Today, on March 9th, a crowdfunding movement for an anime
feature film project based on Fumiyo Kouno's award winning manga Kono Sekai no Katasumi no (In this Corner of the World) was officially launched!
Not exact matches
The
film is the latest true - story
based projected directed by Bennett Miller; part psychological drama / thriller, part sports drama, Foxcatcher reads as being a hybrid of genre tropes presents in Miller's previous biographical
features, Capote and Moneyball.
For his latest
project, he's assembled an impressive cast for two
feature films based on a couple of books of poems.
There is a great narrative associated to Thunder Road: it serves as a brilliant proof of concept
project as it was
based on the Sundance Grand Jury prize winning short, and serves as a reminder that in this era, regardless of a small budget or limited means — that if you've got a great idea and a team of creative collaborators, you can make a
feature film in the month of November and win a major
film festival five months later.
It will also apparently
feature a character whose likeness is
based off of famed
film director Guillermo Del Toro, a close friend of Kojima's who was previously tapped to help the Metal Gear creator develop a new entry in the Silent Hill franchise called «Silent Hills» before Konami scrapped the
project during their tumultuous split from Kojima.
The exhibition
features past
projects and new works, including installations,
films and long - term, process -
based projects.
For his residency at the Hammer, Shaw is conducting research for upcoming
film and studio -
based projects that engage particular
features of California history, sociology, and geography, including skateboarding culture and architecture, and West Coast spiritual cults of the late twentieth century.
The launch event will also
feature a screening of the latest version of tr0118044y «s
film «Holiday», discussed in the text, a 20 - year ongoing
project based in and around the club culture of Ibiza.
For those who enjoy cerebral sci - fi with a strong female lead, Lynn Hershman Leeson reflects on the origins of her web -
based project Agent Ruby (1998 — 2002), an artificially intelligent bot that first appeared in Leeson's
feature film Teknolust, starring Tilda Swinton.
The exhibition
features fifty - three videos that fall into three distinctive groups; performance
based works, video documents of sculptural
projects and programmed
films.