Sentences with phrase «feature film editors»

Very few if any feature film editors have won three top awards for best editing all in one month: BAFTA Awards, Feb 8, INDIE SPIRIT Awards Feb 21, and The OSCAR Award, Feb 22.

Not exact matches

She was the editor on the director's 1967 feature debut, «Who's That Knocking at My Door,» and has edited all of his films since «Raging Bull» in 1980.

Before The New Yorker, Nick was a senior editor at Wired, where he assigned and edited the feature story that was the basis for the Oscar - winning film Argo.

Switching careers, she earned an MA in Broadcasting and has worked as a feature film and television editor.

Fabled is the first feature film from Ari Kirschenbaum, who served as director, screenwriter, and editor.

Yann Gonzalez's second feature stars Vanessa Paradis as Anne, a gay porn producer who tries to win back her lover (and editor) by shooting her most amazing film yet.

Steven Spielberg's film is an ode to an era when newspapers — with their crotchety reporters and editors, connected and well - heeled owners, democratic values, and broadsheet features — were a literal part of the social fabric, lining parlor couches and billowing through windy city streets.

This is Stuart Baird's first attempt at directing a Star Trek feature, but his career as editor and also as director for decent films like Executive Decision and U.S. Marshals prove he has the talent necessary to bring it all together.

Editor's Note: We've already featured trailers for this film before, but this one is for the US release.

TheWrap editor - in - chief Sharon Waxman moderates a panel featuring film executive Chaz Ebert, director Lucy Walker, producer Cassian Elwes, Creative Coalition CEO Robin Bronk, Swedish Film Institute CEO Anna Swerner and actress Dionne Audain participate in TheWrap and The Female Quotient's «Changing Hollywood: The Road to 50/50 by 2020» panel at The Girls Lounge in Cannes.

Special features include feature commentary with Writer / Director Scott Stewart, Producer Jason Blum, Executive Producer Brian Kavanaugh - Jones and Editor Peter Gvozdas as well as alternate and deleted scenes from the film.

Two audio commentaries: one featuring coscreenwriter Jean Gruault, longtime François Truffaut collaborator Suzanne Schiffman, editor Claudine Bouché, and film scholar Annette Insdorf; the other featuring actor Jeanne Moreau and Truffaut biographer Serge Toubiana

Love and Time Travel is the creation of writer / director / editor / star Hayden J. Weal, and he certainly earned his stars on this, his first feature film.

An accomplished editor in her own right whose credits including Fifty Shades of Grey, Salmon Fishing In The Yemen and Seven Psychopaths, she has recently started to direct music videos for the likes of John Grant and Goldfrapp ahead of making her first feature film.

The week before Thanksgiving we screened Creed with writer - director Ryan Coogler, a loyal USC alumni, and his colleagues, most of whom attended school with him and worked on his first feature, Fruitvale Station: co-writer Aaron Covington, composer Ludwig Göransson, and film editors Michael Shawver and Claudia Castello.

Word on the street is that casting has begun for Robert Rodriguez's Machete, the feature film based on the fake trailer he created for Grindhouse a couple of years ago (which is being co-directed by his longtime editor Ethan Maniquis).

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

Much like their previous feature film Manborg, The Editor contains a lot of comedy.

The final story, written by 2000AD editor Matt Smith and approved by Dredd's co-creator John Wagner and «DREDD» screenwriter Alex Garland, will feature the interior art will be by Henry Flint — a longtime 2000AD artist so associated with the character, his surname is used for one of the cell blocks in the film.

Extras: New program on the film's cinematography featuring a conversation between Lassally and critic Peter Cowie; excerpt from a 1982 episode of «The Dick Cavett Show» featuring Finney; new interview with actor Vanessa Redgrave on director Tony Richardson, to whom she was married from 1962 to 1967; new interview with film scholar Duncan Petrie on the movie's impact on British cinema; illustrated archival audio interview with composer John Addison on his Oscar - winning score for the film; new interview with the director's - cut editor, Robert Lambert; an essay by scholar Neil Sinyard.

I recently spoke to cinematographer Roger Deakins, production designer Kristi Zea, costume designer Albert Wolsky and film editor Tariq Anwar about their work on the film, a 1950s period piece featuring the on - screen reunion of Leonardo DiCaprio and Kate Winslet.

From Academy Award - nominated screenwriter JOHN LOGAN (Gladiator, The Aviator, Hugo, Skyfall) and acclaimed, Tony Award - winning director MICHAEL GRANDAGE in his feature film debut, comes Genius, a stirring drama about the complex friendship and transformative professional relationship between the world - renowned book editor Maxwell Perkins (who discovered F. Scott Fitzgerald and Ernest Hemingway) and the larger - than - life literary giant Thomas Wolfe.

Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

is the only one of these new features with a real direct connection to the film, a warm 26 - minute overview of the very full life and career — from singer to songwriter to author to fashion designer — of the scene - stealing portrayer of fashion magazine editor Maggie Prescott.

Solondz agreed to an interview upon the release of his fifth feature, Palindromes (he asks folks not to track down his directorial debut, Fear, Anxiety & Depression, which my editor, Bill, describes as something like a satire of Solondz films), another picture garnering an extreme amount of political fallout following the similarly - tumultuous receptions to his Welcome to the Dollhouse, Happiness, and Storytelling.

Program Description: The Editing Residency brings the director and editor of two fiction feature films in picture edit to the Directors Lab at the Sundance Mountain Resort for one week in June.

Ethan Gilsdorf is a freelance film critic and feature writer for the Boston Globe, and the film columnist and a contributing editor for Art New England.

First, the «Invisible Art, Visible Artists» seminar features a conversation with Oscar - nominated editors from films like «Baby Driver,» «Dunkirk,» «The Shape of Water,» and more.

Since 1951, American Cinema Editors has celebrated the best in television and feature film editing at the annual ACE Eddie Awards gala.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

Also includes the half - hour documentary «DCU: The New World,» a retrospective of the «Crisis» series of DC comic stories that inspired the film, featuring interviews with the creators and editors of the original comics.

2 - Disc DVD Extras: 11 newly - discovered deleted and extended scenes, director's commentary, feature commentary with Spike Lee, cinematographer Ernest Dickerson, actress Joie Lee and production designer Wynn Thomas, retrospective documentary with the cast and crew, storyboard gallery, 1989 Cannes press conference, interview with film editor Barry Brown, trailers, and «Behind the Scenes» and «The Making of» featurettes.

Todd hadn't made a feature yet but they (Todd Haynes and Christine Vachon) had this short film company called Apparatus and the editor that worked on our film was recommended to us by them, Christopher Tellefson.

Murder: The Making of The Grifters», A brand new feature length documentary on the film's production, including new interviews with director Stephen Frears, cinematographer Oliver Stapleton, editor Mick Audsley, executive producer Barbara De Fina and co-producer Peggy Rajski.

Among the notable events at CinemaCon 2015 was «The Legend of Cinema Luncheon: A Salute to Clint Eastwood,» on Wednesday, featuring the legendary film icon participating in a one - on - one discussion with moderator Stephen Galloway, Executive Features Editor of The Hollywood Reporter, on his filmmaking process and his passion for the moviegoing experience.

We've collected all six of our features from our Special Issue on Luca Guadagnino's Call Me by Your Name in one easy - to - read, collectible place, and included a foreword by our Editor - in - Chief Alex Heeney about 7R's journey with the film through 2017.

As usual, Asghar Farhadi also surrounds himself with a first - class team: José Luis Alcaine on photography (a regular collaborator of Pedro Almodóvar, Carlos Saura and Bigas Luna), the costume designer Sonia Grande (Midnight in Paris by Woody Allen, The Others by Alejandro Amenábar), and Iranian editor Hayedeh Safiyari, continuing a long and fruitful collaboration with the director after working together on four of his feature films, including his two Oscar - winning films.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

Blackshear directed from his own script as well serving as one of the film's editors and cinematographers.The film won the Jury Honorable Mention Award for Narrative Feature at this year's Slamdance Film Festival.

Adding to the already - impressive tech credentials and self - deluded Alex Proyas / Akiva Goldsman commentary of the previous widescreen release (I like how Goldsman soldiers forth in a way that suggests he understands a third of what he's saying), one of two new film - length yakkers features production designer Patrick Tatopoulos, editor Richard Learoyd, and various members of the visual effects team.

It runs about 10 minutes and features writer / director / editor Nick Tomnay talks about his 26 minute black - and - white short that he expanded into this feature - length film.

The robots, however, are controlled by simple remote devices and headsets, and though we got a look at how they function in the film, Atom's rare shadow feature — which allows the handler to pre-program moves into his memory — wasn't revealed in the sizzle reel that Levy and editor Dean Zimmerman showed to us.

By Alysha Webb, Editor and Publisher Jaguars have featured prominently in a few James Bond films, but the models on offer to the public have been so pricey that few of us could do more than... Read more

Literary Agent Undercover is only for authors who understand the benefits of traditional publishing: no financial risk because someone else is paying for the privilege of publishing your book; a higher quality product thanks to a top - notch editor and cover designer; more profit due to better sales, distribution, and publicity; subsidiary rights opportunities like merchandising, translations, TV, feature film, etc; increased credibility and more book reviews; and the ability to spend more time writing, promoting, and doing what you love.

In the 1980s he turned to television and editing, and was a screenwriter for feature films and television and was the producer of the TV series Beauty and the Beast as well as a story editor for The Twilight Zone.

Travis was the Director of Photography and Editor for 5414 Productions» friendly fire documentary A SECOND KNOCK AT THE DOOR.Travis puts to good use his Bachelor of Arts in Film, working with a wide array of clients, shooting everything from commercials and television shows, to documentaries, webseries, and feature films.

Christopher Murrie, senior film editor at Laika, uses the in - game cell phone feature to take snapshots of the violent action in Grand Theft Auto Online and posts his results to Reddit.

Luckily we are editors with years of experience on documentaries, TVCs, large corporate videos, music video clips, feature films and TV shows.