Sentences with phrase «features documentary material»

: Art and Black Los Angeles,» a comprehensive catalog edited by curator Kellie Jones with contributions by Jacqueline Stewart, Naima J. Keith, and Franklin Sirmans, among others, highlights participating artists and their works, and features documentary material from the period such as exhibition posters and promotional cards.

The exhibition features documentary material that underscores Benglis's interest in exploring and subverting gender roles as well as pioneering video works which tackle themes of gender politics and experiment with the formal and performative potential of what was then a new medium.

Not exact matches

EXTRAS: The Criterion release features hours of new bonus material, including an audio commentary by writer / director Richard Linklater and various cast and crew, a making - of documentary, a Q&A with Linklater and actors Patricia Arquette and Ellar Coltrane, a video essay by film critic Michael Koresky and much more.

The various behind - the - scenes documentaries are outstanding, with in - depth discussions from everyone concerned about the development of the film's groundbreaking effects and the ways they stretched Michael Crichton's source material into a trio of feature - length films.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

Bonus materials on the unrated Blu - ray release include commentary by writer - director Roger Donaldson, actor Sam Neill and actor - writer Ian Mune; The Making of Sleeping Dogs (2004), a 65 - minute retrospective documentary on the film's production featuring interviews with Donaldson, Neill, and Mune; The Making of Sleeping Dogs (1977), a behind - the - scenes featurette; theatrical trailer; and reversible sleeve featuring original and newly commissioned artwork.

Two documentary features, a «conversation» with Sisterhood author Ann Brashares and «Fun on the Set,» are obviously taken from the film's EPK materials for the theatrical release, but they do offer some substantial information on the origins and success of the book series and the journey to film.

Brand new 2K restoration from original film materials High Definition (1080p) Presentation Optional English subtitles for the deaf and hard - of - hearing Audio commentary by director Brian Trenchard - Smith The Stuntmen, Trenchard Smith's classic television documentary on Grant Page (Mad Max, Road Games) and other Australian stunt performers Hospitals Don't Burn Down, Trenchard - Smith's 1978 public information film told in pure Ozploitation fashion Behind the scenes gallery by graffiti artist Vladimir Cherepanoff Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon

Although those DVD documentaries aren't included here in their original form, much of the material has been repurposed in the U-Control Picture in Picture feature.

While it's easy to accept the loss of any one of these features and it's tough to feel the need for extras beyond the over two - hour documentary included here, it is still frustrating for all this bonus material to get cut.

Blu - ray Highlight: The Blu - ray doesn't actually feature any bonus material, but the accompanying DVD version does, although the only extra of note is a documentary from 2004 that combines archival footage with survivor interviews about the Holocaust.

Bonus materials on the 2 - disc 4K Ultra HD / Blu - ray Combo Pack include audio commentary with director Duncan Jones, writer Ben Ripley and actor Jake Gyllenhaal; 5 Crazy Details You Might Have Missed; Access: Source Code with dynamic scene - specific features: listen to interviews with cast and crew, hear an expert's comments on time travel, go behind the science with animated documentary shorts on time travel, and enjoy trivia and facts while watching the movie.

Featuring an all - star cast including Academy Award Nominee Michael Fassbender (X-Men franchise, Steve Jobs), Katherine Waterston (Fantastic Beasts and Where to Find Them), Billy Crudup (Jackie), Danny McBride (This Is The End) and Demián Bichir (The Hateful Eight), ALIEN: COVENANT is loaded with bonus material including a making - of documentary, deleted and extended scenes, commentary by director Ridley Scott, an inside look at «David's Lab,» crew fear tests, and much more.

Though billed as a documentary, this 59 - minute doodle barely rises above homemovie status, featuring more material of Corfixen's two daughters dancing naked around hotel rooms than it does actual on - set footage — though ambient music from «Drive» composer Cliff Martinez gives her a distinct advantage over most amateur videographers.

Stars: Patrick Davis, Lisa Vidal, Jose Zoniga, Haley Ramm, Mason Davis, Nick Eversman and Josh Pence Director: Brandon Dickerson Scriptwriters: Brandon Dickerson and Thomas Ward Composer: BC Smith Cinematographer: Bryon Shah Ocean Avenue Entertainment Running Length: 110 minutes Rating: PG 13 for thematic material, drug abuse and violence DVD Special Feature: Documentary on the real Victor Torres

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material — from documentary photographs from the period and reproductions of Cologne's historic Spex Magazine to reviews of exhibitions from the period.

In a more dramatic break from tradition for the space, they will also feature a variety of documentary materials that seek to place Adrià's work in the broader context of innovation as well as a new film that features images of all the dishes elBulli ever served.

The first major retrospective of Greenfield's work, the exhibition features nearly 200 photographs, numerous first - person interviews, and documentary film footage, forming a thematic investigation of how the pursuit of wealth, and its material trappings and elusive promises of happiness, has evolved since the late 1990s.

Also included is selected material from the Frank Bowling archive, and several films featuring footage and interviews with the artist, including a specially created documentary featuring Frank Bowling in conversation about Ireland and Dublin and their influence on his work with Rachael Thomas, Head of Exhibitions, IMMA.

Ranging from video performances to feature length dramas, from documentaries to art films each respond to different aspects of Konrad Smoleński Installation «One Mind In A Million Heads» such as the body in relation to the environment, sound as material, or the structural configurations that can be found in both architecture and film.

Niki de Saint Phalle: The Girl, the Monster and the Goddess features most of these works, together with archive material, a newly produced documentary film and complementary works on loan.

Since the millennium and, above all, in the last decade there have been more and more art exhibitions with documentary aspects of cultural history, which feature source materials from art archives and thereby demonstrate a recontextualisation of the presented artworks.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.