Sentences with phrase «feature film format»

After working on television series and a documentary, Ana Kokkinos has returned to the feature film format for the first time since 1998's Head On.

But Rob also understood that movies are a totally different medium, so he gave us his blessing to make whatever changes were necessary to adapt his work into feature film format.

Not exact matches

Like the 3 - D Tangled, however, it also represented a leap forward in movie technology: It was the first Disney animated feature filmed in a super-wide, 70 - millimeter format, with a soundtrack in six - channel stereo.

Was the change of format from a documentary to a feature film an easy transition?

The rumored $ 250 million production features even more scenes filmed in the IMAX format than 2008's The Dark Knight 82 and will once again see the return of Alfred (Michael Caine), Lucius Fox (Morgan Freeman), and Jim Gordon (Gary Oldman).

Special Features: The movie has been re-mastered in a 2K format from the original film in order to have a better visual.

The feature is being self - distributed in theaters exclusively this weekend, and Hauck has partnered with Kodak and Fotokem to spread the message that «film can be affordable and accessible to independent filmmakers as both a shooting and exhibition format.»

In Aardman's cinematic absence, others have kept the art of stop - motion alive; among this year's Animated Feature Oscar nominees are two films — Henry Selick's Coraline and Wes Anderson's Fantastic Mr. Fox — made in the painstaking frame - by - frame format.

The mockumentary format is at least an attempt to do something fresh in the animated film world, but mockumentaries are only really funny because they mirror real life in an ironic, satirical fashion, often featuring comedians employing a naturalistic ad - lib delivery.

The combo pack's DVD is not the same one sold on its own, but a disc stripped of bonus features, save for transferrable digital copies of the film in two formats.

The Criterion Collection has released the 1940 Alfred Hitchcock film in its new Blu - ray / DVD combo format, packaged with a handful of decent bonus features.

Disney's combo pack delivers a dynamite presentation of the film in four formats plus a strong hour of bonus features including the winning original short.

Running February 19 thru March 10, along with a separate shorts program of short films and trailers, the Music Box will be showing 14 features — some of them in prints from their original theatrical runs — that run the gamut from Oscar - winning classics to cult oddities to contemporary uses of the format.

The upshot is a fascinating film featuring a «less - is - more» format reminiscent of the one employed by Errol Morris in his Oscar - winning Fog of War (2003).

I first caught the film upon its May 2002 DVD debut, one of Disney's last animated features to hit the format without much fanfare.

Letterboxed at 2.37:1 and enhanced for 16x9 displays, the film looks passable on the format but, because of the feature's beefy 135 - minute running time, some detail (of both the shadow and fine varieties) has obviously been sacrificed to accommodate a DTS option.

Every film in the set features standard mono Dolby Digital audio tracks, and though they're not likely to challenge your system with power or dynamics, they feel accurately reproduced for the format and get the job done.

Grindhouse — Quentin Tarantino and Robert Rodriguez's double feature ode to the crappy genre films of the 70s was one of my most enjoyable film experiences of the last few years, but I think the films work best in that format, back to back with fake trailers and missing scenes.

The disc features the IMAX presentation, with the film letterboxed in the 2.39:1 widescreen format with some scenes reverting to IMAX full frame and special effects spilling out of the frame and into the black bars.

Did Disney think people savvy enough to buy Emperor's New Groove on Blu - ray wouldn't notice or care that the format that usually boasts more bonus features gives this esteemed film nothing more than its sequel?

Paramount's Blu - ray combo pack offers some of the finest picture and sound quality you'll find on the format plus a solid collection of entertaining and informative bonus features highlighted by a winning documentary, an enjoyable animal featurette, and deleted / extended scenes viewable on their own or as part of the film.

In place of those features, the DVD here contains redeemable digital copies of the film in three formats (Windows Media and iTunes for computer viewing, and a lower - res WMV file for portable devices).

The bebop idea of riffing on a melody to the extent that the melody becomes unrecognizable (with an attendant introduction of dozens of beats to the standard four - beat bar) carries through in the frenetic kineticism of series that also, by its format, mirrors jazz bebop's compact agility (generally carried by quartet and quintet arrangements)-- making a feature - length film, then, a strange place for the «Cowboy Bebop» franchise to go.

The viewer can then switch back - and - forth (using the multi-angle feature) between these two formats and the finished film.

But in point of fact, the movie was his fifth feature, and with his sixth and latest film, The Florida Project, Baker returns to his favored shooting format of 35 mm, this time in the at once fantastical and sober environs of Orlando, Florida.

By my calculations, I went to the cinema 257 times over the last 12 months (Dec 12 - Dec 11) and saw over 270 feature - length films for the first time (in all formats).

Trumbull's second feature as a director, Brainstorm, was all but orphaned by MGM and his directorial efforts since have been outside the Hollywood system, including short films in his own high - definition Showscan process (a large - frame film format that runs at 60 frames a second) and Back to the Future... The Ride,» a multi-media mix of film, sound, and simulator ride.

The groundbreaking film, a moving tale of the friendship between a boy and a giant alien robot, is featured in both widescreen and pan-and-scan formats, and looks great (of course, even better in the former format).

Disney has all but given up on DVD, reducing the still widely preferred home video format to an insignificant bonus feature of Blu - ray, a formality for new theatrical films, and occasionally another retail shelf to place the old - fashionedly packaged versions of deceptively identical combo packs.

Fox's Blu - ray treats the film to an excellent presentation, a light but adequate collection of bonus features, and the versatility of three formats.

The combo pack's FastPlay - equipped DVD, evidently the only one this film will be getting for the time being, furthers the unfortunate trend of fans of that still handily most popular format getting just some scraps for bonus features.

I didn't see the short film that was Whiplash's original format before watching the feature film, but I do recall thinking before my initial screening that a director as young and inexperienced as Damien Chazelle seemed unlikely to impress me.

Rather than produce some new features that enhance one's understanding and appreciation of both the film and its creation, Disney has spent money on remixed song music videos, childish set - top games, and a new musical number (an addition they foolishly feel is necessary to get people to repurchase the movie on a new format).

And it's not just limited to the films featured below, either, because Criterion is releasing the horror classic «Rosemary's Baby» for the first time on the format, and Universal's «Alfred Hitchcock: The Masterpiece Collection» is finally coming to stores.

«Singin» in the Rain: The MGM Screenplay» also features page - accurate screenplay in text and image formats as well for the film that consistently tops lists as the greatest movie musical of all time.

The film, with internet - enabled interactive features exclusive to the Blu - ray format - and only playable on Profile 2.0... Read more

Mark May 15th in your calendars because Microscope Gallery in Bushwick, a gallery dedicated to film, video, sound, performance and other time - based art is now accepting film & video submissions of all types and formats for programs featuring innovative and unusual works by the Bushwick area artists in conjunction with the Bushwick Open Studios 2011 Music Festival

He co-directed the 2007 documentary film Good Copy Bad Copy and has produced several award - winning long - format radio documentaries and cross-media features.

During January and February S1 Artspace will host three programmes of artist film and video featuring work by artists based in the UK, USA, Finland, Denmark and Germany combining video formats with 16 mm film projection.

During January and February S1 Artspace will host three programmes of artist film and video featuring work from the UK, Denmark, Germany, Estonia, Serbia and Montenegro, Australia and Peru, combining video formats with screenings in 16 mm and Super 8.

Some notable startups worthy of a mention include: Arcus Studios, producers of animated content for broadcast, short or feature film; Recite, which transforms the format of websites, repackaging the content by adding disability functionality; Appysnap - which completes missions with your phone's camera to win instant prizes and special offers, and Screach, an app that lets you interact in real time with any digital screen from your smart phone and rewards you for doing so.

Increasingly, contemporary artists work with cinema's scale and distribution formats: collaborating with Hollywood actors, as artist Candice Breitz has done, or making mainstream feature films themselves (such as Omer Fast's Remainder, 2016).

This exhibition features more than twenty works in diverse formats: photography, sculpture, painting, drawings, film and video, installations.

Jeffrey Stockbridge's first solo exhibition at the gallery coincides with the publication of his book by the same name, and features several large format color photographs (shot with a 4 × 5 film camera) of men and women caught in the grip of drug addiction and prostitution along Kensington Avenue in North Philadelphia, Pennsylvania.

A group exhibition in video format featuring a selection of films and videos imagining the ways in which artists re-write history.