russell Crowe.

Paths Of Glory — One of my favorite, and one of the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoOf Glory — One of my favorite, and one of the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof my favorite, and one of the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof the least misanthropist, of all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof all of Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof Stanley Kubrick's films is this courtroom drama in which Kirk Douglas tries to save three men from being executed for cowardice in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof a disastrous and idiotic offensive during World War I. Kubrick directs in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof the battle, a long tracking shot of the horrors of trench warfare, is one of the most powerful scenes he ever shoof the horrors of trench warfare, is one of the most powerful scenes he ever shoof trench warfare, is one of the most powerful scenes he ever shoof the most powerful scenes he ever shot.

The first surf film shot in 4K, View From A Blue Moon follows the world's most dynamic surfer John Florence and his closest friends from his home on the North Shore of Oahu to his favorite surfing destinations around the globe.

The film, shot in the same chiaroscuro lighting characteristic of Leroy's paintings, begins with Leroy leafing through his favorite books and speaking animatedly (in French) about Cézanne.