Sentences with phrase «feature film directorial debut by»

Not exact matches

Ted is a 2012 American buddy comedy film directed by Seth MacFarlane in his feature film directorial debut.

Welcome to Willits is directed by filmmaker Trevor Ryan, making his feature directorial debut after a number of short films.

Gehenna is directed by Japanese filmmaker Hiroshi Katagiri, an FX legend working for years at Spectral Motion and Stan Winston Studios, now making his feature directorial debut after a few short films previously.

The weekend takes a terrifying turn when a meteorite crashes the party forcing everyone to face the darkest, screaming extraterrestrial nightmare imaginable... The Gracefield Incident is written and directed by up - and - coming filmmaker Mathieu Ratthe, making his feature directorial debut after a number of short films previously.

Red Christmas is both written and directed by Australian actor - filmmaker Craig Anderson, making his feature directorial debut after numerous short films and TV work including «Double the Fist», «Black Comedy», and «How Not to Behave».

Polaroid is directed by Norwegian filmmaker Lars Klevberg, making his feature directorial debut after a few shorts previously, including the Polaroid short this film is based on.

Hounds of Love is written and directed by Australian filmmaker Ben Young, making his feature directorial debut after a few short films previously as well as episodes of «Prank Patrol» and «Castaway».

Robin Hood is directed by English filmmaker Otto Bathurst, a veteran TV director (episodes of «Peaky Blinders», «Black Mirror», «Criminal Justice», «Hustle», «UGetMe») making his feature film directorial debut with this.

Nancy is written and directed by up - and - coming filmmaker Christina Choe, making her feature directorial debut after a number of short films previously.

Izzy Gets the F*ck Across Town is both written and directed by American filmmaker Christian Papierniak, making his feature directorial debut after a few short films previously.

Aardvark is directed by American actor - filmmaker Brian Shoaf, making his feature directorial debut with this film after a few shorts previously.

Honorable Mentions: As usual, some good films have to fall just outside the top 10 list including: Tommy Lee Jones «feature - length directorial debut, «The Three Burials Of Melquiades Estrada ``; Christopher Nolan «s excellent, in - between - Batman - movies cum rival magician film, «The Prestige,» starring Hugh Jackman and Christian Bale; Guillermo del Toro «s fantastical fairy tale, «Pan's Labyrinth ``; Sofia Coppola «s anachronistic teen alienation set in the 16th century, «Marie Antoinette ``; Martin Campbell «s superb rebooting of the Bond franchise with «Casino Royale ``; Martin Scorsese «s «Infernal Affairs» remake «The Departed» (which has been on TV so many bloody times, its power has worn off); Oliver Assayas ««Clean» which featured a Cannes - winning performance by Maggie Cheung as a struggling addict; and Park Chan - Wook «s final installment of his vengeance trilogy, the beautifully haunting, «Lady Vengeance.»

Summer 1993 is directed by Spanish filmmaker Carla Simon, making her feature directorial debut after a few short films previously.

After growing up in the political tumult of France in the sixties and seventies, Assayas followed a path similar to the one traveled by several titans of the French New Wave, first working as a critic for Cahiers du cinéma, then moving on to film projects, including collaborations with André Téchiné and his own feature directorial debut, the 1986 Disorder.

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

The film will be directed by Kasra Farahani, who will make his feature directorial debut, having previously worked as a production and art director on the likes of Avatar and Thor.

The Cleanse is both written and directed by filmmaker Bobby Miller, making his feature directorial debut after a whole bunch of award - winning short films, including Tub and End Times.

Violet is both written and directed by young Flemish filmmaker Bas Devos, making his feature directorial debut after a few short films previously.

Maika Monroe and Jeremy Allen White have been set to star in Shotgun, a romantic drama / offbeat comedy indie film that was written and will be directed by Dirk Gently's Holistic Detective Agency co-star Hannah Marks and Joey Power in their feature directorial debuts.

The film is being directed by Scott Charles Stewart, who made his feature - length film directorial debut earlier this year with Legion.

Same Kind of Different as Me is directed by Michael Carney, making his feature directorial debut with this after a short film previously.

The House of Tomorrow is written and directed by American filmmaker Peter Livolsi, making his feature directorial debut after a few short films and TV shows previously.

In his feature directorial debut, A.C.O.D., Stu Zicherman has taken the premise for the episode of a sitcom, and turned it into a film that's not only funny, but also surprisingly relatable for audience members represented by the title's acronym, «Adult Children of Divorce».

Super Dark Times is directed by filmmaker Kevin Phillips, making his feature directorial debut after a few short films.

Social Animals is directed by filmmaker Jonathan Ignatius Green, making his feature directorial debut after a short film previously.

Timothy Reckart (Anomalisa) will make his feature - length directorial debut with the film, which is scripted by Carlos Kotkin (Rio 2); it will be hitting theaters on November 10th, 2017.

The directorial debut of Oscar - winning screenwriter Aaron Sorkin, the film features compelling performances by Jessica Chastain as Bloom and Idris Elba as her lawyer.

In an exclusive interview, the multi-talented RZA talked about the genesis of the project, what appealed to him about his character, how he prepared for the role, his collaboration with Delamarre on his feature directorial debut, working with Belle and the late Walker and what they brought to the film, his bold line of dialogue, what he learned about himself while making the movie, how Walker inspired him, his role in the upcoming martial arts sequel «The Protector 2» with Tony Jaa directed by Prachya Pinkaew, and his new Fox Network TV series, «Gang Related,» that premieres May 22nd.

Monsters and Men is both written and directed by newcomer filmmaker Reinaldo Marcus Green, a native of New York City who is 1/2 Puerto Rican and 1/2 African American, making his feature directorial debut after directing & producing a number of short films previously.

The House is directed by filmmaker Andrew Jay Cohen, making his feature directorial debut after a few short films previously.

Kill Me Please is both written and directed by young Brazilian filmmaker Anita Rocha da Silveira, making her feature directorial debut after a few short films previously.

Cargo is co-directed by filmmakers Ben Howling and Yolanda Ramke, both making their feature directorial debut after a few short films and other production work previously.

The Hollow Child is directed by Canadian filmmaker Jeremy Lutter, making his feature directorial debut after a number of short films previously.

Hostile is both written and directed by French filmmaker Mathieu Turi, a former assistant director making his feature directorial debut after a few short films previously.

The film, which is Daly's feature directorial debut, follows the success of her short films, Joyriders and Hum and is produced by Morgan Bushe and Macdara Kelleher of Fastnet Films.

Participant's upcoming film slate includes On the Basis of Sex, from director Mimi Leder and starring Felicity Jones and Armie Hammer; RBG, the documentary feature co-acquired with Magnolia Pictures out of the 2018 Sundance Film Festival; Peter Farrelly's Green Book, starring Viggo Mortensen and Mahershala Ali; Rachel Dretzin's documentary Far From the Tree, based on the best - selling book by Andrew Solomon; Rupert Wyatt's Captive State; the feature - length documentary Kailash, from director Derek Doneen and produced by Davis Guggenheim; and Chiwetel Ejiofor's directorial debut The Boy Who Harnessed the Wind.

Participant's upcoming film slate includes 7 Days in Entebbe, from José Padilha and Working Title; Rupert Wyatt's Captive State; Rachel Dretzin's documentary Far From the Tree, based on the best - selling book by Andrew Solomon; the feature - length documentary Kailash, from director Derek Doneen and produced by Davis Guggenheim; Chiwetel Ejiofor's directorial debut The Boy Who Harnessed the Wind; On the Basis of Sex, from director Mimi Leder and starring Felicity Jones and Armie Hammer; and Peter Farrelly's Green Book, starring Viggo Mortensen and Mahershala Ali.

The feature directorial debut of Brett Anstey, Australian import Damned by Dawn represents a stab at homage to the classic Hammer Horror films of yore.

A24 purchased the film, which stars Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne, ahead of the festival, and judging by its first trailer, a conscious effort is being made to position Ari Aster's feature - length directorial debut as less miminalist in the horror department than both The Witch and It Comes at Night.

Oliver Tate — the 15 - year - old protagonist played by Craig Roberts in Richard Ayoade's feature - length directorial debut «Submarine» — expresses one of his desires to the audience early on in the film through voice - over narration: «I suppose it's a bit of an affectation, but I often wish there was a film crew following my every move.»

Closing Night It Stains the Sand Red Colin Minahan, USA, 2016, 92m The solo feature directorial debut of Colin Minahan, one half of the Vicious Brothers (Grave Encounters, Extraterrestrial), makes his strongest impression yet with this engaging, visually striking film, set during apocalyptic times, about a woman, Molly (a fearless Brittany Allen), who finds herself stranded in the desert after her dumbass boyfriend is killed by a zombie.

Tag is directed by filmmaker Jeff Tomsic, making his feature directorial debut after a few short films and TV work previously.

A Dark Song is both written and directed by up - and - coming Irish / Welsh filmmaker Liam Gavin, making his feature directorial debut after a number of short films previously.

AXL is both written and directed by American filmmaker Oliver Daly, making his feature directorial debut after the short film Miles previously.

When I spoke with Victor Levin by phone on April 3, 2015, I was surprised to learn that one of the thing that I appreciated most about his feature film directorial debut, the practicality of the women of the piece about extra-marital affairs in contrast to the shock evidenced by the men, was not something... Read More»

The Ranger is directed by producer - turned filmmaker Jenn Wexler, making her feature directorial debut after a few short films previously.

Hunting Lands is directed by American indie filmmaker Zack Wilcox, making his feature directorial debut after extensive experience as a gaffer, grip, best boy, and lighting technician on films over many years.

Raw is both written and directed by French filmmaker Julia Ducournau, making her feature directorial debut after a TV film (Mange) previously.

The filmmaker's American feature film directorial debut, which was produced in part by successful horror genre producer, Jason Blum, through his production company, Blumhouse Productions, completely immerses its audiences in its story through its emotionally relatable angle.

Hereditary is both written and directed by American filmmaker Ari Aster, making his feature directorial debut after a number of short films.