An exciting, first
feature film credit as a producer for Maggie Gyllenhaal (creatively she is at an important juncture) this could be the Israeli film remake we didn't know we needed.
Swanberg has 17
feature film credits as a director on his IMDb page, and he hasn't even been directing for a decade.
Even more notably, it managed to launch careers for most of its young cast members, with Topher Grace, Ashton Kutcher, and, most recently, Mila Kunis picking up major
feature film credits as leads.
His feature film credits as a director include Running Funny, starring Tony nominated actor Louis Zorich, and Half Brother, starring Stephen Plunkett and Casey Biggs.
Not exact matches
You don't have to get far into most
feature films to see some impact of money and wealth, but some movies put money front and center
as the main
feature, almost warranting its own mention
as a character in the
credits.
Some of Gilchrist's
film credits include the title role of Peck in the
feature film JUST PECK opposite Marcia Cross
as well
as THE ROCKER, THE EGG FACTORY, and DEAD SILENCE.
Directed by,
as the opening
credits note, «One of the Two Guys Who Killed John Wick's Dog,» the first 10 minutes of «Deadpool 2»
feature roughly the same amount of spectacular bloodletting
as both that
film and its sequel combined,
as wiseacre mercenary Deadpool slices a gruesome swath through waves of villainous henchmen.
Tilly's other
feature film credits include Bound, The Getaway, Made inJennifer received an Academy Award ® nomination and an American Comedy Award nomination for Best Supporting Actress for her role
as Olive in Bullets Over Broadway.
In this modern era, the Coen Brothers are often
credited as the life support system for classic noir, but the Coens appear to have serious competition in the form of Australian filmmaker and stuntman Nash Edgerton, whose
feature debut, The Square, is a brilliantly twisty, gritty contemporary
film noir.
The director: Markus Schleinzer (Austria) The talent: An actor and accomplished casting director — whose
credits in the latter field include several
films by his compatriots Michael Haneke and Jessica Hausner — 39 year - old Schleinzer has cast his debut
feature as writer - director with several actors he previously tapped for other directors»
films.
Loving, a
film based on the landmark Supreme Court case of Virginia v Loving, was originally developed
as a 2011 HBO documentary, The Loving Story, from writer / director Nancy Buirski who has a producer
credit on the
feature film.
With more than 100
film and television
credits, Rubin has cast such
features as the upcoming Warren Beatty
film «Rules Don't Apply,» «Trumbo,» «Wild,» «Lars and the Real Girl,» «Hairspray,» «The Talented Mr. Ripley,» «Men in Black,» «Romeo + Juliet,» «The English Patient» and «Four Weddings and a Funeral.»
Other
feature directing
credits include Janeane From Des Moines, set during the 2012 presidential campaign, which premiered at the 2012 Toronto
Film Festival
as well
as American Zombie, a personal horror
film, which premiered at Slamdance and is distributed by Cinema Libre.
THR brings word that Ant - Man director Peyton Reed is in talks with Marvel Studios to return for the 2018 sequel Ant - Man and the Wasp, which will
feature Evangeline Lilly «s Hope van Dyne / Wasp in an expanded role (
as teased in the end
credits of the first
film).
Webb, whose
feature film credits also include «(500) Days of Summer,» will also serve
as executive producer on CBS's upcoming adaptation of the Bradley Cooper
feature «Limitless»
as well
as The CW's «Crazy Ex-Girlfriend,» both of which he directed the pilots for.
A bizarre prologue to the piece, a nineteenth - century urban legend spoken in Yiddish, might encourage the main
feature to be seen
as a parable but returning to that end
credit disclaimer, A Serious Man is the Coens» least serious
film for a long time.
The
film's cast includes the great Brad Dourif, who will once again voice the possessed doll Chucky,
as well
as some other returning characters, including Dourif's daughter Fiona, who is reprising her Curse role of Nica Pierce, and fellow franchise veterans Alex Vincent, who starred
as Andy in the first two Child's Play movies and had a surprise cameo in an after -
credits scene in Curse, and Jennifer Tilly, who voiced Chucky's soulmate Tiffany in Bride of Chucky and Seed of Chucky and was also
featured breifly in Curse.
Once the 2000s got underway, he started to get major
credits in the
feature world, with 2nd unit DoP
credits on «28 Days Later,» «Harry Brown» and «Pride & Prejudice,»
as well
as working on all three of Lynne Ramsay's
films, serving
as second unit DoP on «We Need To Talk About Kevin» (he also lensed a Doves music video for the director, a classmate at the NFTS).
The
film is also Anderson's first
feature with no
credited cinematographer,
as the filmmaker worked with a crew of camera technicians he has collaborated with before in a new way.
Hot off the heels of releasing the first full length trailer of «From Dusk Till Dawn: The Series», El Rey Network is unveiling two new images from the Austin, TX set
featuring Wilmer Valderrama («That»70s Show,» «To Whom It May Concern»)
as enigmatic crime lord Carlos, and Eiza González («Lola: Érase Una Vez») who recreates the role of Santánico Pandemonium,
credited for launching Salma Hayek's
film career.
Kobayashi's filmography
as a director isn't extensive, with only 21
feature films to his
credit throughout his entire career, yet each of his projects has an individual stamp that makes them deeply personal.
Christopher Plummer has accumulated more than 150
feature film, television movie and miniseries
credits, either
as a leading man or distinguished supporting player.
A delightful debut that's all the more valuable for giving a voice to an underrepresented segment of the female Turkish population, Erguven's debut directorial
feature (she has a few
credits as an actor and a couple of short
films prior to this) is a lovely story of spirited girlhood and rebellion.
The opening
credits of Noah Baumbach's last
feature, 2010's Greenberg, play over lingering shots of the
film's co-star Greta Gerwig
as she drives around Los Angeles to the tune of Steve Miller Band's «Jet Airliner».
The
feature filmography of David O. Russell begins, ordinarily enough, with four
films crediting him
as both director and a writer over the course of ten years.
That speaks to the
film's charms, for which I believe director Miguel Arteta (Youth in Revolt, The Good Girl) deserves
as much
credit for
as feature debut - making writer Phil Johnston.
This time round his alter - ego Wade Wilson finds himself on the cusp of parenthood, only to have the chance tragically wrenched away during the
film's unexpected opening scenes (a surprise neatly reflected in the James Bond - style titles sequence
featuring credits such
as: «Written By: the real villains of this
film» and «Starring: someone who clearly doesn't like sharing the limelight»).
Blades of Glory marks the
feature film debut for directors Josh Gordon and Will Speck
as well
as writers Jeff Cox, Craig Cox, John Altschuler, Dave Krinsky, and story -
credited Busy Philipps.
It's his third
feature film as a writer - director, with his previous efforts not very successful (Wisdom, Men at Work), but Estevez had a passion to make the
film, and with a good deal of monetary sacrifice, he should get some
credit for getting the
film made with a very fine ensemble of actors.
Demme spoke only briefly accepting his own award but spoke longer presenting kudos to Newman, whose
credits include some of the most iconic
films of the last half century, including «The Godfather,» «The French Connection,» «The Exorcist,» «The English Patient» and «Amadeus,»
as well
as several of Demme's
features.
Mario Bava's first
credited feature film as director has appeared in various complicated guises since its release 47 years ago in Italy — the original Director's Cut in Italian, the Director's Cut with an English dub track prepared by the Italian producers and released only in Europe, and the AIP re-edit, which had the U.S. distributor cutting it down for faster pacing, re-dubbing the dialogue with its own stable of voice actors, and replacing Roberto Nicolosi's original score with a more punchy, aggressive version by AIP's all - in - one music department, Les Baxter.
Mostly known
as a character actor and supporting player, he first appeared on television in 1954 and made his
feature film debut in 1957, going on to more than 200 screen
credits.
As an added bonus, if you watch the documentary all the way through the
credits, at the very end there's a «making of»
feature showing the
filming of the «Thor's Hammer» scene at the end of «Iron Man 2.»
The latter award is one I predicted (not with any great enthusiasm, mind) the moment the
credits started rolling on the
film:
as well
as it being the kind of showily «brave» work that festival juries often fall for, it always seemed likely Gallo would get some kind of pat on the back for bringing two
features (plus a short) to Venice this year.
These letters form the basis of «Trumbo,» a documentary about the writer's life based on the play «Trumbo» by his son Christopher and
featuring powerful staged readings of the letters by such performers
as Brian Dennehy, Paul Giamatti, Nathan Lane, Liam Neeson, David Strathairn, and Michael Douglas — whose father, Kirk, interviewed in the
film, helped break the blacklist in 1960 by insisting that Trumbo be
credited as the screenwriter for «Spartacus.»
Producing
credits aside, this is Haynes» first
film since 2009's I'm Not There, which also
featured Blanchett
as one of the several mythic Bob Dylans.
Other
film credits include the recent comedy «Keanu»; Peter Bogdanovich's «She's Funny That Way,» opposite Jennifer Aniston and Owen Wilson; «Life of Crime,» opposite Jennifer Aniston, John Hawkes, Tim Robbins and Isla Fisher; «Run and Jump,» which debuted at the Tribeca
Film Festival and won the Best Irish
Feature Award at the Galway
Film Festival; the Adam Sandler Netflix comedy «The Ridiculous 6,»
as well
as «That's My Boy,» opposite Sandler and Andy Samberg; and «The Watch,» opposite Ben Stiller, Jonah Hill and Vince Vaughn.
Directed by Paul Atkins: Emmy award - winning cinematographer whose
credits include National Geographic and BBC documentaries and
feature films such
as Voyage of Time (2016), The Tree of Life (2011), Master and Commander: The Far Side of the World (2003).
Nick Park, the master of claymation and creator of the Wallace and Gromit
films, did a couple of series of shorts earlier in his career called Creature Comforts, which
featured,
as the
credits put it, «voices of the great British public»
as soundtracks to various delightful pseudo-documentaries.
These
credits create significant cost savings for the production companies producing
feature films, television series, music videos and commercials,
as well
as interactive games and animation.