Sentences with phrase «featured pieces in the exhibition»

«Soundsuit» by Nick Cave is one of the featured pieces in the exhibition called Uncommon Likeness: Identity in Flux.»

Not exact matches

Each exhibition piece features authentic imagery captured and uses real physical phenomena and techniques in place of computer generated graphics.
Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.
The exhibition features 31 works including monumental and small - scale pieces installed throughout the sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated in stainless steel.
Selections from the permanent collection can now be seen in an exhibition at the museum called «Circa 1970,» which features works from its holdings made during the 1970s, including pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.
Unraveling Identity: Our Textiles, Our Stories The Textile Museum at the George Washington University Museum March 21 — Aug. 24 The largest exhibition in The Textile Museum's history, Unraveling Identity will feature more than 100 pieces spanning 3,000 years and five continents.
Shields worked comfortably in a range of material approaches and mediums, and his omnivorous eye and deliberate touch encompassed works and techniques that included unique paper pieces and canvases, editioned works, and jewelry (which Shields described as «wearable art»), all of which are featured in this exhibition.
Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.
Featuring 145 pieces from 1970 onwards, the exhibition explores how artists have included themselves in their work.
Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.
Despite his lack of formal training, the piece was immediately featured in a group exhibition at Tate Modern.
Featuring groundbreaking pieces by Alvar Aalto, Marcel Breuer and Charles and Ray Eames, the exhibition reflects on the material's specialist origins in 1760s furniture workshops; its developments in World War II and the post-war period; up until the present - day, where plywood is used on digital platforms and cut with computer - controlled machinery.
Despite being detained in China throughout the planning of the exhibition, the show will feature monumental architectural pieces created for the RA galleries, the artist having virtually navigated the spaces from his studio in Beijing.
The exhibition also features Ms. Piper's 1980 multimedia piece, «It's Just Art,» about the Cambodian genocide by the Khmer Rouge and her 2008 site - specific installation «Here,» which consists of three statements — «I was here,» «We were here,» «We are here» — engraved in Arabic, English and Hebrew.
The exhibition will feature 170 works of art, including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection — pieces that he collected, lived with and kept with him in his studios, many of them featured for the first time in the Americas.
Her exhibition «Ágrafo» (meaning «what is not written») in São Paulo's Galeria Luisa Strina will feature rope - wrapped objects that have been presented to a group of cats, whose bites and scratches become part of the piece.
Andre's first major exhibition in Britain for over 10 years, it features eight sculptures made between 1967 and 1983, as well as some of his typed - out poems from the same period (their words are arranged to form bold patterns on the page, almost like little pieces of sculpture).
This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.
That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.
Sonoma Corners, 1971, the title of which refers to Wilmarth's birthplace in California, is the single wall piece featured in the exhibition.
The exhibition also features First Sounds (2012), a piece Tang created in collaboration with astronomer Mark Whittle, who used computer calculations rooted in the Cosmic Microwave Background data to recreate the fundamental tone and higher harmonics of the sound of the early universe.
For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaiser.
Comprised of nearly 200 pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the exhibition is the first to feature this little - known artist in the US.
According to a recent piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,» as she prepares for a major exhibition at the Institute of Contemporary Arts (featuring sculpture, photography, painting, and more) on the heels of debuting costumes and backdrops in a ballet at London's Royal Opera House.
«Through their pieces, the artists featured in this exhibition investigate alternative frameworks for perception, often occupying its margins — responding to conditions of invisibility as well as what can not be represented — through radical experimentation.»
This is the Casasempere's first solo exhibition in Japan and features large scale sculpture with a group of ceramic pieces.
Showcasing innovative and outstanding pieces, the Aesthetica Art Prize Exhibition features shortlisted works from artists in four diverse categories.
This exhibition will feature photographs from his recent Pictures of Magazines 2 series, in which the artist has carefully culled and torn pieces of paper from art, fashion and news magazines; amalgamated them into re-creations of iconic and historically significant paintings; and then photographed and magnified the images, resulting in evocative, exquisitely - detailed and entirely unique works of art.
The majority of the featured pieces are on view in the museum's inaugural exhibition, America Is Hard to See.
The presentation at ICA will build off the exhibition's first iteration at the Contemporary Jewish Museum in San Francisco, creating a unique experience that features additional objects, never - before - seen pieces, and a series of events specifically designed for ICA audiences.
While the 1994 show featured Judd's works as well as two drawings by Kazimir Malevich, a recent 2017 exhibition curated by Flavin Judd, also at Galerie Gmurzynska, included 20 drawings and two paintings by the Suprematist artist and also featured a cadmium - red floor piece by Judd that was shown in the original exhibition in Moscow.
Collected by renowned Turkish expert Mehmet Cebi, more than 200 pieces will feature in the exhibition.
The centerpiece of this exhibition, entitled God Machines, is the installation of three large pieces featuring some of holiest places for the world's largest monotheistic religions — Mecca in Saudi Arabia, St. Peter's Basilica in Rome and the Wailing Wall in Jerusalem.
Located in the Allen Institute building at the corner of Westlake and Mercer in the South Lake Union area of Seattle, the 3,000 - square - foot exhibition space will be devoted to contemporary art and culture in the widest possible sense, featuring work from private and public collections in Seattle and other parts of the world, as well as pieces from the Allen Family Collection.
With backgrounds in contemporary visual art, media and fashion, the eight artists featured in the exhibition have been identified as leading makers whose quilts act as non-functional art pieces.
Featuring a new, site - specific installation, this is the first major exhibition in London of Lee Bul's work — and includes pieces from throughout the artist's lauded career.
Pieces from this series were featured recently in exhibitions such as «Ed Moses: Cross-Section» (2014) at the University Art Galleries, UC Irvine, CA and «Ed Moses: Drawings from the 1960s and 70s» (2015) at LACMA, CA.
The piece previously featured in PinchukArtCentre's 2009 exhibition «Requiem».
P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an exhibition featuring spectacular pieces including Leo Villareal's new LED Flag installed in the P.S. 1 elevator; Apolitico, an expansive outdoor flag installation by Wilfredo Prieto; Cannone Semovente, a monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.
Originally appearing in the January 2012 print edition of the journal, Panero's piece offered a survey of successful recent shows presented by several Bushwick favorites, Norte Maar's penultimate exhibition of last year - featuring Wolowiec, Man Bartlett, and Lindsey Walt — among them.
This exhibition of fifty - six lacquer boxes — ranging in date from the Muromachi (1392 — 1568) and Momoyama (1568 — 1615) to Edo (1615 — 1868) periods — featured one of the most elegant and diverse assemblages of such pieces outside Japan.
These pieces (including a replica of his 1914 Bottlerack) are installed together with iconic works by all eight of the artists who were featured in the New Painting exhibition, as well as other pivotal Pop artists.
The exhibition at the VMFA, which is located in Richmond, features 142 bracelets, earrings, rings, clips, and accessories designed by Schlumberger during the 1950s and»60s, the bulk of which are from a 2015 gift of 113 pieces of jewelry from the Mellon collection (the rest is from prior gifts of hers).
The exhibition also features her recent video piece Pent - Up, in which the reactions of five individuals to their repressed anger and desire
The highest - profile victory, however, went to performance artist and «dancing economist» Tino Sehgal for his piece in Massimiliano Gioni's «The Encyclopedic Palace» exhibition featuring a man and a woman sitting on the floor, one of them rhythmically uttering incantatory sounds of a vaguely Eastern, quasi-spiritual tenor while the other strikes poses that could possibly be derived from historical artworks.
At 9:00 p.m. local musicians from BUMP Records respond to Mark Bradford's solo exhibition and also his multimedia piece Pinocchio Is on Fire featuring a composite pop star based in part on soul singer Teddy Pendergrass.
In addition to works of the kind for which Oscar Tuazon is best known — sculptures made using industrial materials such as concrete, Plexiglas, and corroding rebar — his recent show at Maccarone featured a sound piece that served as the exhibition's conceptual anchor.
In reviewing that exhibition for The New York Times, Ken Johnson called the work, which features a young man at a kitchen table with a chocolate cake, «a deft piece of still - life painting.»
It functions as a platform and resource for an international community of artists, curators, museologists and other specialists, sharing diverse perspectives in the format of exhibition reviews, interviews, previews, special features, academic pieces and creative texts.
The exhibition opened on June 20, and features over twenty extraordinary pieces from the Houston - based Chaney Family's collection of Contemporary art in the Pearl's Main Gallery.
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