Her first
feature length film links to the work of other contemporary female directors — Andrea Arnold's Red Road (2006) and Fish Tank (2009), Clio Barnard's The Arbor (2010) and The Selfish Giant (2013); and Carol Morley's Dreams of a Life (2011)-- who unsentimentally yet respectfully look at the poor and marginalised in Britain, especially children and young women.
The Serengeti Rules, a
feature -
length documentary
film, connects these dots to reveal the invisible
links that bind sea otters, whales, and kelp forests to ocean survival, and where wolves enable rivers to run clear.
This educational resource provides teachers and learners with a range of questions and activities
linked to the
film, which is a
feature -
length version of the documentary TV series Planet Earth, following the migration paths of four animal families.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker
films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's
feature -
length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston
Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism,
film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...