by Walter Chaw Trouble Every Day and The Man Who Fell to Earth as directed by Stanley Kubrick, Jonathan Glazer's astonishing Under the Skin marks his return to
feature filmmaking after a nine - year hiatus.
With the exciting news emerging about The Flamethrowers possibly being your next movie, how do you think it will feel now to return to
feature filmmaking after this wonderful experience with Top of the Lake?
Not exact matches
After shooting, Lanthimos began preparation to shoot The Favourite but then turned back to The Killing of a Sacred Deer after the filmmaking team watched footage and figured the feature could be finished in time for a premiere at Cannes, where the filmmaker's previous films The Lobster and Dogtooth deb
After shooting, Lanthimos began preparation to shoot The Favourite but then turned back to The Killing of a Sacred Deer
after the filmmaking team watched footage and figured the feature could be finished in time for a premiere at Cannes, where the filmmaker's previous films The Lobster and Dogtooth deb
after the
filmmaking team watched footage and figured the
feature could be finished in time for a premiere at Cannes, where the filmmaker's previous films The Lobster and Dogtooth debuted.
After working in performance art and installation, the Colombian - born and Toronto - based artist announced herself as a
filmmaking talent to watch with her
feature debut Señoritas, which we called «portraiture through accumulated exposure.»
«We Bought A Zoo» (2011) On the face of it, Cameron's Crowe «s return to
feature filmmaking —
after a brief detour with two music docs, «Pearl Jam Twenty» and «The Union» — didn't seem promising.
After dominating the majority critics awards this season, O.J.: Made in America was bested by Kristen Johnson's Cameraperson at the 10th Cinema Eye Honors, winning Outstanding Achievement in Nonfiction
Feature Filmmaking.
After a 12 - year - break, Cameron returns to
feature filmmaking with a mind - bending epic that's both visually spectacular and emotionally involving.
The
filmmaking team had edited a version of the
feature that was 15 minutes longer without a score, but
after test screenings, it was decided to go tighter and add a score.
Almost immediately, Soderbergh segued from
feature -
filmmaking to premium cable (Mosaic, The Knick) and
after a five - year hiatus, back to the big screen, first with last year's relatively well received Logan...
After a series of horror shorts, director Fede Alvarez was finally given his big break into
feature length
filmmaking by being tasked with reworking the cult classic horror Evil Dead.
After a four - year hiatus from
feature filmmaking, Carpenter returned to the big screen in 1992 with the comedic Memoirs of an Invisible Man, probably his least interesting film.
To those intoxicated by the energy powering Joachim Trier's first two
features, Reprise and Oslo, August 31st, his fourth
feature — a return to Norwegian - language
filmmaking after 2015's Louder Than Bombs — may present as bafflingly still.