Sentences with phrase «featured unconventional works»

It has displayed works by many notable artists, and has featured unconventional works such as a 1976 exhibit of live body builders, featuring Arnold Schwarzenegger.

Not exact matches

An aesthetic interpretation of the struggle between nostalgia and the desire for innovation, her work features hand - processed denim and unconventional materials.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

«Cain's abstract work, titled Mountain Song, features a variety of perspectives created through her unconventional use of canvases layered with patterns, textures, and color.

Group exhibition Material as Medium features traditional works created from unconventional materials.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

Unconventional: An art show in the Boston area is featuring work by low - income and homeless artists.

Working in video, installation and sculpture, her video works often feature women with unconventional bodies, who perform physical acts that reflect the human condition in post-modern times.

All That Is Holy, curated by Hall and running through April 28, features work by Atlanta artists Rose M. Barron, Daniel Biddy, Elyse Defoor, Deborah Hutchinson, Charity Lindop and Robert Sherer, and is described as offering an unconventional perspective on spirituality — a statement that, given my knowledge of the previous work of these artists, I am prepared to take on faith.

It is a reflection on the artist's career and contributions, featuring pieces that highlight his unconventional creative process and showcase the variety and strength of his multifaceted work.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Helpworks was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I HelpWorks: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Helpworks made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

Featuring 20 works by Nuvolo (né Giorgio Ascani; 1926 - 2008) alongside his European and American peers who also used unconventional techniques and materials, the exhibition showcases Nuvolo's role in radically redefining traditional notions of painting and sculpture.

BRIC is pleased to present Look up here, I'm in heaven, a group exhibition of unconventional portraits featuring paintings, works on paper, and mixed - media work by David Antonio Cruz, Yashua Klos, Tschabalala Self, and Yoon Ji Seon.

For example, her large - scale outdoor sculpture Mirror Fence (2003) features a classic American sight — a picket fence — fashioned out of the unconventional material of polished steel, which segments and reflects its surroundings even as the work blends into its natural setting.

Look up here, I'm in heaven, a group exhibition of unconventional portraits featuring paintings, works on paper, and mixed - media work by David Antonio Cruz, Yashua Klos, Tschabalala Self, and Yoon Ji Seon.