Sentences with phrase «features early sculptures»

The booth, provided a captivating photo opportunity for many, features early sculptures by Sonnier alongside his two recent series.

Not exact matches

St. Maurice Cathedral Built between the 12th and early 16th centuries, the cathedral features a selection of Romanesque sculptures.

ancy Rubins's exhibition, titled «Our Friend Fluid Metal,» featured four huge sculptures made of recycled playground toys dating from the late 1940s and early»50s.

Featuring the Beijing - based artist's earliest video works to newest sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Featured on Pathé News, these attracted press attention and local hostility — after Bilbo moved on to France in the early 1950s, the new owners of his bungalow had the sculptures destroyed by dynamite.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

All these will be featured extensively in this showcase alongside the often overlooked female pop - artist Marjorie Strider, who will be introduced through early and later masterpieces exploring the spatial embeddedness of painting, relief and sculpture.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

This catalogue features works from throughout his career, including rare early mobiles and unique sculptures, some which have never previously been exhibited.

«Nobody's Fool is the first major New York exhibition of the Japanese artist Yoshitomo Nara (born 1959), and features more than one hundred works ranging from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Lelong's smaller gallery room will feature an early inspiration for the Maypole sculpture, Kill Commies / Maypole (1967), alongside additional works on paper from The War Series, many of which have never been shown in New York.

Hayes» early works incorporated vegetation into sculptures and installations, and her repertoire has continued to expand beyond landscapes to include video, light fixtures, interior and object design, aquariums, and garden features.

This new exhibition in Leeds features his early drawings, influential 1960s sculptures and later works from the 1980s.

News from Nowhere features sculpture, drawing, print, photography and film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.

Featuring the Beijing - based artist's earliest video works to newest sculptures fromUsefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

The new exhibition will feature select early works, as well as some of his most seminal sculpture.

The exhibition will feature work from the 1970s and early 1980s with a focus on drawing, sculpture, place, and memory.

In 2015 the Nasher Sculpture Center in Dallas, TX organized a second retrospective, Melvin Edwards: Five Decades, featuring work from the early 1960s to the present.

The enormous joint shows, which ran from February through early May of this year, spanned the artist's forty - plus - year career and featured more than 110 paintings, drawings, and sculptures.

Featuring more than 120 works made over the past 50 years, the exhibition includes the artist's photo works combining text and image, early assemblage sculptures, and his groundbreaking environments Al's Cafe (1969) and Al's Grand Hotel (1971), participatory projects that helped put Los Angeles on the map as a center for Conceptual art.

Most recently the Nasher Sculpture Center in Dallas hosted Edwards» second retrospective, featuring work from the early 1960s to the present, which closed in May 2015.

INDUCTION is a two - person exhibition that features new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influences.

Our booth (Stand B25) will feature a major early multi-panel glass work by Joseph Kosuth, new sculptures by Los Carpinteros, Iran do Espírito Santo, Antony Gormley, Wolfgang Laib and Peter Liversidge, a new work by Terence Koh, and photographs by James Casebere, Robert Mapplethorpe, Alec Soth and Frank Thiel.

This experience provided him with a strong understanding of how the medium of sculpture can be pushed beyond its limitations — a feature which massively helped Marc when he began to exhibit his pieces in the early 1990s.

The permanent collection of the Clark features mostly European and American paintings, sculptures, prints, drawings and decorative arts objects, dating from the 14th to the early - 20th century.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

From his early installations featuring modest arrangements of found objects to his recent sculptural forms that look like natural accretions experiencing computer glitches, Cragg remains deeply committed to material and to sculpture.

While known primarily for his performances in the early 1990s, which involved feats of physical and psychological endurance, Zhang Huan's recent work has featured sculptures and paintings that explore themes of memory and spirituality and how these relate to Buddhist practice.

While known primarily for his performances in the early 1990s, which involved feats of physical and psychological endurance, his recent work has featured sculptures and paintings that explore themes of memory and spirituality and how these relate to Buddhist practice.

Surveying Lower Manhattan's disparate art world in the 1950s and early 1960s, «New York Cool,» at the Bowdoin College Museum of Art in Brunswick, Maine, features over 80 paintings, sculptures, drawings, and prints culled from the collection of New York University.

Celebrating his life as an artist, this expansive exhibition (organized by Douglas Fogle, former chief curator at the Hammer Museum in Los Angeles) presents a selection of Mr. Melotti's work, featuring his early, somewhat - surreal figurative ceramics and his later abstract, brass sculptures, which portray political and theatrical subjects.

The modern gallery features European, American, and Latin American painting, sculpture, and decorative arts dating from the 1880s to the early 1960s.

Opening at New York University's Grey Art Gallery on April 12, the show features most of the known works — some 40 items including sculptures, paintings, and drawings — from Storrs's most innovative period, from 1917 through the early 1930s.

Works from that early period feature in the gallery show, including white - ish patterned paintings on cardboard, burlap, and wood as well as metal sculptures that rise from the floor in towering shapes that play with the shine and reflection of light.

Featured works include his famous 1980's «Cones and Pillars» series, the twisting metal sculpture series «Alsace - Lorraine» that debuted in the early 1990s, and his recent «Marshmallow Mould» series.

The show highlights over 30 years of Briseño's work featuring early and never before seen paintings, as well as sculpture, photographic constructions, digital works, and public art.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

The LACMA portion features early drawings, collages, sculptures, Polaroids, still lifes and archival material.

This is the artist's eighth solo show at the gallery, and features three major paintings and one sculpture from the early 1980s.

The exhibition features large - scale sculptures produced between the late 1960s and early 1980s.

Sculpture in this new exhibition uses 1st and 2nd century Roman marble sculpture as well as early gothic polychrome sculpture: a fragment of a statue of a child, a fluted marble column, a marble torso of Apollo — all are combined with rough timber or vintage boxes with proprietary logos (Johnny Walker whisky features) to create affecting, but melancholy hybrid Sculpture in this new exhibition uses 1st and 2nd century Roman marble sculpture as well as early gothic polychrome sculpture: a fragment of a statue of a child, a fluted marble column, a marble torso of Apollo — all are combined with rough timber or vintage boxes with proprietary logos (Johnny Walker whisky features) to create affecting, but melancholy hybrid sculpture as well as early gothic polychrome sculpture: a fragment of a statue of a child, a fluted marble column, a marble torso of Apollo — all are combined with rough timber or vintage boxes with proprietary logos (Johnny Walker whisky features) to create affecting, but melancholy hybrid sculpture: a fragment of a statue of a child, a fluted marble column, a marble torso of Apollo — all are combined with rough timber or vintage boxes with proprietary logos (Johnny Walker whisky features) to create affecting, but melancholy hybrid entities.

This group show questions the traditional idea of «public sculpture» and is a reprisal of an earlier group show in 2012 entitled Fabricators at the Hannah Barry Gallery, featuring the same five sculptors, James Balmforth, James Capper, Alex Chinneck, Luke Hart and Zealey.

This exhibition will feature multiple paper works created in 2017, as well as Earth Force, one of his most famous early sculpture works.

Featuring important paintings and sculptures created in Dresden in the 1960s and early 1970s, the exhibition presents unique insights into the artist's distinctive style and sensibility.

Counted among Artnet's list of «Electrifying Museum Shows to See Across the United States» in early 2018, the major exhibition Like Life: Sculpture, Color, and the Body (1300 — Now) at The Met Breuer in New York features work by Jeff Koons and Yayoi Kusama as well as Isa Genzken, whose fourth solo exhibition with the gallery runs concurrently through April 7.

VIERIA»S FIRST SOLO exhibition, in 2006 at Small A Projects in Portland, Ore., featured ink drawings that reference passages from 18th - century historical paintings by artists such as Hubert Robert, Platonic installation of geometric forms, paper tube sculptures resembling columns and striped works on paper evoking early versions of the American flag as allusions to the American revolution.

The exhibition features key works from all periods of the artist's career, including seldom - seen early works and more recent large - scale installations as well as a new series of outdoor sculptures created especially for the Hayward.

In addition to ongoing exhibitions featuring the art and artists of the Northwest and broader western region, TAM's history includes exhibitions of medieval illuminated manuscripts, Renaissance bronze sculptures, French impressionist paintings, German expressionist prints, 19th - and early 20th - century paintings of the American Southwest, avant - garde art of the final years of the Soviet Union, the prints, paintings, and ceramics of Pablo Picasso, and much more.

The Tate Modern show features Ms. Choucair's early abstract paintings and her sculptures — created in wood, metal, stone and fiberglass — from the 1950s to the 1980s.