The second incarnation is bigger,
features artist self - publishers only, and «continues to avoid the restrictions and market dominance of much contemporary arts culture».
Not exact matches
It
features Michael Jordan, Mark Cuban, Brian Wilson being his weird
self, and hip - hop
artist Drake.
According to Gore, her daughter and Hip Mama's art director, Maia Swift, found Ana Alvarez - Errecalde and «reached out to her so we could
feature her in Hip Mama as an
artist who is doing beautiful work in terms of
self - directed and radical images of motherhood.»
Hip Mama magazine opted to
feature a
self - portrait by Barcelona - based
artist Ana Alvarez - Errecalde on the cover of its May issue.
The writers, actresses,
artists, and execs
featured in our first book, The ELLEments of Personal Style (Gotham Books), are masters of this art of
self - expression.
The party also
featured free beer, tequila, food, a fence maze, an outdoor screening of the «100 Best Kills,» a knife throwing demonstration, a
self mutilation performance
artist, a mariachi band, and most impressively a performance by the Tesla Coil powered music of ArcAttack.
«I'm too cynical to be an
artist,» muses a character at around the midpoint of Nocturnal Animals, the second
feature by the fashion designer Tom Ford, perhaps winking to the audience of this arch and
self - conscious film.
All of the woks in this
self - portrait introduction lesson come from an exhibition held at Kettles Yard in Cambridge called Face Off - and none of the artworks
feature the
artists faces.
Headed by flashy airline and music entrepreneur Sir Richard Branson and
self - help writer Deepak Chopra — an odd couple if ever there was one — Virgin Comics launched in 2006 with a line of comics based on figures from Indian mythology and soon added two other lines, Directors Cut, which
featured comics created by well known movie directors, and Maverick / Voices (the imprint was renamed),
featuring comics by musicans, actors, and relatively unknown
artists.
As I heard about some of the
features of the XLibris deal my friend got, I started to wonder if XLibris had fallen from its position as a leader in
self - publishing to a con
artist with a good name.
When every crazy uncle with a
self - help book, every cousin who wants to memorialize their pet parakeet, and every scorned lover who wants revenge posts a manuscript to Amazon, typically written in a single weekend and
featuring a cover hand - drawn by a tattoo -
artist friend who owes them a favor, the Ajax can is all but impossible to find.
The show
features works by Charlene Broudy who finds inspiration in the vibrant colors of Costa Rica, new works by Carolyn Fox
featuring luxuriously wide flowing lines suggesting rock, water, sand and sky, and Steven Gilbar, a
self - taught
artist who experiments with mixed media and collage on paper and canvas, drawing from this histories of both mediums.
A soundtrack like no other — a powerful, ear - shattering mix of electronic and indie music
featuring renowned
artists such as Jimmy Urine of Mindless
Self Indulgence
The Metronomicon
features a fantastic, fully - licensed soundtrack
featuring some of the hottest electronic, synthwave, chiptune and indie
artists, including an exclusive track from Jimmy Urine of Mindless
Self Indulgence, and an unreleased track from Shiny Toy Guns, along with tracks from YACHT, Perturbator, J - Punch, DJ CUTMAN, and many, many more.
The main game
features fifty songs from an eclectic group of
artists, with exclusives from
artists like Shiny Toy Guns and Jimmy Urine (Mindless
Self - Indulgence).
For
artists hoping to use this blog as a
self - promotion tool, site creator Wendy Campbell offers numerous options for submission: in a group gallery, where your piece will be displayed with works from others; in a short
feature with one to four pieces; or in a full
feature with six or more pieces and a short
artist bio.
The Intersectional
Self, an exhibition centered on gender and feminist politics in the age of trans - identity,
features the work of
artists Janine Antoni, Andrea Bowers, Patty Chang, Abigail DeVille, Ana Mendieta, Catherine Opie, Adrian Piper, Genesis Breyer P - Orridge, Cindy Sherman, and Martha Wilson.
The ninth annual Beacon Open Studios tour
features a
self - guided tour of over 50
artists» studios and temporary spaces the weekend of May 13 - 14, 12 - 6 pm.
In a 1952
self - portrait, he carefully defined the standing
artist, the easel and the surrounding studio, but he has left blank the
features of his own face.
The
artist, who invited many to sit in her studio, implicitly commented on the bohemian,
self - conscious attitude of some of her protagonists by accentuating coolness, vanity or other
features.
Other major exhibitions at Nielsen Gallery included «Jackson Pollock: Forty Four Psychoanalytic Drawings, 1939 - 41; and The
Self - Reliant Spirit,
featuring a comparison of four contemporary
artists with Albert Pinkam Ryder, Ralph Albert Blakelock, Arthur Dove, Marsden Hartley.
«Outliers» opens with a two - walled area
featuring four
artists, carefully, and promisingly, positioning together taught and
self - taught artworks of relatively recent vintage united by color, found materials and a degree of abstraction.
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Artists» by Paige Williams The New Yorker The Metropolitan Museum of Art announced the acquisition of dozens of works by African American self - taught artists from the South including Thornton D
Artists» by Paige Williams The New Yorker The Metropolitan Museum of Art announced the acquisition of dozens of works by African American
self - taught
artists from the South including Thornton D
artists from the South including Thornton Dial,...
Following in the steps of the
artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation
features a broad selection of works that respond to their surroundings while at the same time embodying a
self - contained environment.
Megan May Daalder's Mirrorbox is a wearable double helmet invented by the
artist to reflect and combine the facial
features of participants, breaking down perceived boundaries between
self and other.
The exhibition will also
feature works from the High's distinguished collection of folk and
self - taught art, including pieces by the Gee's Bend quilter and abstract
artist Mary Lee Bendolph and the visionary preacher and environment builder Howard Finster.
A bright light in the psych - rock genre, the band's
self - titled 2005 album garnered critical acclaim, warranting a
feature in Rolling Stone's «
Artists to Watch» segment and earning the group a spot on Amazon's «Best of 2005» list.
The seven paintings in the exhibition, which
feature imagery culled solely from the painter's personal environment, represent somewhat of a new direction in the
artist's work — one where looking and
self - reflection come to the fore.
Spanning over 40 years and
featuring an international group of more than 130
artists, the exhibition spans the frameworks of natural science, historical and mythological confrontations, ritualistic practices, and
self - exploration.
This exhibit will
feature the
artist's recent
self - portraits.
Mindful that each of us improvises our
self in this concert of infinite complexity and possibility the
artists featured in Becoming: worlds in flux each create delicate, intimate and exhilarating realms within this ever shifting fabric.
Spielautomat (Slot Machine), 1999 - 2000, a
self - portrait of the
artist as a slot machine,
features the title object covered with overlapping rows of images — snapshots of
artist friends such as Lawrence Weiner, photographs of male movie stars torn from magazines, postcards and pictures of street scenes and storefronts — and is topped with a portrait of Genzken by Tillmans.
Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl»
self - portrait photographs
featuring the
artist in deadpan poses revealing the
artist's sly sense of humor.
Other projects in the works include
artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and
self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be
featured in the upcoming exhibition catalog, to be published in Spring 2014.
This exhibition
features artists who expand the domains of
self - portraiture by blurring the distinction between reality and fantasy, artifice and authenticity, and public and private imagery.
Two of the
featured artists — Tschabalala
Self and Christina Quarles — were also included Trigger: Gender as a Tool and a Weapon, another major gender - centric exhibition that recently opened at the New Museum.
The city as canvas: How
self - expression, politics, and protest reclaim the streets Made in collaboration with its
featured artists, Trespass traces the rise and global reach of graffiti and urban art, not just as a fringe visual movement but as a social phenomenon and central expression of youth.
«Engender»
features relevant contemporary
artists challenging the gender binary - including Nicole Eisenman, Hernan Bas, Firelei Báez, Christina Quarles, Tschabalala
Self and Nathaniel Mary Quinn, among others.
James Siena's incredibly intricate and complex designs are in full display in this work, which
features colorful patterns that the
artist creates through
self - imposed restrictions, or «visual algorithms,» reflecting Siena's preoccupation with process.
Featuring six large - scale works, the show builds upon the
artists» sustained investigation into
self - portraiture, further deconstructing the relationship between materiality and form which has been so intrinsic to their practice.
Hiwa K: This year's edition of the Power 100
features a specially commissioned
artist project by Berlin - based Hiwa K, a largely
self - taught
artist born in Iraqi Kurdistan, whose work focuses on knowledge gained from experience, whether through storytelling, music - making or engagement in political processes, often all at once.
This exhibition
features five
artists whose recurring, yet widely divergent, use of circular shapes, dots, droplets and spots are technical and aesthetic tools used for the exploration into objects, places, popular culture, abstract forms and the
self.
The first section of the exhibition is devoted to the South and
features more than 40 works by both trained and
self - taught
artists, including paintings by Jacob Lawrence and Lamar Dodd, photographs by Walker Evans and Peter Sekaer, and drawings by Bill Traylor.
Organized in collaboration with the Brandywine River Museum of Art, the exhibition will
feature more than 200 artworks, including more than 70 from the High's permanent collection, and encompass a wide range of media and makers — from paintings and photographs to murals and sculpture, by trained and
self - taught
artists, modernists and regionalists.
A gift of 47 paintings, sculptures and works on paper from collector, scholar and advocate Gordon W. Bailey,
featuring such renowned 20th - century
artists as Leroy Almon, Burlon Craig, Roy Ferdinand, Howard Finster, Bessie Harvey, Lonnie Holley, Ronald Lockett, Elijah Pierce, Herbert Singleton, Purvis Young and Thornton Dial, Jr. — This is Bailey's third substantial gift to the High since 2010 and further underscores his commitment to helping build the Museum's collection, which is recognized as one of the world's most significant public repositories of work by American
self - taught
artists.
A new exhibition of the
artist's work
features more than 50 collages, paintings and hand - painted serigraphs considering girlhood,
self - image and the dysfunctional legacy of colorism.
Spring 2017 exhibition will
feature diverse representations of life outside America's urban centers, from paintings to photography, by modern masters and
self - taught
artists.
Starting in 1980 with a mischievous little egg - tempera — «A Portrait of the
Artist as a Shadow of His Former
Self,» which
features a grin missing a crucial tooth — Marshall has painted his African - American subjects mostly in unmixed black paint.
Bogart St. and Morgan Ave., zone 2); Moore Street Farm Mural Project (110 Moore St., zone 3); Hotel,
featuring two floors and six
artists (796 Broadway, zone 3); Parallel Art Space's «What I Like About You» (1717 Troutman St., zone 5); «Enlightenment» at Outlet Fine Art (253 Wilson Ave., zone 6); and at Momenta Art, «The Bureau of
Self - Recognition» by one of the founders of Arts in Bushwick, Chloë Bass.
In her review of the ICA Boston's current exhibition, Art in the Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the
featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the
self.»