Sentences with phrase «features a script from»

The reboot of the early - 00s would - be franchise — that may be the most depressing combination of words ever uttered about the entertainment industry, incidentally — features a script from Star Trek and Transformers writers Roberto Orci and Alex Kurtzman.

Guardians has employed Joyce's style and features a script from Rabbit Hole writer David Lindsay - Abaire, who is also something of a comic book fanatic.

Not exact matches

Across the Nordic region, Discovery owns and operates SBS Discovery Media, a top - three portfolio of 20 television brands that feature leading nonfiction content, as well as locally produced entertainment programs, sports and the best scripted series and movies from major studios.

One features photos of what the group calls «Hollywood» actors, Ruffalo, Debra Winger, and Gaslands director Josh Fox, saying «reading from a script does not make you a scientist».

This is an open source and unencrypted script that offers you advanced online dating website management features, along with the leverage of being able to tweak the code to achieve best free dating cms from the your website.

Typically, a bachelorette would question three bachelors, who were hidden from her view; at the end of the A few clips of the feature script, the Dating Game...

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[Features] The usual fine performances from Bergman's regulars combined with a script that is not as ponderous as much of the director's other works.

The script comes from Zach Helm (Stranger Than Fiction), This American Life's Ira Glass is on board as a producer, and the cast features Paul Rudd, Owen Wilson, Kristen Wiig, and Christopher Walken.

The film, from a Black List - ed script by Aaron Guzikowski (Contraband), features an impressive cast led by Hugh Jackman, Melissa Leo, Jake Gyllenhaal, Viola Davis, Paul Dano, Maria Bello, and Terrence Howard.

Danish documentarian Janus Metz - making his first feature, and working from a script by Ronnie Sandahl - feels the need to hold our hands and oversimplify these two titans of tennis.

Game - play wise the DLC plays straightforward lacking customization and different ways to handle situations playing more like a handheld tutorial for most of the game, treating you as though you were too stupid to learn the basics of combat from the base game or earlier titles, However this could all be related to getting the player to use the new hacking feature in which you can now use situational hazards to stun enemies, however the concept falls shorts as most encounters when you will need to use hacking are scripted and would be more efficient in those that are not if you made use of your already acquired skills from the base game.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet again.

In one of the week's biggest pieces of film news to filter down through the regular internet channels, The King's Speech «s Colin Firth joined The Kids Are All Right «s Mia Wasikowska and Rabbit Hole «s Nicole Kidman in the mysterious feature (with the ladies replacing the earlier cast of Wall Street: Money Never Sleeps «s Carey Mulligan and The Brave One «s Jodie Foster), which heralds from a script written by Prison Break star Wentworth Miller.

From Humpday and Touchy Feely director Lynn Shelton, her first feature based on a script she didn't pen (that credit goes to first - time scribe Andrea Seigel), Laggies debuted at this year's Sundance film festival to mostly positive reviews.

Screenwriter James Vanderbilt's feature directorial debut recounts the scandal that led to Dan Rather stepping down from the CBS News desk in 2004, but while Vanderbilt's script has some good ideas in it, the film is ultimately far too hagiographic for its own good, undercutting its thematic impact at nearly every turn.

Although that it features giant robots and giant monsters kicking the holy living shit out of each other, and that it has a very strong script to be working from are other good reasons why we're excited (and why Warner Bros have already commissioned a script for a sequel).

Similarly, Alex Ross Perry's terrific third feature, «Listen Up Philip,» is a quantum leap forward from his last feature, the micro-indie «The Color Wheel,» and it's thanks in large part to great actors making the excellent script really sing.

Director Roger Michell is best known for the fluffy fantasy of «Notting Hill» (1999), targetted directly at an American market and presenting a view of London life whose only link to reality was the place names — but since then he has elaborated a much darker vision of romance in Britain's capital, first in the Hanif Kureshi - scripted taboo - breaker The Mother (2003), and now in «Enduring Love», starring Daniel Craig (who also featured in The Mother) and Rhys Ifans (here a million miles away from the comedy of «Notting Hill»).

Part - essay and part - interview, Munt documents the development of Stenders» highly praised low - budget feature from script to screen.

As the first big - budget feature from director Julius Onah, he acquits himself well, and almost every single problem the film has comes down to a script that, by Uziel's own admission, was re-written on - the - fly during production.

On the feature commentary track, Mancini describes more scenes in a similar vein from the script (such as one with Nica bathing in a shower chair that's seen briefly in the film), but says they were never shot due to scheduling constraints.

Infernal Affairs, a 2002 gangster film from the directing team of Andrew Lau (aka Lau Wai - keung) and Alan Mak, was less a return to form than a new direction: an ingeniously scripted tale of cop and gangsters featuring the top talent of the Hong Kong film industry and directed with a dramatic intensity and gritty realism that had been absent from most recent Hong Kong crime films.

It's a story I know backward and forward, as does just about everyone, so there was no reason to anticipate that I'd find myself so invested in the proceedings, but Branagh delivered a lovely film that looked gorgeous, had a strong script from Chris Weitz, and featured a wonderful cast, starting with Lily James as Cinderella and including top - notch performances from Cate Blanchett, Stellan Skarsgård, Richard Madden, Hayley Atwell, Ben Chaplin, Rob Brydon, Derek Jacobi, and Helena Bonham Carter as Cinderella's Fairy Godmother.

In order to qualify as an international narrative feature film, the submitted project must be either scripted or improvisational fiction, and more than half of the project's financing must originate from outside of the United States.

Featuring deliciously unsavory dialogue, in an acid, brilliantly structured script by Clifford Odets and Ernest Lehman, and noirish neon cityscapes from Oscar - winning cinematographer James Wong Howe, this cynical masterpiece is accompanied on the Channel by a 1986 documentary about Mackendrick, a 1973 documentary about Howe, and a video interview with film critic and historian Neal Gabler.

It is a bold move, as The Black List goes from championing well written scripts to becoming an active cog in getting them turned into feature films.

Seemingly more suited to small, dark indie movies, he plucked the Hughes script from a pile of features Warner Bros. had sent him and «threw caution to the wind.»

Pellington directed from a script by Stuart Ross Fink, and his previous work includes more music videos than I can list, the feature films ARLINGTON ROAD and HENRY POOLE IS HERE, as well as bringing both UNITED STATES OF POETRY and BLINDSPOT to television.

Directed by Niels Arden Oplev («The Girl With the Dragon Tattoo») from a script by Ben Ripley («Source Code»), the new film also features Ellen Page, Diego Luna, Nina Dobrev, James Norton and Kiersey Clemens.

The film will also bring on Crouching Tiger, Hidden Dragon producer Bill Kong to oversee the feature while the script gets a rework from Jurassic World and Avatar sequel writers Rick Jaffa and Amanda Silver.

That motif is also explored in «Blue Jasmine,» Allen's latest picture which possesses a script that is at times clunky and uneven, but features an outstanding firecracker turn from Cate Blanchett that has «Oscar - worthy» written all over it in flames.

Although the script features juvenile protagonists, this animation is very likely to frighten young children thanks to frequent jump scenes, gruesome images of corpses, insects bursting from teddy bears, and zombies with body parts that fall off.

The feature adaptation of Lore, a comic book from husband - and - wife team Ashley Wood and T.P. Louise, was first announced three years ago with Cory Goodman (Priest) and Jeremy Lott on board to write the script.

For his sophomore feature Alan Rickman has fashioned a spritely period romp, demonstrating a confident feel for the material — an original script from first - time screenwriter Alison Deegan.

Directed by Andy Muschietti (Mama), from a script by Chase Palmer, Gary Dauberman and Cary Fukunaga (True Detective: Season One — the good season) the film is based on King's 1986 novel which became a highly rated ABC miniseries in 1990 and featured Tim Curry as the nasty piece of business known as Pennywise.

With a script featuring contributions from Mangold, Christopher McQuarrie, Mark Bomback and Scott Frank, it's all based on the classic Frank Miller / Chris Claremont comic run, and also stars Will Yun Lee as the Silver Samurai, Hiroyuki Sanada, Hal Yamanouchi, Rila Fukushima, Brian Tee and Svetlana Khodchenkova.

Featuring the best work from Carrey and McGregor in years (and a reminder of Carrey's phenomenal and chameleonic talents when given the right material), a smart and witty script adapted by the directors from McVicker's novel, and a cracking pace that neither hurries nor languishes, it combines the highlights of the heist and escape genres with dashes of dark humour and irreverence to create a film best described as a wicked delight.

Tully — which features a script by Juno and Young Adult screenwriter Diablo Cody — tells the story of a struggling mother (Theron) who receives the services of a night nanny (Mackenzie Davis) as a gift from her brother.

Snow White and the Huntsman helmer Rupert Sanders will direct the feature from a script written by Jonathan Herman and Jamie Moss.

The Woman In Black benefitted from a couple of things that are lacking here — a decent script and a cast that featured Daniel Radcliffe.

Yeah, from the A-list cast to the visually - captivating cinematography to its haunting musical score to its intriguing script featuring an unpredictable cat - and - mouse thriller as well as some decent character development.

Recapitulating the cliché that has come to attend stories of this sort, Jeremy Saulnier's sophomore feature is a superbly - scripted affair, melding vengeance with veracity to give a thriller that's efficient for how far from taut it is.

Jafar Panahi and Mojtaba Mirtahmasb's semi-documentary was given its title because on a certain level, it isn't a film in the way of Panahi's past work — it has no script or actors, it was shot in the Tehran apartment in which he's been serving out his house arrest, and it's centered around his talking through the feature he would have made had he not been banned from filmmaking for 20 years.

The movie has one particularly interesting if obscure source that can probably be attributed to one of the Frenchmen who worked on the script: the fifth feature of Alain Resnais, Je t «aime, je t «aime (1968), an SF curiosity scripted by surrealist Jacques Sternberg that may be the most underrated and neglected of Resnais» features (though one can order a blotchy video dupe with subtitles from Video Search of Miami).

Simien directed from his own script and this is his debut feature film.

Saddled with a staggering amount of material (over 4,000 pages from the novels alone), Nikolaj Arcel's film attempts the unenviable task of wrangling the material through a double - barreled approach to screenwriting, including a streamlined script from Arcel, producer Akiva Goldsman, Jeff Pinkner, and Anders Thomas Jensen that results in the rare studio tentpole feature that clocks in under 100 minutes.

Genndy Tartakovsky is back directing, working from a script he wrote with Michael McCullers, and the movie features the return of Andy Samberg, David Spade, Steve Buscemi, Keegan - Michael Key and more in the voice booth.

That all kind of leads to a basic script, which is elevated by performances from a great cast featuring Jimmy Smits and Robert Carradine.

Steve Jobs, Danny Boyle's biopic of the late Apple co-founder, stars Michael Fassbender and features a whipcrack script from Aaron Sorkin.

From a screenplay by Academy Award ® - winner Hayao Miyazaki, the English language version is directed by multiple Academy Award ® - winner Gary Rydstrom from a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton YelcFrom a screenplay by Academy Award ® - winner Hayao Miyazaki, the English language version is directed by multiple Academy Award ® - winner Gary Rydstrom from a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton Yelcfrom a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton Yelchin.