Not exact matches
This
exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first art - world solo show, and will
feature eight of their kinetic sculptures alongside video
documentation of other work, much of which looks at how technological objects can overpower their users.
This
exhibition features 45 images from the project, along with contact sheets, copies of the original issue of the magazine and supporting materials that provide further context and
documentation of Parks's work.
Spanning the late Modernist period to the present, the
exhibition will
feature pre-existing works, political
documentation, and project - specific contributions.
The
featured works in the
exhibition — ranging from painting and sculpture to photography, film and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as
documentation, memorial or symbol.
Arranged in a dynamic layout, the publication
features photo
documentation of the animatronic sculpture Female figure (2014) and the installation of the
exhibition, which also included a series of untitled sculptures from 2014 and the video Raspberry Poser (2012).
Additionally, the book
features little - seen archival imagery of Riley at work over the years;
documentation of her recent commissions for St. Mary's Hospital in West London; and installation views of the London
exhibition itself.
The
exhibition will
feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)» series alongside seven other projects from her ongoing design and artistic practice in photographic
documentation, radio broadcasts, ephemera, data and an installation.
Additionally, the book
features little - seen archival imagery of Riley at work over the years;
documentation of her recent commissions for St. Mary's Hospital in West London, taken especially for this publication; and installation views of the
exhibition itself, installed throughout the three floors of the gallery's eighteenth - century Georgian townhouse located in the heart of Mayfair.
Accompanying the illustrations are an essay by Paul Galvez, a 1976 interview with the artist by Ed Howard (published here for the first time) and extensive
documentation on each work
featured in the
exhibition.
Organized in close coordination with the artist, the
exhibition brings together nearly 350 works that span the breadth of his career,
featuring paintings, fabric works, multiples, installations,
documentation, photography, and ephemera created between 1987 and the present day.
The
exhibition will
feature sculptures, drawings and photographic
documentation of his fieldworks from the 1970 and 1980s, a film documenting «activation», and installation views of his recent solo
exhibitions at Pirelli foundation's HangarBicocca in Milan and Dia: Chelsea in New York.
The
exhibition features descriptions of each case in addition to new commissions, in which artists respond to the alteration of their original ideas or intentions, using archival
documentation as well as new texts, images, and objects.
Our website functions as our second
exhibition space,
featuring online projects,
documentation and behind the scenes material from our activities.
It
features documentation of all the work from the
exhibition and contains a catalog essay by Patricia Hills.
Under the direction of Andrea Grover, Century Arts Foundation Curator of Special Projects, the
exhibition features twenty - five artists with works that range from artist - made vessels, to
documentation of creative expeditions, to speculative designs for alternative communities on the water.
The
exhibition features sculpture, installations, and video
documentation focusing on movement.
The series includes videos, films, and
documentation and
features many pieces not on view in the
exhibition.
Key volumes include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a
documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017
exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning
exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.
The main
exhibition space will
feature an immersive installation, in which the viewer is surrounded by
documentation of a reenactment of a historic narrative: the 1909 polar expedition of Robert Peary and Matthew Alexander Henson.
In addition to
documentation of the
exhibition, it
features essays by Michał Libera, Martha Kirszenbaum, Liam Gillick and
exhibition curator Sergio Edelsztein.
The main
exhibition space
featured an immersive installation, in which the viewer is surrounded by
documentation of a reenactment of a historic narrative: the 1909 polar expedition of Robert Peary and Matthew Alexander Henson.
To mark the tour, S1 Artspace produced a publication, George Henry Longly: Mass Damper
featuring documentation of Longly's solo
exhibition at S1 Artspace alongside original source material and including contributions from Louise Hutchinson, Andrew Hunt and Ryan Gander.
Involuntarily charged with a pedagogical dimension — by the simple fact of taking place in a college's gallery — The Times Square Show Revisited presented the floor plans of the original
exhibition, reinstalled the souvenir shop (though not functioning), and presented photo, audio, and video
documentation alongside artworks from about forty of the more than one hundred artists
featured in the original
exhibition.
The
exhibition features artwork and
documentation of public art, performance and interventions by Agnes Denes, Eiko & Koma, the Guerilla Girls, Keith Haring, Jenny Holzer, Tehching Hsieh, John Kelly, Pope.L, REPOhistory, Mierle Laderman Ukeles, the collaborative co-creators of Electric Blanket (Allen Frame, Frank Franca and Nan Goldin), and more.
Responding to this unique setting, this
exhibition will
feature existing artwork including Jeremy Blake's Winchester trilogy (2002 — 4) from the SFMOMA collection and
documentation of performance art that Charles Garoian organized with his students at Los Altos High School from 1969 — 86 alongside new commissions by seven national and international artists.
Features VanDerBeek's early paintings and collages, experimental films, recreations of immersive projection and film environments, and
documentation of site - specific and telecommunications projects - including a «telephone mural» meant to allow for the simultaneous
exhibition of artworks at multiple sites.
Additionally, the book
features little - seen archival imagery of Riley at work over the years;
documentation of her recent commissions for St. Mary's Hospital in West London, taken especially for this publication; and installation views of the London
exhibition itself.
Published in conjunction with MoMA's first major
exhibition of sound art, Soundings presents an overview essay by Barbara London, Associate Curator in MoMA's Department of Media and Performance Art; a recent history of sonic art by writer Anne Hilde Neset; and a section on each of the
featured artists,
featuring a brief interview and illustrated with installation shots, field photographs and
documentation of performances.
The
exhibition features a selection of artworks by artists participating in this year's anniversary festival ---- RECALL ---- and is accompanied by a publicly accessible archive with current and past artists»
documentation.
The
exhibition «Performer / Audience / Mirror» at Lisson Gallery borrows its title from Dan Graham's Performance and
features memorable video artworks that explore the relevance of the moving image as a tool for experimentation and
documentation.
Featuring two important sound pieces, previously unseen video
documentation of seminal performances and a number of newly discovered photographs, all dating from 1971 - 1975, the
exhibition reveals the artist's first forays into a performance - based practice dealing with time and the immaterial, themes which have again become central to her current work.
Curated by Hoor Al Qasimi, the
exhibition will
feature works spanning over three decades of the artist's practice, which includes paintings, drawings, sculpture and installations as well as
documentation of the artist's vast explorations into land art.
The 2006
exhibition «Money Changes Everything»
featured documentation from a conceptual work by Elizabeth Sisco, David Avalos and Louis Hock, in which the artists used a $ 5,000 National Endowment for the Arts grant for a program in which they systematically gave $ 10 bills to illegal immigrants in San Diego, enraging conservative politicians.
His current
exhibition, «Concept, Performance,
Documentation, Language,» is a vibrant, important show
featuring works made from the late 1960s to the early»80s by more than fifty artists, most of whom remain alive and well and working in New York today.
The
exhibition also
features an installation of paintings around the entrance to the palazzo and a video
documentation of her at work in her studio, as well as live talks open to the public.
This
exhibition features video
documentations, projections and installations by Seoul and Hong Kong - based artists: Lee Kit, Minouk Lim, João Vasco Paiva, Parttime Suite (Miyeon Lee, Byungjae Lee and Jaeyoung Park) and Yuk King Tan.
Video
documentation of At Osiris and Postlude (Corpus Specere), which Adkins and the Lone Wolf Recital Corps performed at The Studio Museum in Harlem during Radical Presence: Black Performance in Contemporary Art, will also be
featured in the
exhibition.
The
exhibition, which is on view until March 11, 2014, will
feature video
documentation and line drawings produced from
The second issue of Bonus Material, which was published online last month,
features previously unreleased
documentation of two 2012 solo
exhibitions by American artist Jasper Spicero.
The resulting performance was staged at the Whitechapel Gallery on May Day 2014, at the South bank Center in October 2014 and again at the Whitechapel Gallery on May Day 2015 in conjunction with an
exhibition dedicated to the project
featuring documentation of the workshops and rehearsals.
The pair's show at Equity is their first solo
exhibition together, and will
feature a series of images taken with prosumer film cameras of tourists caught in the act of self -
documentation.
Maitha's most successful
exhibition was in 2009, «
Documentation» at Tashkeel where her first scanned self portraits
featured.
The
exhibition is accompanied by a fully illustrated hardcover publication that includes an essay by Paul Galvez, a 1976 interview with the artist by Ed Howard, published here for the first time, and extensive
documentation on each works
featured in the
exhibition.
Cary Leibowitz: Museum Show is the first comprehensive career survey and solo museum
exhibition devoted to the New York - based contemporary artist.The
exhibition features nearly 350 original artworks from 1987 to the present, including paintings, fabric works, multiples, installations,
documentation, photography, and ephemera.