«Soundsuit» by Nick Cave is one of
the featured pieces in the exhibition called Uncommon Likeness: Identity in Flux.»
Not exact matches
Each
exhibition piece features authentic imagery captured and uses real physical phenomena and techniques
in place of computer generated graphics.
Jesus as a Weapon and a Tool» winks at the New Museum
exhibition «Trigger: Gender as a Tool and a Weapon,»
in which Bond
features by way of an installation and an occasional performance
piece for which the artist models
in a museum window on open view from the street.
The
exhibition features 31 works including monumental and small - scale
pieces installed throughout the sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated
in stainless steel.
Selections from the permanent collection can now be seen
in an
exhibition at the museum called «Circa 1970,» which
features works from its holdings made during the 1970s, including
pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.
Unraveling Identity: Our Textiles, Our Stories The Textile Museum at the George Washington University Museum March 21 — Aug. 24 The largest
exhibition in The Textile Museum's history, Unraveling Identity will
feature more than 100
pieces spanning 3,000 years and five continents.
Shields worked comfortably
in a range of material approaches and mediums, and his omnivorous eye and deliberate touch encompassed works and techniques that included unique paper
pieces and canvases, editioned works, and jewelry (which Shields described as «wearable art»), all of which are
featured in this
exhibition.
Impressionism is the artist's first solo museum presentation
in the United States, and
features a focused selection of extant
pieces alongside new work made specifically for the
exhibition.
Featuring 145
pieces from 1970 onwards, the
exhibition explores how artists have included themselves
in their work.
Spanning two floors of the 24 Grafton Street location
in London, the
exhibition will
feature works that relate to the artist's ongoing series of «collage sculptures» begun
in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted
in a uniform color and variably combined with found
pieces of scrap metal and a smooth, highly polished steel disk.
Despite his lack of formal training, the
piece was immediately
featured in a group
exhibition at Tate Modern.
Featuring groundbreaking
pieces by Alvar Aalto, Marcel Breuer and Charles and Ray Eames, the
exhibition reflects on the material's specialist origins
in 1760s furniture workshops; its developments
in World War II and the post-war period; up until the present - day, where plywood is used on digital platforms and cut with computer - controlled machinery.
Despite being detained
in China throughout the planning of the
exhibition, the show will
feature monumental architectural
pieces created for the RA galleries, the artist having virtually navigated the spaces from his studio
in Beijing.
The
exhibition also
features Ms. Piper's 1980 multimedia
piece, «It's Just Art,» about the Cambodian genocide by the Khmer Rouge and her 2008 site - specific installation «Here,» which consists of three statements — «I was here,» «We were here,» «We are here» — engraved
in Arabic, English and Hebrew.
The
exhibition will
feature 170 works of art, including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection —
pieces that he collected, lived with and kept with him
in his studios, many of them
featured for the first time
in the Americas.
Her
exhibition «Ágrafo» (meaning «what is not written»)
in São Paulo's Galeria Luisa Strina will
feature rope - wrapped objects that have been presented to a group of cats, whose bites and scratches become part of the
piece.
Andre's first major
exhibition in Britain for over 10 years, it
features eight sculptures made between 1967 and 1983, as well as some of his typed - out poems from the same period (their words are arranged to form bold patterns on the page, almost like little
pieces of sculpture).
This
exhibition will
feature key works from the Museum's collection, including sculptures
in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown
pieces from the early 1940s incorporating string and wood elements.
That
piece, an emblematic expression of his community - geared work, will be present
in the Polish artist's first major American
exhibition when it opens at the New Museum this month, along with a new installation
featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the
exhibition's visitors.
Sonoma Corners, 1971, the title of which refers to Wilmarth's birthplace
in California, is the single wall
piece featured in the
exhibition.
The
exhibition also
features First Sounds (2012), a
piece Tang created
in collaboration with astronomer Mark Whittle, who used computer calculations rooted
in the Cosmic Microwave Background data to recreate the fundamental tone and higher harmonics of the sound of the early universe.
For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video
piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,»
in relation to their most recent works, Flora and Bust,
featured in the Swiss Pavilion of the 57th Venice Biennale for the
exhibition Women of Venice, curated by Philipp Kaiser.
Comprised of nearly 200
pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the
exhibition is the first to
feature this little - known artist
in the US.
According to a recent
piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,» as she prepares for a major
exhibition at the Institute of Contemporary Arts (
featuring sculpture, photography, painting, and more) on the heels of debuting costumes and backdrops
in a ballet at London's Royal Opera House.
«Through their
pieces, the artists
featured in this
exhibition investigate alternative frameworks for perception, often occupying its margins — responding to conditions of invisibility as well as what can not be represented — through radical experimentation.»
This is the Casasempere's first solo
exhibition in Japan and
features large scale sculpture with a group of ceramic
pieces.
Showcasing innovative and outstanding
pieces, the Aesthetica Art Prize
Exhibition features shortlisted works from artists
in four diverse categories.
This
exhibition will
feature photographs from his recent Pictures of Magazines 2 series,
in which the artist has carefully culled and torn
pieces of paper from art, fashion and news magazines; amalgamated them into re-creations of iconic and historically significant paintings; and then photographed and magnified the images, resulting
in evocative, exquisitely - detailed and entirely unique works of art.
The majority of the
featured pieces are on view
in the museum's inaugural
exhibition, America Is Hard to See.
The presentation at ICA will build off the
exhibition's first iteration at the Contemporary Jewish Museum
in San Francisco, creating a unique experience that
features additional objects, never - before - seen
pieces, and a series of events specifically designed for ICA audiences.
While the 1994 show
featured Judd's works as well as two drawings by Kazimir Malevich, a recent 2017
exhibition curated by Flavin Judd, also at Galerie Gmurzynska, included 20 drawings and two paintings by the Suprematist artist and also
featured a cadmium - red floor
piece by Judd that was shown
in the original
exhibition in Moscow.
Collected by renowned Turkish expert Mehmet Cebi, more than 200
pieces will
feature in the
exhibition.
The centerpiece of this
exhibition, entitled God Machines, is the installation of three large
pieces featuring some of holiest places for the world's largest monotheistic religions — Mecca
in Saudi Arabia, St. Peter's Basilica
in Rome and the Wailing Wall
in Jerusalem.
Located
in the Allen Institute building at the corner of Westlake and Mercer
in the South Lake Union area of Seattle, the 3,000 - square - foot
exhibition space will be devoted to contemporary art and culture
in the widest possible sense,
featuring work from private and public collections
in Seattle and other parts of the world, as well as
pieces from the Allen Family Collection.
With backgrounds
in contemporary visual art, media and fashion, the eight artists
featured in the
exhibition have been identified as leading makers whose quilts act as non-functional art
pieces.
Featuring a new, site - specific installation, this is the first major
exhibition in London of Lee Bul's work — and includes
pieces from throughout the artist's lauded career.
Pieces from this series were
featured recently
in exhibitions such as «Ed Moses: Cross-Section» (2014) at the University Art Galleries, UC Irvine, CA and «Ed Moses: Drawings from the 1960s and 70s» (2015) at LACMA, CA.
The
piece previously
featured in PinchukArtCentre's 2009
exhibition «Requiem».
P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an
exhibition featuring spectacular
pieces including Leo Villareal's new LED Flag installed
in the P.S. 1 elevator; Apolitico, an expansive outdoor flag installation by Wilfredo Prieto; Cannone Semovente, a monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.
Originally appearing
in the January 2012 print edition of the journal, Panero's
piece offered a survey of successful recent shows presented by several Bushwick favorites, Norte Maar's penultimate
exhibition of last year -
featuring Wolowiec, Man Bartlett, and Lindsey Walt — among them.
This
exhibition of fifty - six lacquer boxes — ranging
in date from the Muromachi (1392 — 1568) and Momoyama (1568 — 1615) to Edo (1615 — 1868) periods —
featured one of the most elegant and diverse assemblages of such
pieces outside Japan.
These
pieces (including a replica of his 1914 Bottlerack) are installed together with iconic works by all eight of the artists who were
featured in the New Painting
exhibition, as well as other pivotal Pop artists.
The
exhibition at the VMFA, which is located
in Richmond,
features 142 bracelets, earrings, rings, clips, and accessories designed by Schlumberger during the 1950s and»60s, the bulk of which are from a 2015 gift of 113
pieces of jewelry from the Mellon collection (the rest is from prior gifts of hers).
The
exhibition also
features her recent video
piece Pent - Up,
in which the reactions of five individuals to their repressed anger and desire
The highest - profile victory, however, went to performance artist and «dancing economist» Tino Sehgal for his
piece in Massimiliano Gioni's «The Encyclopedic Palace»
exhibition featuring a man and a woman sitting on the floor, one of them rhythmically uttering incantatory sounds of a vaguely Eastern, quasi-spiritual tenor while the other strikes poses that could possibly be derived from historical artworks.
At 9:00 p.m. local musicians from BUMP Records respond to Mark Bradford's solo
exhibition and also his multimedia
piece Pinocchio Is on Fire
featuring a composite pop star based
in part on soul singer Teddy Pendergrass.
In addition to works of the kind for which Oscar Tuazon is best known — sculptures made using industrial materials such as concrete, Plexiglas, and corroding rebar — his recent show at Maccarone
featured a sound
piece that served as the
exhibition's conceptual anchor.
In reviewing that
exhibition for The New York Times, Ken Johnson called the work, which
features a young man at a kitchen table with a chocolate cake, «a deft
piece of still - life painting.»
It functions as a platform and resource for an international community of artists, curators, museologists and other specialists, sharing diverse perspectives
in the format of
exhibition reviews, interviews, previews, special
features, academic
pieces and creative texts.
The
exhibition opened on June 20, and
features over twenty extraordinary
pieces from the Houston - based Chaney Family's collection of Contemporary art
in the Pearl's Main Gallery.