Sentences with phrase «feature production takes»

Alfredo: I don't feel like going into detail about how your logic is wrong, but consider that for any animated feature production takes at least three years and also have art directors and cinematographers.

Not exact matches

«Since we've now explored this technology on the Apple TV, it will also allow us to take advantage of this feature on our future iOS mobile productions
A special feature in this year's Index of U.S. Energy Security Risk is a look at trends in security of world oil production that take into account the reliability and diversity of crude oil supplies over time.
His fresh take on production, has drawn some very high - profile attention: The album notably features a collaboration with Bon Iver and Kanye West.
After making his name with three independent films in Shotgun Stories, Take Shelter and Mud, director Jeff Nichols approaches his fourth feature with a bigger budget, making it his first studio production and allowing him to operate on a slightly more ambitious and grander scale.
It must have taken a superhuman effort to pull together this massive production, the nineteenth in the Marvel Cinematic Universe, which features just about every single character from all the movies thus far (except, sadly, San Francisco's own Ant - Man).
The Brit has proven elastic with the release of three largely disparate feature films — the sci - fi action thriller Kill Command, the romantic drama Me Before You, and a period drama Genius, in which she takes on the effusive role of Zelda Fitzgerald — and appeared in two theater productions including a turn as Stella in A Streetcar Named Desire at St. Ann's Warehouse in Brooklyn and as Elena in Robert Icke's Uncle Vanya in London.
Focus Features has sent out a press release announcing the start of production and Trevorrow took to twitter to release the first photo of his film's cast.
The IDA Enterprise Doc Fund provides production and development funds to feature - length documentary films taking on in - depth explorations of original, contemporary stories and integrating journalistic practice into the filmmaking process.
Features: generally excellent Audio Commentaries [various configurations of producers, writers, directors and cast comment on all eight episodes]; Take a Look at the Lawman — a one hour making of documentary split between discs one and two; Interview Clip with Bharat Nalluri [director for the first two episodes]; The Music of Life On Mars — composer Ed Butt takes us through the surprisingly complex task of composing and arranging the series» theme music; Get Sykes — featurette with production designer Brian Sykes, and a [sadly] pretty average Outtakes Reel.
EXTRAS: The so - called «Freedom Edition» Blu - ray includes an audio commentary with directors Seth Rogen and Evan Goldberg, five production featurettes, Randall Park's audition video, deleted scenes, alternate takes, a blooper reel and a Discovery Channel special featuring Rogen and co-star James Franco.
When Studio Ghibli announced it was closing production of feature films in 2014 many saw it as the end of an era, even if they did take back that statement a few years later.
Jack Gracie chats with Mary and The Witch's Flower director Hiromasa Yonebayashi and producer Yoshiaki Nishimura... When Studio Ghibli announced it was closing production of feature films in 2014 many saw it as the end of an era, even if they did take back that statement a few years later.
We know principal photography began today because Curtis took the time to post a set photo to Twitter with director and co-writer David Gordon Green, and it features a certain memento from the original Halloween production back in 1978.
The Tale of The Princess Kaguya (Universal, Blu - ray, DVD, VOD), nominated in the Animated Feature Film category, is probably not considered a «major» nominee by the mainstream press but this production by Studio Ghibli co-founder and «Grave of the Fireflies» filmmaker Isao Takahata takes an artisanal approach to animation.
If you really like the movie, though, you'll want to watch «Bringing Predestination to Life» (1:16:30), a feature - length making - of documentary that takes us through production week by week.
(In French, Arabic and Russian with subtitles) Theater of War (Unrated) Drama - driven documentary featuring Meryl Streep, Kevin Kline and Tony Kushner takes a look at the life and ideas of playwright Bertolt Brecht (1898 - 1956) via a NYC Public Theater production of his play «Mother Courage.»
At the Awards Ceremony the next evening, Laura Poitras» Citizenfour took home four awards, becoming the first film in Cinema Eye history to win for Feature, Direction, Editing and Production.
On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).
Production took place at the very beginning of the year with major thumbs up support from Tribeca Film Festival where the film (not yet finished) landed the IWC Filmmaker Award and this past summer, Deb Shoval «s feature debut was submitted to Champs - Elyse ́es Film Festival's US in Progress.
In addition, inside we got our hands on some pretty cool production art, along with the previously released official still featuring Emile Hirsch taking Moscow by storm.
Humpday (Magnolia) is Shelton's third feature and her break - out production: it took home the Special Jury Prize at Sundance and went on to a national theatrical release.
Fincher then left to take on another feature, paving the way for former production designer Catherine Hardwicke to sign on based on the success of her first feature Thirteen.
Production design, featuring insectoid designs for spaceships and spacesuits, takes Saturn 3 a certain distance, though once repetition sets in, the low budget starts to look woefully inadequate.
Taken together, these segments run 59 minutes, 12 seconds and feature Mann, former Chicago police officer Chuck Adamson, author / Chicago historian Richard Lindberg, actor / former Chicago police officer Dennis Farina, LAPD technical advisor Tom Elfmont, first assistant director Michael Waxman, author Eddie Bunker, LA Sheriff's Department technical advisor Rey Verdugo, producer Art Linson, second unit director Ami Canaan Mann, casting director Bonnie Timmerman, director of photography Dante Spinotti, executive producer Pieter Jan Brugge, technical weapons trainers Mick Gould and Andy McNab, sound mixer Chris Jenkins, production designer Neil Spisak, musician Moby, composer Elliot Goldenthal, and actors Al Pacino, Jon Voight, Robert De Niro (circa 1995), Val Kilmer, Dennis Haysbert, Tom Sizemore, Amy Brenneman, Mykelti Williamson, Tom Noonan, Ashley Judd, Danny Trejo and Diane Venora.
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
A play of words on Billy Idol's tune in, production on his third feature film A Name Without a Place took place in mid-April and wrapped up on the West Coast in May.
Selecting «Production Archives» takes you to a wealth of additional bonus features, primarily but not entirely vintage - based.
Original post follows... With production on Creed 2 expected to get underway soon, Sylvester Stallone has taken to Instagram to share a teaser poster for the follow - up to Ryan Coogler's Rocky spinoff, which features Stallone's Rocky Balboa and Michael B. Jordan's Adonis -LSB-...]
Clicking on «Play» allows you to view a lengthy making - of «Day Out Of Days: The I, Robot Production Diaries», whilst clicking on «Unique Features» from the main menu provides one of those never - dreaded sub-menus that takes you section - by - section through the supplementary material.
There's no word on if the original cast will return for the feature, and although Sunday Boling and Meg Morman handled casting for the short, «The Handmaid's Tale» CDs Sharon Bialy and Sherry Thomas will take over filling out the roster for the feature - length film, which will start production in New Mexico in February.
A feature - length adaptation of the late - 80s television series for which Mann served as executive producer and unofficial show - runner, Vice marks an important shift for Hollywood in the digital era for the way it actively engaged with the implications of a technological change most had simply taken for granted, and it does so by both wholly embracing its mode of production and reflecting the consequences of doing so.»
Featuring stunning costumes designed by Mayes C. Rubeo (John Carter), incredible production design courtesy of Oscar - winner John Myhre (Memoirs of a Geisha, Chicago) and eye - popping art and set direction, oftentimes there's so much going on in the frame it's almost impossible to take it all in.
Employing production design that would be right at home in the rebooted J.J. Abrams Star Trek franchise, Netflix's Lost In Space takes the raw materials from the original show, and molds them into an episodic drama featuring surprisingly complex characters.
The Annie Awards, known for predicting the next animated film to take home an Academy Award, honor excellence and achievement in animation, with a total of 36 categories including Best Feature, Best Feature — Independent, Production Design, Character Animation, and Effects Animation to Storyboarding, Writing, Music, Editing and Voice Acting.
DVD Features: Commentary by director John Carpenter and actor Kurt Russell, «John Carpenter's The Thing: Terror Takes Shape», Production Background Archives, Casp Production Photographs, Production Art and Storyboards, Location Design, Production Archives, The Saucer, The Blairmonster, Outtakes, Post Production, Production Notes, Cast and Filmmakers, Theatrical Trailer
We fire the Porsche Carrera GT around the track Michael Macht, President and Chairman of the Board of Management of Porsche AG, said «production of the 918 Spyder in a limited series proves that we are taking the right approach with Porsche Intelligent Performance featuring the combination of supreme performance and efficient drivetrain concepts.»
Exactly 20 years ago, in March 1995 the impressive Diablo SV was unveiled at the Geneva Auto Show, short for Sport Veloce the Diablo SV was in fact the entry level model, a lightweight version of the Diablo 2WD that was developed with racing in mind (in 1996 the Diablo SV - R became a reality), hence the alcantara interior, special rear wing and air intakes to draw cool air straight into the V12 engine compartment... the Diablo SV quickly became a very popular model, and by the time the MY1999 with the fixed headlights took over production of the original Diablo 2WD was halted in favor of the Diablo SV, which also featured rear wheel drive only while the Diablo VT was a four wheel drive version.
Through its design alone, this concept car already came with a wide range of features destined to be taken up again by the first MINI, short body overhangs front and rear, round headlights and the re-interpretation of the hexagon radiator grille providing an outlook at important styling elements on the production model to follow later.
[9] Production of the Avalon had begun in 2000, taking much of its basic design and mechanical features from the then six - year - old Avalon model sold in North America.
It is likely to take the LC600h badge for production and feature a hi - tech hybrid drivetrain.
Take a look at just a few of the features that make the Demon the record - breaking production car that it is.
In additional to eye - catching looks, BMW promises the 8 Series coupe will feature «razor - sharp dynamics» to take on the likes of the AMG - tuned Mercedes - Benz S - Class coupe, Aston Martin DB11 and Bentley Continental GT when it arrives in 2018 in production form.
Related: Corvette to Feature Two New Colors for 2015 Kerbeck Now Taking Orders for the 2014 Corvette Stingray 2012 Corvette Begins Production Without Crystal Red and Cyber Gray
It's no surprise that Apple can take advantage of large - scale production to introduce a tablet containing all of these new features at the same price as last year's iPad 2.
Taking all those features and shortcomings into account, we think that the Nook's survival chance is 80 % — if it can fix its firmware and get production up to speed.
The debut mixtape from Remus, a sickening 20 tracker solidifying his rep as one of the most talked about emcees and anticipated releases to come out in recent years... It doesn't disappoint, he takes on many styles of beats here and smashes it everytime, also featuring Chester P, Farma G & Vandal, plus original production from Skilla, all mixed by Slade Man.
Lets say a more powerful PlayStation 5 comes out instead of an evolutionary console, it means that gamers are going to expect another ramp up in production costs to take advantage of the new hardware features, publishers will need to wait for the install base to grow on PS5 and also risk everything on next generation development.
She takes up this ubiquitous feature of every modern home as a historical nexus, both of the post-World War II ideological battles over planning and speculation, and of several gender - coded modes of production.
At the reception, Mr. Meola will sign copies of his new book, «Streets of Fire,» which features photographs taken during the production of Mr. Springsteen's «Darkness on the Edge of Town» album.
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