But they were brave and talented — the three
featured artists depict another side of their life in the 19th century.
Not exact matches
And during The Disaster
Artist premiere, the real - life Wiseau and Sestero sat together watching the scene
depicting The Room premiere, which
featured their characters staring up at themselves on the big screen.
He says his biggest challenge was creating the facial
features, expressions and details that other
artists usually
depict with paint, charcoal and pencils.
The
artist's 2008
feature film «Hunger»,
depicted the 1981 Irish hunger strike, starring an emaciated Michael Fassbender as Bobby Sands; premiered at the 2008 Cannes Film Festival.
The exhibition
features works by
artists depicting Long Island in the nineteenth century.
Known for his opulent aesthetic
featuring colorful scenes inlaid with enamel, glitter, and semi-precious stones, Shaw's phantasmagorical dreamscapes often
depict characters in conflict and commonly draw from the
artist's own «diaries» alongside the violent and erotic.
Curated with verve and sophistication by Diana Widmaier Picasso, and seductively titled from a work of Ed Ruscha's
depicting (go figure) an Alp, it nonetheless begged to shock with a flagrance of merged bodies, frontal erection, the fetishist mannequins of pop
artist Allen Jones, life - size interactions led by Dirty — Jeff on Top (that's Koons, entering La Cicciolina), and a recreated modelling studio
featuring two stark - naked live models who came off more like strippers.
Her images convey a sense of timelessness, as though they could
depict scenes from a brothel in an abandoned mining town as readily as an
artist's loft in Brooklyn, and often
feature a thick, red X loosely painted over the composition.
The exhibition is exceptional because it
features nearly 50 paintings by court officials and court
artists, including magnificent silk paintings
depicting important historic events in monumental scale.
Rendered in a black, monochromatic palette, the painting
features the
artist's solution for
depicting the animals named in the title.
Flood Gallery: The Modern Day Hero Exhibit
features two pieces from each
artist, one
depicting a national hero, and another
featuring a local hero.
While he is well - known for works
featuring his own social milieu — often
depicting parties, portraits of friends and fellow
artists, and, perhaps most notably, his wife Ada, who has been his model and muse for decades — the landscape of Maine, which he first encountered as a resident at the prestigious Skowhegan School of Painting and Sculpture in 1949 - 50, has been a central point of reference throughout his career.
Co-curated by Sally Radic, of The Guston Foundation and Musa Mayer, the
artist's daughter, the show
features over 180 works
depicting Nixon and his cronies, including Guston's infamous Poor Richard series and over 100 additional drawings.
The paintings
feature some still lives as well as the
artist himself,
depicted in contortioned positions, entwined with static objects.
Yoakum's animistic drawings
depict places from the
artist's worldly travels while Nelson's works prominently
feature the Oregon landscape.
The exhibition
features a number of portraits
depicting black people by
artists from a variety of backgrounds.
Jewish Museum Members are invited to an early Members - only viewing of Chaim Soutine: Flesh,
featuring Soutine's remarkable paintings
depicting hanging fowl, beef carcasses, and rayfish, imbued with the unique visual conceptions and painterly energy that the
artist brought to the tradition of still - life, considered among his greatest artistic achievements.
, the Guardian has released an interactive
feature that details the sordid backstories behind many a Renaissance painting, including the
artists» relationships to the models they
depicted.
It includes essays by the curator Jens Hoffmann, the scholar José Luis Barrios, and the film critic Ernesto Diezmartínez Guzmán as well as information on all the participating
artists and their works, extended notes on the classic films selected by the
artists, and a special insert
featuring a newly commissioned photographic project by Fernando Ortega
depicting abandoned or repurposed movie theaters in Mexico City.
The exhibit
features works
depicting animals by notable self - taught
artists including R. A. Miller, Mose Tolliver, and Lonnie Holley.
The exhibition will
feature work by 26 gallery
artists and estates, as well as photographs by
artist Giovanni Hänninen
depicting Thread and its surroundings.
This «imagined ocean at low tide as their setting»
features a series of 3D renderings, and photos the New York - based
artist's sculptures, paint, and found images, to
depict yoga poses in plastic and Mermaids surrounded by the detritus of «Snapchat - like» filters and special effects.
While early landscapists such as J. M. W. Turner,
depicted the power of raw, unrestricted nature to overwhelm humanity, the
artists featured in Landscapes after Ruskin are working in a climate of heightened anxiety, technological advancement, frequent natural disasters, and increasing human populations.
Featuring a variety of mediums including photographs, video, performance, installation, and text, the
artist depicts her journey to gain access and privilege via international tourism, the pursuit of luxury, and how these activities contradict an individual sense of interiority.
Abigail Ogilvy Gallery is proud to present Domestic Memory, an exhibition
featuring four
artists whose work
depicts the human form through the use of household materials.
Placed within the vibrant, immersive environment created by the paintings, Kusama's new stainless steel sculptures
depict fantastically scaled, individual flowers
featuring the
artist's distinctive bold palette.
Class Acts
features five
artists whose graphic works
depict raunchy, explicit, and confrontational subject matter.
At IdeelArt, we like the idea that words can not easily
depict an art whose very essence is precisely to be beyond any kind of representation, but we position ourselves very much in the «non-figurative» side of the Abstraction continuum,
featuring works by some of the best international abstract
artists.
More Water
features the series Couples Therapy, a group of paintings that
depicts the
artist's friends eating with their significant others.
Spare and graphic, it
depicts pairs of shovels, matches, and silverware crossed over one another and placed on top of dinner plates — a metaphor for relief and reconstruction, in Zwirner's words — and is «a mighty rare work,» boasting a special
feature: the
artist's footprints.
In 2007, the Modern Art Museum of Fort Worth hosted Ron Mueck,
featuring the
artist's figures that are extraordinarily realistic, except in scale - they are always
depicted much smaller or larger than life.
The
featured contemporary
artists are Kara Walker, who makes panoramic silhouettes of plantation life and African American history; Canadian
artist Kristi Malakoff, who cuts paper to make life - size sculptures
depicting a children's Maypole dance; MacArthur - prize - winner Camille Utterback, who will present an interactive digital work that reacts to visitors» shadows and movements; and Kumi Yamashita, who «sculpts» light and shadow with objects to create mixed - media profiles of people who are not there.
In 1999, after Mayor Rudolph W. Giuliani threatened to cut off city funding to the Brooklyn Museum because of an exhibition
featuring a painting by the British
artist Chris Ofili that
depicted a Virgin Mary figure and incorporated collaged pornographic elements and clumps of dried elephant dung, Mr. Trump joined in the criticism.
New Works on Paper
features a group of paintings on paper
depicting individual elements of a single anonymous flowering plant that the
artist came across when spending an afternoon in love on the streets of Paris late last summer.
Thirty - one Southern California
artists are each
featuring a work of art
depicting animals, both real and imaginary.
The exhibition will
feature 32 local San Diego
artists, each presenting a work of art
depicting animals, both real and imaginary.
On a floor area of 21,000 square feet at the Piano Nobile of Palazzo Reale, the exhibition
features artworks by 127 international
artists,
depicting the theme of maternity in art from the early - 20th century to the present.
31 Southern California
artists each
feature a work of art
depicting animals, both real and imaginary.
It includes self - portraits, often shown hill - walking; images of boats on the Medway, the estuary where he lives; still lifes with flowers,
featuring pots made by the
artist's mother; and paintings
depicting the Swiss modernist writer Robert Walser, including works based on police photographs showing the author dead in the snow.
The
artist's first solo venture with the gallery will
feature a new series of works in oil
depicting Target interiors, Costco parking lots, fast - food restaurants, and reflective building fronts — places the
artist refers to as «non-destinations, particularly North American kinds of nowhere,» at once ubiquitous and yet largely unseen.
An influential professor and
artist in Istanbul, Eviner is known for her drawings and paintings in ink and acrylic that
depict fantastical human - animal creatures, and for her multimedia videos and installations that
feature performers engaged in absurd gestures and ritualistic actions.
Our latest exhibition entitled «Animalia / A Group Show» opens on November 12, and will
feature 31 San Diego
artists, each presenting a work of art
depicting animals, both real and imaginary.
Salt's recent paintings continue to portray imagery of America from the 1970s; Red Mailbox II
features signature elements that the
artist has
depicted throughout his career — the nearly broken - down vehicle in the driveway, the aging mobile home, and the subtle signs of life disrupting and comingling with the isolated, rural setting.
His latest series
features the inside of custom built trucks, which are placed in a new context as the
artist digitally combines the ornate interiors of the trucks with luscious and exotic scenes that
depict Latin - American socio - economic tableaus.
The
featured artists span from well - known to emerging, and the subjects they choose to
depict are wide - ranging as well.
Curator of Contemporary Art Reto Thüring leads a tour of the exhibition,
featuring the
artist's newest works, many of which
depict dystopic scenes of conflict and shame, commenting on the turbulent political atmosphere that followed in the wake of the 2016 US election.
This exhibition
features works by many innovative
artists and filmmakers, mostly African Americans, whose art
depicts, is influenced by, or visually parallels jazz music and culture.
The show
features new paintings and paper collages; fanciful, sometimes mysterious arrangements of everyday objects, toys, Plasticine, cardboard, threads, and adhesive tape serve the
artist as models — the
artist depicts them with an uncanny accuracy in his paintings and drawings.
Later works include exuberantly satirical works of the 1960s, many
featuring the vaguely autobiographical figure described by critic and
artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each
depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.
As a 15 - minute edit of the
artist's forthcoming
feature length film, Piercing Brightness, «Trailer» is a spliced - together, fictional sci - fi mash - up that
depicts an alternate universe of cultural collisions occurring in the factual town of Preston.