Sentences with phrase «feature the painting woman»

The exhibition will feature the painting Woman Artist, Nude, Standing (1985 - 87).

Not exact matches

The women, who have been covering their breasts only with body paint and posing for photos in exchange for tips, have become a major talking point in the city after the Daily News has repeatedly condemned their presence in Times Square — while repeatedly featured photographs of the scantily clad women on the cover of the paper.

Current Elliott women's «The Fling» destroy with paint relaxed boyfriend jean Distressed blue denim jean with pain splatter details Features button and zipfly, belt loops, five pockets 100 % cotton Machine wash SIZE AND FIT A slightly slimmer version of the classic boyfriend jean Sits on the hips Cut for a relaxed fit Model is 5» «10 and wears size 26

Sensi Studio women's natural stripe woven toquilla tote with hand - painted flowers Hand - crafted by indigenous artisans in the Andes Woven from flexible - yet - durable toquilla palm straw Features hand - painted flowers 100 % toquilla straw

My upcoming round also spans the end of February and beginning of March, and March is International Women's Month, so I thought it would be fitting to feature a painting of two wWomen's Month, so I thought it would be fitting to feature a painting of two womenwomen.

His paintings have been featured in O, The Oprah Magazine's «Live Your Best Life — Women Who Make Beautiful Things,» Seth Godin's bestseller, Linchpin: Are You Indispensible?

A number of bonus features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary» music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the filming of four sequences), a gallery of Alex Ross» paintings of scenes from the original film used in the opening credits, a trailer for and making - of featurette on Activision's Spider - Man 2 video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).

His paintings have been featured in O, The Oprah Magazine's «Live Your Best Life — Women Who Make Beautiful Things,» Seth Godin's bestseller, Linchpin: Are You Indispensible?

His paintings have been featured in O, The Oprah Magazine's «Live Your Best Life — Women Who Make Beautiful Things,» Seth Godin's bestseller, Linchpin: Are You Indispensible?

One of Los Angeles — based artist Audrey Wollen's Instagram posts features an undated 1890s painting in which a nude woman reclines, examining herself in a mirror...

Highlights include a large painting of 15 women employed by the Mayor's Office of Immigrant Affairs by the show's co-organizer, Aliza Nisenbaum, along with a quiet front room featuring John McCallister's folding screen and a portrait by Hope Gangloff.

Joffe's celebrated figure paintings feature young women whose lithe outlines pulsate within lush, Munch - like interiors and cityscapes.

From the outset, the gallery featured the work of international emerging and established artists working in painting, sculpture, photography, works on paper, and video, and emphasized pioneering women and LGBT artists on its roster.

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

She was the only woman to feature in the Situation exhibition at the RBA Galleries in 1960, an important group show in abstract painting.

Recent solo exhibitions include WOMEN Words, Phrases, and Stories, The FLAG Art Foundation, New York, NY (2016); Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York, NY (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); among others.

It features excerpts from Angelou's writings and is inscribed in part: «This painted story quilt is a tribute to the universal wisdom and strength of Maya Angelou, the phenomenal woman, writer, poet, thinker and human being.»

Lehmann Maupin 536 W. 22nd St., [phone] Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

Recognized for her large - scale, rhinestone - embellished paintings of powerful black women and pattern - rich interiors, this volume, produced conjunction with the exhibition «Muse: Mickalene Thomas: Photographs,» gathers the photography of Mickalene Thomas for the first time — portraits, prints and Polaroids — and features a nod to fellow contemporary African American photographers who inspire her.

It's hard to spot a man in Hahn's paintings, where women with features resembling smiley faces and bodies like lava - lamp blobs lounge, commiserate, and cry.

Her own work challenges these boundaries, as seen in her solo show Revenge, featuring consecutive paintings of black women protagonists and memorials to the horrors of the transatlantic slave trade, at Rochdale Art Gallery and the South Bank Centre, London, in 1992, which contested the pictorial narratives so frequently repeated in art history.

My paintings have been featured in O, The Oprah Magazine «s «Women Who Make Beautiful Things,» Seth Godin's Linchpin: Are You Indispensible?

The other day, when I came out of the C - Town at Wyckoff and Dekalb, I saw a woman wearing beige leggings made of polyester lace that featured a big repeating flower pattern, and I thought of your paintings.

A LETTER TO TAMARA GONZALES FROM SHARON BUTLER Dear Tamara, The other day, when I came out of the C - Town at Wyckoff and Dekalb, I saw a woman wearing beige leggings made of polyester lace that featured a big repeating flower pattern, and I thought of your paintings.

Featuring an alluring woman in uniform whose skin is colored with his signature hand - painted Ben - day dots, the piece was purchased on November 9, 2015, by an anonymous buyer at Christie's New York for 95.4 million dollars.

The venerable Colorado museum's show last summer, «Women of Abstract Expressionism,» featured 51 paintings by 12 women artists who have not gotten recognition as a group before — from Elaine de Koonig, the wife of Willem, whose work she championed; to Helen Frankenthaler, married to Robert Motherwell; to Lee Krasner, overshadowed by her art - star husband, Jackson Pollock; as well as many of their peers, from familiar to obscure: Joan Mitchell, Mary Abbott, Perle Fine, Jay DeFeo, Ethel Schwabacher, Judith Godwin, Grace Hartigan, Deborah Remington and Sonia GechWomen of Abstract Expressionism,» featured 51 paintings by 12 women artists who have not gotten recognition as a group before — from Elaine de Koonig, the wife of Willem, whose work she championed; to Helen Frankenthaler, married to Robert Motherwell; to Lee Krasner, overshadowed by her art - star husband, Jackson Pollock; as well as many of their peers, from familiar to obscure: Joan Mitchell, Mary Abbott, Perle Fine, Jay DeFeo, Ethel Schwabacher, Judith Godwin, Grace Hartigan, Deborah Remington and Sonia Gechwomen artists who have not gotten recognition as a group before — from Elaine de Koonig, the wife of Willem, whose work she championed; to Helen Frankenthaler, married to Robert Motherwell; to Lee Krasner, overshadowed by her art - star husband, Jackson Pollock; as well as many of their peers, from familiar to obscure: Joan Mitchell, Mary Abbott, Perle Fine, Jay DeFeo, Ethel Schwabacher, Judith Godwin, Grace Hartigan, Deborah Remington and Sonia Gechtoff.

Inspired by the glossy spreads of vintage magazines and pornography, David Kramer's paintings frequently feature shiny cars and gorgeous women looking longingly into the lens.

Susan Eley Fine Art is pleased to announce the opening of Driven To Abstraction, an all - women exhibition featuring paintings and works on paper by Caroline Blum (Window on Haight Street 2017 above), Lori Ellison, Dana James, Melanie Parke and Lizzie Scott.

His optimistically titled show, «Tomorrow Is Another Day», will feature paintings and sculpture but will also encompass Process Collettivo (Collective Process): a long - term collaborative project with Rio Terà dei Pensieri, a Venice - based co-operative that works with the inmates of a women's prison on the island of Giudecca to make bags made from recycled signs and posters.

His gallery installations are cabinets of curiosities featuring intricate wall paintings of beautiful women, indigenous statues and deities, collages crafted from vintage magazines penned and inked by the artist, human - like insect heads encased in vitrines, dolls that have been transformed into gang members, and images of pin - up girls with full tattoo sleeves.

Girls» Club presents Women Painting, featuring 52 works from the collection of Francie Bishop Good and David Horvitz.

A painted diptych presents the headless bodies of the women which are featured throughout the show.

The series of large - scale paintings on show feature women not unlike the ones in the video projection.

«Body of Work: New Perspectives on Figure Painting» is part of the National Museum of Women in the Art's biennial exhibition series Women to Watch, featuring emerging artists from the states and countries in which the museum has outreach committees.

Desiring to «revisit the spirit of 15th c. Italian painting» and Japanese Bunraku puppet theater, Ms. Larsen creates tilting panoramas featuring tea ceremonies, cowboys and cowgirls, the hand of God and an interrupted erotic encounter involving two women, one man and a pair of kayaks.

The show will feature gouache studies and oil paintings depicting the women who helped to form her own identity while growing up in Marin County in the late 1970's.

Paintings from the mid-1950s, like Arcade Women, featured an ominous perspectival grid, crossing lines articulating a matrix in which figures are caught.

Recent solo exhibitions include Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); New Work, Mitchell Algus Gallery, New York (2009), among others.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

This intergenerational exhibition features surreal and sexy paintings of women by art world icons like Joan Semmel, mid-career masters like Nicole Eisenman, and newcomers like Allison Zuckerman.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

In her solo exhibition at 5 Car Garage, Sullivan has re-purposed an entire exhibition — or at the very least it's title, «BIG GIRL PAINTINGS» — by Julian Schnabel at New York's Gagosian gallery in 2002, which featured enormous portraits of young blond women whose eyes have been covered by raw, horizontal swaths of paint.

The Women of Abstract Expressionism exhibition features Frankenthaler's breakthrough stain painting Mountain Storm, Jacob's Ladder on loan from The Museum of Modern Art and Western Dream, one of my favorites.

This new exhibition features 51 paintings, created in the 1940s and 1950s, by 12 women artists: Mary Abbott, Jay DeFeo, Elaine de Kooning, Pearle Fine, Helen Frankenthaler, Sonia Gechtoff, Judith Godwin, Grace Hartigan, Lee Krasner, Joan Mitchell, Deborah Remington, and Ethel Schwabacher.

In several paintings women are featured in elaborate tignons, an 18th century headdress imposed by law for women of color in New Orleans and a tradition that although imposed as a form of oppression became, through elaborate patterning and design, a symbol of power and beauty.

For her larger works, the appearance of a male farmer marks the first time her recurring cast of characters has extended and includes a man (typically her paintings feature a trio of dispassionate women who appear to be sisters).

Barker co-curated Women on the Fence (Mothership Festival, Desert Hot Springs: 2016) and her work has been featured in numerous publications such as New American Paintings and The Harvard Divinity Bulletin.

Barker co-curated Women on the Fence (Mothership Festival, Desert Hot Springs: 2016) and her work has been featured in numerous publications such as New American Paintings and The Harvard Divinity Bulletin Her work was named the best show in Portland of 2014 by Art Ltd. magazine and has been reviewed in Art in America, Oregonian, Willamette Week, Portland Monthly, and Visual Arts Source.

Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in moWomen at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen in their community; women illustrators; and modern women in mowomen illustrators; and modern women in mowomen in motion.

The Campbells donated a recently rediscovered Baroque painting, Zeus and Semele by Jacques Blanchard, while Folz's gift includes a double - sided charcoal drawing by Mondrian featuring a representational landscape on the recto (Farm Near Duivendrecht) and an abstract composition (The Sea (Ocean 2)-RRB- on the verso, as well as Pierre Bonnard's Woman with a Lamp (1909).