But on the basis of this film and his prior
feature screenplay credit, his shaky 1997 debut Star Maps, writing isn't his strong suit.
Not exact matches
The Blu - ray debut
features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the
screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.
As with most other WGBH releases there are no on - disc special
features, which is a shame since the closing
credits indicate the existence, on the PBS web site, of an interview with Emmy - winning classic adaptation specialist Andrew Davies, who wrote the
screenplay here.
Evidently, «The Grand Budapest Hotel» was conceived of with an old friend, but it will be the first
feature - length
screenplay that Anderson has penned that won't
feature a co-authoring
credit.
Jumping the Broom, whose title comes from a wedding tradition Pam alone wishes to see honored here, marks the
feature film debut of director Salim Akil (a veteran of TV's «Soul Food», «Girlfriends», and «The Game») and Arlene Gibbs, who shares
screenplay credit with story -
credited Elizabeth Hunter (an alum of «ER», «The L Word», and «Charmed»).
A smart
screenplay (by Linda Woolverton), a gifted voice cast (that, it must be noted, is free of the marquee names that now clutter animated
feature credits), and superior animation work would have already made for a good film, but what makes Beauty so justly beloved is a generous helping of magic — namely the divine music by the legendary team of composer Alan Menken and the late, great lyricist Howard Ashman.
Superficially, the plotline of Obsessed reads like a thinly - veiled remake of Fatal Attraction, as it
features so many similarities to that classic thriller that the original's scriptwriter, James Dearden, deserves to share a
credit for the
screenplay.
For his efforts, the filmmaker will receive a
screenplay credit for the Warner Bros.
feature.
Although McCoy has not yet been
credited on a
feature release, three of his scripts have appeared on Black List, the annual index of the top unproduced
screenplays.
Wayne Gale (Robert Downey Jr., «Natural Born Killers,» 1994) Oliver Stone's «Natural Born Killers» sprung from another of Tarantino's original creations, though our
featured director is
credited with the story, not the
screenplay.