Sentences with phrase «features early twentieth»

Not exact matches

Based on a James Joyce short story featured in The Dubliners, The Dead (1987) is one of his most exquisite works, a perfect cinematic short story attuned to the rituals and touchy relationships of family and friends gathering in early twentieth century Dublin to celebrate the Feast of the Epiphany.

Drawing on numerous film historical references, from Hitchcock to the director's own earlier Movida era work, Almodóvar's twentieth feature, adapted from three short stories by Alice Munro («Chance,» «Soon,» and «Silence»), is a haunting drama that oscillates between disenchanted darkness and visual opulence.

Featuring clips from the film Sholem Aleichem: Laughing in the Darkness, along with lesson plans and historical background readings, this collection invites students to connect Aleichem's life to the larger transformation of traditional Jewish identity in late nineteenth - and early twentieth - century Eastern Europe.

My dissertation, based on archival research in museums and libraries across the United States, offers a historical assessment of exhibitions staged from the early twentieth century to the present that featured dinosaurs and other long extinct animals as the main attractions.

Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art starting in Russia and Northern Europe in the early twentieth century.

Our extensive inventory of nineteenth - and early twentieth - century American art regularly features landscapes in the Hudson River School and luminist styles, as well as still - life, genre, and marine subjects.

Russian Photography after the Revolution will feature rare, large - format gelatin silver prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in early twentieth - century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).

News from Nowhere features sculpture, drawing, print, photography and film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.

The early part of the collection features French and Russian art from the beginning of the twentieth century, cubist paintings and superb holdings of expressionist and modern British art.

The exhibit features a selection of art works, historical photographs, and documents from the early twentieth century through the early twenty - first century from the permanent collection.

Featuring approximately 60 works and four essays that delve into artists» engagements with collage in the first half of the twentieth century, Motherwell's early career with patron Peggy Guggenheim, underlying humanitarian themes during World War II and the artist's materials, Early Collages provides a vital reassessment of Motherwell's work in the collage meearly career with patron Peggy Guggenheim, underlying humanitarian themes during World War II and the artist's materials, Early Collages provides a vital reassessment of Motherwell's work in the collage meEarly Collages provides a vital reassessment of Motherwell's work in the collage medium.

Laurence Miller Gallery is pleased to present Pursuing the Sublime, an exhibition featuring five contemporary photographers in conversation with five nineteenth and early twentieth century Japanese print makers.

From the urban landscape, there is a run of early twentieth century prints depicting the ever - changing New York City, featuring several of Martin Lewis's best - known prints, including Relics (Speakeasy Corner), drypoint, 1928 ($ 30,000 to $ 50,000).

The early part of the collection features European art from the beginning of the twentieth century, including work by André Derain and Pierre Bonnard, cubist paintings and holdings of expressionist and modern British art.

Previous exhibitions have featured Laura Owens (also paired with the Balfour collection) in 2000; Rudolf Stingel (with nineteenth - century botanical drawings by Indian artists) in 2006, and John Cage with Merce Cunningham (shown with early twentieth - century botanical drawings by Lilian Snelling) in 2007.

Highlights from each of these collections feature prominently in Visionaries and convey a narrative on avant - garde innovation in the late nineteenth and early twentieth centuries.