Sentences with phrase «feature a performance theater»

Not exact matches

Otis at Monterey, with uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon

Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows of the time to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers overseen by Whiteman himself (including a larger - than - life rendition of George Gershwin's «Rhapsody in Blue»)-- all lavishly staged by veteran theater director John Murray Anderson and beautifully shot in early Technicolor.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

The Arts Center offers a youth theater, galleries, and the Music Mainstage Series, an array of concerts and theatrical performances featuring top touring professionals.

Things also heat up at the hotel in the evenings with the «Magic of Polynesia Night Show» dinner performance featuring dancers and illusionists at the onsite art theater.

«Interregnum» features a selection of video, recent large - scale photography and special performances of his theater production «Helen Lawrence.»

The Chinati Foundation, Lannan Foundation, and Ballroom Marfa are pleased to present a week - long program celebrating the work of acclaimed theater director André Gregory, featuring open rehearsal performances of Endgame by Samuel Beckett and other special events and film screenings.

The book features photographs of each artist's performance by acclaimed photographer Paula Court, storyboards, sketches and scripts documenting the artists» creative processes, and ten newly commissioned essays on different themes from the biennial, including language, Russian Constructivism, Fluxus, comedy and the relationship between visual art and theater.

Art from a different era can appear new if shown at the right moment, and that has been the case with Hershman Leeson's 50 years of drawings, sculptures, performances, installation, videos, internet - based works, and feature films, some made with studio backing and released to theaters nationwide.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Assistant directed by Haruko Tanaka and featuring a score by Devin McNulty and Max Markowitz, choreography by Prumsodun Ok and Carol McDowell, and sculptural costumes by Curt LeMieux, the performance moves between abstract theater, comedy, and relational components that allow audiences to enter into dialogue drawn from the piece's mix of ragged humor, violence, and sexuality.

Featuring musical performances held in the Museum's theater on select Saturday evenings at 5:00 p.m., performances are free with Museum admission and no reservations are required.

The ICA will be a combination exhibition and performance space, laboratory and incubator featuring a series of flexible programming spaces for the presentation of visual art, theater, music, dance, and film by nationally and internationally recognized artists in a building designed by Steven Holl Architects.

Each event will include cross-disciplinary performances featuring poetry, dance, music, visual art and theater.

In 2012, Cooper and his frequent theater collaborator Gisèle Vienne co-curated a section of the annual Un Nouveau Festival at the Centre Pompidou in Paris entitled TEENAGE HALLUCINATION, featuring art exhibitions, films, lectures, live performances, concerts, an installation of the visual components of Cooper / Vienne's works to date, and performances of their theater pieces Last Spring, a Prequel (2011), Jerk (2008), and Cooper / Cochrane / Houston - Jones» Them.

The works are featured in a weeklong exhibition at Allan Stone Gallery, New York, with all proceeds supporting FCPA grants to short - run, avant - garde performances of music, dance, and theater in New York.

His work has been featured or reviewed in Frieze, Artforum, BOMB, the New York Times, The New Yorker, The Believer, PAJ, and Theater, among others, and his writing on performance, theater, and other matters has appeared in such publications as Triple Canopy, Parkett, Mousse, and Cabinet.

«WILLIAM POPE.L: Desert» @ Steve Turner Contemporary Los Angeles A «visual and performance - theater artist and educator who makes culture out of contraries,» William Pope.L is presenting sculpture, drawings, new photographs and a new film featuring Joe Gans, the first African American World Boxing champion.

A three - day event described as a «multidisciplinary performance - salon,» the weekend of activities focuses on «contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art» and features creative talent from each discipline and a tribute to the late Terry Adkins.

«Prayer for the Black Madonna» is the third installment of the Hirshhorn's acclaimed «Processions» series organized by Theaster Gates, featuring collaborative performances that introduce unexpected and unexplored connections between sacred music, African and African American culture and history, theater, world dance, and chant.

In addition to energy performance, there are other important operating and convenience features to consider when shopping for Audio / Video (AV) products including home theater systems, DVD and Blu - ray Disc players, and audio amplifiers.

Only one complete Viking helmet has ever been recovered and it did not feature wings or horns (embellishments put on Viking helmets for theater performances hundreds of years later).

Both are THX Select2 Plus - certified for theater - grade performance, feature Zone 2 HDMI and matrix switching, HDBaseT output and are ready to decode Dolby Atmos and DTS: X surround formats for a captivating home theater experience.

Whitaker Center for Science and the Arts, within a 5 - minute walk, features an IMAX theater, exhibits and live music, theater and dance performances.