Sentences with phrase «feature images of objects»

Spontaneous and quite personal, Guston's prints feature images of objects found in his studio — a chair, an easel, a set of paintbrushes — along with fantastic forms that defy easy interpretation.

His series Found Not Taken features images of objects the artist has discovered in the streets of both cities.

Featuring an image of an object that appears often in Anthea's work - there was a wavey boot the other side of the big bum in her room at last year's Turner Prize.

Not exact matches

One of the features Apple is exploring is the ability to take a picture and then change the depth of the photograph or the depth of specific objects in the picture later; another would isolate an object in the image, such as a person's head, and allow it to be tilted 180 degrees.

A machine learning algorithm programmed to identify images of coffee cups might compare photos of random objects against a database of coffee cup pictures; by examining more images, it systematically learns the features to make a positive ID more quickly and accurately.

The collaborators compiled and modified a list of 109 visual features that can be used to assess the aesthetic appeal of an image, such as the relative size, color, and distribution of discernable objects within the image, as well as texture and color intensity.

Fiez, who studies the neuroscience of reading, says those features may tap into how our eyes and brains process images: Neurons fire faster at the site of objects that display vertical symmetry — like human faces — and horizontal and vertical lines, which are common in natural landscapes.

Computers that can reason about images may be able to pick out distinct features of a person, place or object from photograph archives

Evolution Robotics's solution is to extract only key features of an object, creating a «signature» for it which can then be matched to signatures in a library of reference images.

The AI has learned the texture and features of objects like trees and buildings from a database of images, and uses this knowledge to cheat.

Throughout the competition, the underwater vehicles will also be tasked with creating high - res images of individual objects, including archeological, biological or geological features of the seafloor.

Software that systematically perturbs — or varies — different parts of an image and resubmits the image to an object recognizer can identify which image features lead to which classifications.

Some of the features include overlay images, titles, pointers, quizzes (true - false or multiple - choice questions), links, embedded objects like pictures or videos, related articles and blogposts, labels and buttons and more.

Acrobat doesn't know one blurb of text is a caption and another chunk of text is the title for the feature article, etc; it just knows these are some text objects, paths, and images, all on the same page.

The Belkin Portable Tablet Stage features an adjustable platform that lets you position your mobile device at the ideal angle for recording video or capturing images of objects, textbooks or documents.

One of the features of the app is it allows you to link objects such as images and text to other pages within the book.

Some regular columns featured in The Onion include: «STATshot», a spoof on USAToday's Snapshots, InfoGraphic, a set of bullet points and an image that provides a humorous «map description» of a person or object.

wall space gallery is pleased to present a new exhibition featuring gallery artist Barbara Parmet paired with guest artist Christa Blackwood expanding the notion of photographic object and image.

The exhibition features site - specific installations by Nicola López and Lisa Sigal, both of whom deconstruct objects and images to form new worlds and visions.

Spielautomat (Slot Machine), 1999 - 2000, a self - portrait of the artist as a slot machine, features the title object covered with overlapping rows of images — snapshots of artist friends such as Lawrence Weiner, photographs of male movie stars torn from magazines, postcards and pictures of street scenes and storefronts — and is topped with a portrait of Genzken by Tillmans.

On the way down the stairs to UMOCA's Main Gallery is The Metamorphosis of an Object, a series of prints by Pondick that features neatly spliced - together images of sculptures — Pondick's Dog with the Seated Buddha in Maravijaya, for example.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

EAST HAMPTON, NY: Eric Firestone Gallery presents MirrorMirror, a group exhibition featuring works by artists concerned with reflective surfaces, the quality of a mirrored object's reflection, and doubled images.

A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

Her layered canvases feature hybrid objects made from images of power tools, car keys, body parts, and banal nature backdrops.

The exhibition features descriptions of each case in addition to new commissions, in which artists respond to the alteration of their original ideas or intentions, using archival documentation as well as new texts, images, and objects.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

A three - part exhibition, the first gallery provides a glimpse of McGinness» studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

With over 150 objects, Caribbean: Crossroads of the World features a range of diverse media depicting images of and about the region.

Dario Robleto Setlists for a Setting Sun (The Crystal Palace)(2014), a work that features a range of found and constructed objects, images, and sounds that pay homage to an early moment of future shock: the earliest known recording of a live musical performance, created in 1888.

Feature Image: Sarah Charlesworth, Figures from «Objects of Desire I,» 1983 - 84.

Brooklyn - based Thomas, whose work features powerful depictions of women and fantastic images of colorful interiors inspired by vintage shelter magazines, has reproduced her work on functional objects before.

Launched on January 17 and featuring the work of 11 artists, each image comes from the one luxury car interior but its object is viewed only in isolation at any given time.

In erasing features, removing limbs, expanding scale, and joining together internal and external bodily parts, she creates three - dimensional figures and objects in clay that move away from familiar images of the human form.

The New York - based artist draws portraits of people featured in old discarded photographs taken between Emancipation and the modern Civil Rights era and often creates a narrative «tableaux» by pairing the images with found objects.

Featured images: Pepo Salazar — The Subjects, part of the installation, Venice Biennale 2015; Meret Oppenheim — Object, 1936.

Enclosed in a clamshell case and featuring fourteen specimen cards, this deluxe volume brings the reader into Dion's process and reveals how the order of images can change one's perception of objects.

Featuring a number of iconic works as well as a range of pieces rarely seen, the exhibition explores the continuous terrain mapped by Wilke between language, image and object, incorporating performance, photography, drawings, collages and sculptures rendered in materials as diverse as ceramic, gum, latex, erasers and bronze.

Much of Hong Hao's work features assembled scanned images of various found objects including maps, books, tickets, receipts, banknotes, food, and containers.

These tableaus incorporate a wide range of images and objects from modern life, with the title of the exhibition referring to the shoelaces which feature compositionally in a number of the new paintings.

As a printmaker, sculptor and installation artist, Swoon's exhibition Swimming Cities of Switchback Sea, features countless objects and images that reference urban decay and the darker, albeit romantic, side of city life.

Each image features a piece of furniture available at their many locations, but instead of a picture of the product itself, the image of the furniture piece is actually comprised of smaller everyday objects accompanied with the tagline «It's that affordable.»

The exhibition features a selection of works that exercise the boundaries of the pictorial plane and straddle the line between image and object.

The exhibit will feature a variety of photographs Harvey made during a monthlong trek from Chicago to Los Angeles and back to Tulsa along Route 66, including black - and - white and color prints, as well as slide images that will be projected on gallery walls, along with objects she collected along the way, from daily newspapers to pieces of petrified wood.

Michael St. John solo exhibition «Portraits of Democracy» features a new series of identically scaled, small - format works that depict aspects of our current culture and society through images of people and objects.

a different sort of gravity features a new body of work that explores the ways in which thoughts, images, and objects are interpreted through language and memory.

This exhibition features large sculptures by Victoria artist Nick Brdar, involving cut - out and modeled images of bodily segments grafted on to structures and discarded consumer objects.

Many of Martin's new pieces feature loopy landscape imagery laced with glitter, while lacking the object - image play present in his last show.

Objects featured in the exhibition include exquisite gold sculptures and paintings of the Buddha, beautiful Buddhist texts on palm leaf and paper, and a selection of images of Buddhist monks.