Ahead of its US release next month, IFC Films has debuted a new trailer for Russell Harbaugh's
feature directorial debut Love After Love.
Not exact matches
Lisa Dapolito's
directorial feature debut... feels like a disservice to the complicated woman who wanted the world to
love her, but feared no one really did.
Paradise Lost marks the
feature directorial and writing
debut of actor Andrea di Stefano (Nine, Eat Pray
Love).
Matthew Ross»
feature directorial debut, Frank & Lola, revolves around a couple who is desperately in
love and whose relationship is almost always on the rocks.
Hounds of
Love is written and directed by Australian filmmaker Ben Young, making his
feature directorial debut after a few short films previously as well as episodes of «Prank Patrol» and «Castaway».
Natalie Portman recently made her
directorial feature debut with her adaptation of Amos Oz's A Tale of
Love and Darkness, and spoke to Business Insider about how she sees the roles for women in Hollywood changing.
Love After
Love is the
feature directorial debut of Russell Harbaugh (who was nominated for an Indie Spirit Award for co-writing The Mend in 2016) and stars Andie MacDowell, Chris O'Dowd, and James Adomian.
Of the six
features on this set, all but Playtime make their respective American Blu - ray
debuts and two appear on disc for the first time in the U.S.. From his
debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati
directorial approach in his brilliant and
loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script
feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.
Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation,
featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's
feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing
feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH
LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»
Fresh off making his own
directorial feature debut with
Love Is Colder Than Death (1969), Fassbinder delivers a revelatory performance, commanding every frame as he channels the character's dark and provocative energies.
Guests at the festival will include actress / director / producer Trudie Styler, who will present her
directorial feature debut, «Freak Show»; Canadian director Denis Côté, who will serve as a mentor in the festival's Future Frames section; Byelorussian director Sergei Loznitsa, who will present his film «Austerlitz»; and Belfast - born director Mark Cousins, who will come to the festival with «Stockholm, My
Love.»
Set It Up is the
feature directorial debut of TV director / editor Claire Scanlon, and the story follows two assistants for executives in New York City, who try to set up their bosses to fall in
love.
Natalie Portman's
directorial debut A Tale of
Love and Darkness screened as a Special Screening during the Cannes Film Festival, giving her the opportunity to promote this first film at the festival outside the competition unlike her actor - turned - director fellow Ryan Gosling, whose
debut feature Lost River screened in last year's Un Certain Regard and received mixed and harsh reviews...
Focus
Features co-founder James Schamus makes his
directorial debut with this beautifully shot story of a quiet young Jewish man's 1950s college experience (loosely based on Roth's own), which deals with first and lost
love, personal awakening and moral quandries.