Sentences with phrase «featured in films like»

Prequel / reboot based on the Tom Clancy character featured in films like The Hunt for Red October, Patriot Games, Clear and Present Dangers and The Sum of All Fears.

While it is certainly okay for a bit - player like Kevin Durand (Gabriel) to feature in a film like this, it is somewhat disappointing that Bettany's promising career has taken him to this unfortunate mishmash of ideas and images, even in the «whoa dude, angels killing angels!»

Not exact matches

In one interview featured in the film, Zalewski points his finger like a gun and declares, «This is straight up capitalisIn one interview featured in the film, Zalewski points his finger like a gun and declares, «This is straight up capitalisin the film, Zalewski points his finger like a gun and declares, «This is straight up capitalism.

It is in reaction to a film like Independence Day, which features a mad - dog Randy Quaid blowing up an alien ship kamikaze - style, that a film like Arrival gets made, which features a somber Amy Adams writing messages on a whiteboard.

Savvy marketing, followed by strong word of mouth: The studio was smart and pushed the film with recording - industry tie - ins and social media; a «Straight Outta» meme, featuring stars like Beyonce, took over the web.

He worked with stars like John Legend and Oprah Winfrey before launching his own multi-platform media company, Macro Ventures, which was behind the production of Denzel Washington's Academy Award - nominated feature film «Fences» in 2016, and more recently, the acclaimed indie film «Mudbound,» which Variety predicts may be the first Netflix feature to compete for an Oscar.

In recent months, it has struck content licensing deals with the likes of Paramount, Lionsgate and NBCUniversal and reached a multi-year extension of an agreement with Sony Pictures Television to bring even more of the company's feature films to its users.

The movie had a better sense of liturgical music than most Catholic parishes: Actually, the real reason I like to see any film in which the Catholic Church is featured prominently concerns the music.

Evidence they are like the tactically meat - grinding and military law abusing French WWI generals featured in Stanley Kubrick's Paths of Glory film?

Like the 3 - D Tangled, however, it also represented a leap forward in movie technology: It was the first Disney animated feature filmed in a super-wide, 70 - millimeter format, with a soundtrack in six - channel stereo.

Kellogg's ® Nutri - Grain ® Bakery Delights package features textured film to represent a bakery treat that looks like its wrapped in kraft paper and twine.

The promo made by the South Korean broadcaster features the likes of Son Heung - Min, Harry Kane, Javier Hernandez and Mauricio Pochettino hilariously superimposed in what looks like a short clip from an old Korean film of sorts.

By Brandy black Raising kids in a modern family with two moms, it is often difficult — okay, near impossible — to find children's TV programs or films that feature families like ours.

But rapidly spinning black holes, like the one featured in the 2014 film Interstellar, might prefer singing to chirping.

She's graced the cover of magazines like Skiing, Ski, Powder, Outside, Men's Journal and Fitness and has been a featured skier in Warren Miller films.

Viewers can click to view and purchase the pieces featured in the film — from labels like Louis Vuitton, Kenzo, La Perla and Maison Martin Margiela — though the YouTube version of the film is, sadly, not shoppable.

M * A * S * H is a 1972 — 1983 American television series developed by Larry Gelbart, adapted from the 1970 feature film MASH, which, in turn, was based on the Oh, I really love mash - up games like this where characters from two different worlds are put together!

As schematic as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.

Features clips from the 32 greatest adult movies ever produced and in - depth interviews with the biggest stars in adult film history, like Jenna Jameson, Ron Jeremy, Marilyn Chambers, Christy Canyon, Jessica Drake, Georgina Spelvin, Allie Haze, Andrew Blake, Stoya, Constance Money and Kay Parker.

One of the central characters is introduced from the waist down and to say that the film climaxes in violent, sexual oddity would be like saying «The Avengers» features a few superheroes.

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

The Movie: The idea of George Clooney playing a (mostly) silent assassin holed up in the Italian countryside with gorgeous European women sounds like recipe for a solid dramatic experience, so why Focus Features is marketing «The American» as some sort of action thriller when in fact it's an arty European film, will throw some moviegoers off and just outright anger others.

Like the abominable «Napoleon Dynamite,» director Jared Hess» second feature will doubtless capture the hearts and minds of 12 - year - old boys everywhere, even if Nacho Libre sacrifices the earlier film's aggressive mean - spiritedness in favor of gentle slapstick lunacy.

I liked that there wasn't much background to the characters, so found this feature unnecessary, but they are well done and voiced by the cast member who played the relevant role in the film, so I'm sure a lot of people will dig»em.

Put together, REBEL IN THE RYE feels more like an HBO film that a real, big - screen feature - not that there's anything particularly wrong with that.

Her feature - length debut, 2013's «It Felt Like Love,» focused on the bumpy trajectory of an introverted teenage woman exploring her urges with dangerous results; with the markedly similar «Beach Rats,» Hittman brings the same tropes to the plight of a young man in a film that has the precision of a great short story and the uneasiness of body horror.

Shot entirely on location in Barrow, Alaska, On The Ice is the engrossing and suspenseful feature film debut by filmmaker Andrew Okpeaha MacLean about two teenage boys who have grown up like brothers go about their lives in the comfortable claustrophobia of an isolated Alaskan town.

Upon his return from military service, Damone resumed his film career, enjoying featured or co-starring roles in major musical productions like Hit the Deck (1955) and the screen adaptation of Kismet (1955).

Continuing our coverage of images from films that will be featured at January's Sundance Film Festival, we bring you images from two of the higher profile dramas that will be screened in - competition at the festival: The Ledge and Like Crazy.

In comparison to recent films based on the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radio.

Like their previous film Lenny Cooke, sibling directors Benny and Joshua Safdie focus on a true story in Heaven Knows What, only this time they shoot it as a feature narrative instead of a documentary.

At a time when retributive wars in the Middle East have become all the rage, it is unsurprising that revenge has also returned to our cinemas, with recent American films like The Punisher, Man on Fire and the remake of Walking Tall all exhibiting a gung - ho enthusiasm for extrajudicial retaliation (and all featuring protagonists who, like Richard, have a military background).

Don't Worry, He Won't Get Far on Foot is an acting showcase featuring one of the best performances of Joaquin Phoenix «s career and a supporting turn for Jonah Hill that joins his acclaimed performances in films like Moneyball and The Wolf of Wall Street.

It features actors who showed up in the third cycle of Star Wars films that began in 2015 with «The Force Awakens,» in which classic characters like Han Solo, Chewbacca and Leia were mixed in with new ones played by Daisy Ridley, Adam Driver and John Boyega.

But we'd had good vibes about his seventh feature, «Moonrise Kingdom,» in the run up to its release, and Wes delivered with a film that was simultaneously like the most Wes Anderson - y Wes Anderson film he's made, and yet also the biggest departure.

On another track, actor Topher Grace joins writer - director Paul Weitz for a respectable feature - length commentary in which they mock Grace's Agent Smith - like attire and mutually confess to making the film in partial tribute to their respective fathers.

While the supporting cast, featuring James Franco, Sharon Stone, Chris Noth, and Chloë Sevigny (the list literally goes on and on), is amusing simply for the novelty of seeing them dressed in kitschy»70s getups playing the likes of Hugh Hefner and Harry Reems, the revolving door of familiar faces is just one example of the film's lack of focus.

Cumberbatch is best know as Sherlock Holmes in the BBC series Sherlock, but has also seen feature film turns in movies like The Fifth Estate, Star Trek Into Darkness and this November's The Imitation Game.

By Sean O'Connell Hollywoodnews.com: Much like «Mission Impossible: Ghost Protocol,» which marks the feature - film debut of animator Brad Bird, we're predominantly interested in next year's «John Carter» because it's the first live - action effort from Andrew Stanton, the genius brain behind Pixar's masterpieces «Finding Nemo» and «WALL - E.»

In the US version of The Grudge, Takashi Shimizu has remade his own film, actually featuring most of the same cast members (and what looks like the same house!).

Instead of documentaries and interviews and the like, the second disc offers an alternate cut of the film, which only runs a few minutes longer but features a different ending that changes the entire point of the film... for the better, in my opinion.

As such, like another second - tier Marvel title before it, Guardians of the Galaxy, that allows for some deviation from the core Avengers films in terms of how things will look and sound, giving us a movie that feels organically different in visual design than most we've seen before, even if it still retains the same formula structure of the rest of the MCU features.

The HD features continue with another spotlight, this time on Puss in Boots, another look at the making of the film (just like with Shrek), and even more karaoke (it's an identical subset as on the first disc, but with the music that appears in Shrek 2).

Apart from the obligatory chapter stops (15, in this case), there are unfortunately no supplemental bonus features, except for a small collection of trailers for films like Echelon Conspiracy and Wrong Turn at Tahoe, the latter being the latest of many straight - to - video flicks starring Cuba Gooding, Jr..

Marshall, not content to simply toy with one concept, however, takes his conceit further; in addition to crafting a wholly claustrophobic and tense caving adventure, the second half of his film forks, morphing into a gory, blood - fueled creature feature as the group is attacked by an Ork - like army of cave dwellers.

Their discussion is sometimes shown in different parts of the screen, but the feature also incorporates artwork, photos, clips from other Disney films, and archival filmmaker video and audio (from the likes of Ward Kimball, Joe Grant, and Woolie Reitherman) to complement the present - day (well, 2009ish) reflections.

While that film felt like a seamless fusion of the middle - aged malaise seen in Greenberg with the youthful energy and aimless freedom of Frances Ha, his newest feature, Mistress America, is very much back in the realm of the latter.

To say that Kenneth Lonergan's latest is the best film of his career may not seem like it means much, given that it's only his third feature in 16 years after You Can Count on Me and the notoriously delayed Margaret.

The film is due in cinemas on December 23rd, 2011 (so not long to wait then) and features performances from the likes of Jamie Bell, Daniel Craig, Andy Serkis, Simon Pegg, Nick Frost, Gad Elmaleh, Toby Jones, Mackenzie Crook, Carey Elwes and Daniel Mays.

Like that film, it deals in espionage in an exotic hotspot (in this case, Havana, just as revolution was brewing in Cuba's jungles) where numerous world powers had interests, and features an innocent who manages to get in the middle of international scuffles.