Sentences with phrase «featured in the film while»

Q: You got the idea for the story after seeing something like the billboards that are featured in the film while traveling in the United States several years ago.

Immediately following the 5:00 pm screening, head to the Riverfront Promenade and party with the Master Sommeliers featured in the film while enjoying gourmet bites from renowned Napa Valley restuarants and tasting some of the Valley's finest wines.

Not exact matches

Netflix was also shut out in the award show's film categories, with the streaming service's original feature film Mudbound failing to win either of its two nominations, while the Cambodian Civil War drama First They Killed My Father also fell short in the foreign film category.

Meanwhile, Netflix (nflx) is second to only Time Warner's HBO (twx) in terms of TV category nods (nine to HBO's 12), while the streaming giant also picked up three big nominations in the film categories, including two for its original feature film Mudbound.

12 Years a Slave The misleading poster by Italian film distributor BIM Distribuzione featured the giant head of movie star Brad Pitt, who served only a supporting role in the film, while the movie's lead actor Chiwetel Ejiofor was given a tiny spot at bottom right corner.

While Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing film, which features Marvel's first African - American director (Ryan Coogler) and a cast led by black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the movie.

That year, Stanley Kubrick's film 2001: A Space Odyssey featured a Pan Am spaceship, while the airline's Asian fleet ferried soldiers on active duty in Vietnam to Japan or to Hawaii for their R&R leave.

Musk and Riley were together for a year after they remarried, but they have lived apart the past five months while Riley wrote and directed her first feature film, «Scottish Mussel,» in the United Kingdom.

Set mostly in the fictional African nation of Wakanda, the film boasts a director and primary star who are both African - American men (director Ryan Coogler and actor Chadwick Boseman), while the cast also features numerous other notable black stars, such as Oscar winners Lupita Nyong» o and Forest Whitaker as well as Angela Bassett and Michael B. Jordan.

The company envisions systems that will let consumers download a high - definition, full - length feature film in less than five minutes, allow rural health clinics to send 3 - D medical images over the Internet and let students collaborate with classmates around the world while watching live 3 - D video of a university lecture.

Another cool features is the ability to snap photos while filming with no break in the action.

Some feature characters from Disney films, while others tie in with Disneyland.

Instead, you have to start up the Second Screen feature — which plays supplemental material on your iPad or laptop while you're watching the film — in order to access the commentary track, but once you do, it's definitely worth checking out.

2010 is supposed to bring both Shrek Goes Fourth and the feature - length spin - off Puss in Boots: The Story of an Ogre Killer, while DreamWorks Animation chief Jeffrey Katzenberg has claimed that a fifth and final film is in the works as well.

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

Based on Gregory Miller's book Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935 film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the film itself is as exciting and entertaining as ever.

In the former film, she appeared as the quiet, capable love interest of Tony Shalhoub's struggling Italian chef, while the latter featured the actress in the minor but poignant role of a painfully - awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidatIn the former film, she appeared as the quiet, capable love interest of Tony Shalhoub's struggling Italian chef, while the latter featured the actress in the minor but poignant role of a painfully - awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidatin the minor but poignant role of a painfully - awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidate.

It should have been a no - brainer: The movie is based on a late -»80s arcade game spawned by the creature - feature films of the»50s and»60s, in which one to three players controlled giant monsters as they stomped the bejeezus out of one cityscape after another while the tiny cartoon populace reacted accordingly.

While the Future of Studio Ghibli hangs in limbo, Mami Sunada's Documentary is an eye opening film delving into the mind of the studio's founders Hayao Miyazaki and Isao Takahata on the verge of producing their last ever features.

And, while Al - Qaeda are the villains, the film manages to be fairly sensible in its portrayal of Arabs, featuring some sensible and fairly realistic characters.

In the end, there is just about enough narrative to hold interest, while the lyrical camerawork, constantly in motion, blurred images and all, offers a single emotion that is impossible to stretch over a feature - length filIn the end, there is just about enough narrative to hold interest, while the lyrical camerawork, constantly in motion, blurred images and all, offers a single emotion that is impossible to stretch over a feature - length filin motion, blurred images and all, offers a single emotion that is impossible to stretch over a feature - length film.

Add to it a soundtrack (featuring The Cure, The Smiths, and Tears for Fears, among others) that is the English equivalent to an 80's John Hughes film, and you have a film that will have all post-punk, 80's nostalgic fans tapping their feet while delighting in the chemistry of this pleasant romantic - comedy.

As the film jumps from location to location, chyron to chyron, picking up storylines listlessly while letting others lay fallow for a while, out of sight but without any sort of urgency at their displacement, the best moments emerge as those featuring Mark Ruffalo as Bruce Banner / Hulk, conveying an ocean of regret in the delivery of the word «Nat» to his lost love, Black Widow (Scarlett Johansson)-- or those between Paul Bettany's «Vision» and Elizabeth Olsen's «Scarlet Witch,» who share a stolen moment together in Scotland before what they believe will be their deaths.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

Screenwriter James Vanderbilt's feature directorial debut recounts the scandal that led to Dan Rather stepping down from the CBS News desk in 2004, but while Vanderbilt's script has some good ideas in it, the film is ultimately far too hagiographic for its own good, undercutting its thematic impact at nearly every turn.

And while 12 Years a Slave provides ample meat for its established actors (Benedict Cumberbatch, Paul Dano, Paul Giamatti and Brad Pitt feature memorably), it also helps shape a star in Nyong» o (making her film debut) who is heart - wrenchingly real as the terrorised Patsey.

While I can certainly agree with both films not falling squarely in line with the zombies, slashers, and extreme gore features that proudly wave their horror flags, Get Out and The Shape of Water do exist in the peripherals of genre, both featuring monsters of very different ilk.

While it is certainly okay for a bit - player like Kevin Durand (Gabriel) to feature in a film like this, it is somewhat disappointing that Bettany's promising career has taken him to this unfortunate mishmash of ideas and images, even in the «whoa dude, angels killing angels!»

On a more negative note, the film is designed and crafted in such a way that you take one side, with a certain perspective more prominently presented than the other, while the fact we're dealing with an ensemble feature does mean there's a lack of emotionality attached, as with so many characters to explore, we drift between them without ever feeling as though we've truly got to the bottom of their respective character developments.

The movie also features appearances by Rebecca Henderson (from «Appropriate Behavior «-RRB-, Heather Lind («Boardwalk Empire») and Michael Chemus («Captain Phillips «-RRB- Dean Wareham and Britta Phillips (from the band Luna) composed the movie's score (they wrote some music for previous Baumbach films and Wareham has a hilarious cameo in «While We're Young»).

Love, which reunites Haneke with Piano Teacher star Isabelle Huppert, is about a retired music teacher who has a stroke, while Rust and Bone, Audiard's first film since A Prophet, features Marion Cotillard as an aqua park employee who loses her legs in an accident involving an orca.

In comparison to recent films based on the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radio.

Gerwig herself has been open about the many films that inspired «Lady Bird» — she even programmed an entire series at NYC's Quad Cinema featuring a dozen films that she says helped fuel her creativity — and it while the list is peppered with some surprises, there's at least one coming - of - age classic that seems obvious: Howard Deutch's «Pretty in Pink.»

While Christopher Nolan has enlisted a number of A-list stars for his upcoming World War II epic Dunkirk, 19 - year - old newcomer Fionn Whitehead (Him) is set to take on the lead role in his feature film debut, and Entertainment Weekly has released a new image of his character, the young British soldier Collins; check it out here... -LSB-...]

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

While the supporting cast, featuring James Franco, Sharon Stone, Chris Noth, and Chloë Sevigny (the list literally goes on and on), is amusing simply for the novelty of seeing them dressed in kitschy»70s getups playing the likes of Hugh Hefner and Harry Reems, the revolving door of familiar faces is just one example of the film's lack of focus.

While the films marks Olsen's screen debut and is certainly the most anticipated of her upcoming features, it's hardly the only place she'll appear: The 22 - year - old has already shot four other films, including the dramatic comedy «Peace, Love and Misunderstanding» opposite Jane Fonda and Catherine Keener, and she plays Josh Radnor's younger friend and love interest in the college - set «Liberal Arts.»

While Dippold unfortunately gave into stereotypes and cliches in her feature film writing debut, the characters» free - spirited nature did garner genuine laughs.

While Hudlin's directorial history in feature films is questionable (his TV work is great), the subject matter of a young Thurgood Marshall before his time as a Supreme Court Justice seems very Academy - friendly.

The actress additionally took a moment to reflect on the once - in - a-lifetime opportunity of being able to originate a role on stage, while deepening one's relationship with a character through a feature film adaptation.

CHICAGO — The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film.

Director Fabien Constant, in his narrative feature debut, finds a momentum in that knowledge that propels the film forward, as Vivienne explores her fate (while never disclosing it) in encounters with friends, family and strangers.

This Paramount release offers an outstanding A / V presentation and a batch of special features that help answer the question a lot of people probably asked themselves while watching this film: «how in the world did they do that?!»

Often featuring quiet men who commit savage acts while drifting through their respective worlds, his films are as hyper - violent as they are hyper - stylish — from the Viking - era brutality of Valhalla Rising to Bronson's dark corners of the modern penal system to the postmodern urban underworlds in Drive and Only God Forgives.

While that film felt like a seamless fusion of the middle - aged malaise seen in Greenberg with the youthful energy and aimless freedom of Frances Ha, his newest feature, Mistress America, is very much back in the realm of the latter.

While both films feature the farming of sheep and two men who, while camping in the hinterland, share an intense sexual and romantic bond, the similarities end tWhile both films feature the farming of sheep and two men who, while camping in the hinterland, share an intense sexual and romantic bond, the similarities end twhile camping in the hinterland, share an intense sexual and romantic bond, the similarities end there.

Unroken features one of the more incredible true stories to come around in a film for a while.

While both films were produced at the Pendleton Correctional Facility in Indiana, Sackler sees them as complimentary films which can be viewed on their own or as an enlightening double feature.

While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.

So while the Nazis would be the obvious villains in pretty much any other World War II film (at least any set in the European theater, I guess), only Captain America could feature a bad guy like the Red Skull.