Henry Holland's room at the Hoxton hotel
features framed photographs of Romany travellers — the inspiration for the latest collection
Not exact matches
Members of the press were not permitted to
photograph the dorms, which face the back of the building and
feature wood -
framed twin - size beds divided by partial barriers into two - person sections.
«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary
photographs of locations used for scenes in the film (some of them
featuring him or his buddy Spooky Daz Sargeant in the
frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.
The first animated
feature made entirely of painted images, the Polish - British production enlisted dozens of artists, and each of its 65,000 shimmering
frames is a high - resolution
photograph of an oil painting.
Kiluanji Kia Henda's black - and - white
photographs feature a group of people assembling what could be Cerrillo's
frames into empty cubes — Donald Judd's boxes without the volume — because in the age of social media, it's only the exterior that counts.
Other highlights of the exhibition include her Neverland series from 2002, where she
photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008,
featuring an installation of 40
framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found
photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991,
featuring individual figures and objects from disparate Renaissance paintings isolated and re-
photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-
photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-
photographed the front page of the newspaper with the text redacted.
Her iconic, large - scale, black - and - white
photograph Walking House, 1989, was recently acquired by the Modern and is
featured in the current exhibition
Framing Desire: Photography and Video.
American Post-Impressionists: Maurice & Charles Prendergast
features over 100 works, including paintings, sculptures,
frames, sketchbooks,
photographs, letters, and tools drawn from the permanent collection of the New Britain Museum of American Art and the Prendergast Archive & Study Center at Williams College Museum of Art, Williamstown, MA, which houses the largest Prendergast collection in the world.
This latest issue of Esopus,
featuring a brand - new format and design (and encased in a slipcover),
features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still
frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen
photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.
Huffman's room - sized installation
featured videos on flat - screen monitors, projections,
framed photographs, screenprints, and a sculpture consisting of five windshields suspended from the ceiling of the gallery.
The
photographs featured show a
frame for illustrative purposes only.
Like ships in the night also
features new concrete, text and copper works, as well as a triptych of
photographs framed to destabilize the imagery's horizon.
New York (TADIAS)-- Last month, the award - winning Ethiopian photographer Aida Muluneh held a successful solo exhibition at TO.MO.CA gallery in Addis Ababa entitled So Long a Letter, which
featured her
photographs mixed with pen drawings on leather and mounted on wooden board
frames.
All the works in the exhibition
feature the shop window as vitrine,
framing its seemingly banal contents, and the
photographs, as Susan Sontag writes, «[bring] to our attention the coexistence of sewing machine and umbrella, that chance meeting, which a great Surrealist poet has praised as the essence of beauty.»
The 20
photographs creating the grid are primarily
framed drawings inspired by candid
photographs of the artist's family and moments captured during her childhood in Iran,
featuring outdoor scenes of leisure by the sea amongst leafy backdrops.
Bismuth will also show
framed pieces from his Following the Right Hand Of... series, here
featuring a
photograph of his actress subjects beneath a layer of Plexiglas upon which he's drawn the movement of their right hand throughout the duration of a
feature film.
Over wallpaper
featuring Bette Davis and Joan Crawford in black mink coats,
framed photographs of iconic (white) men, taken from a Francesco Scavullo coffee - table book, are violated with chewing gum and inked - on tears.
In its Statements booth, Tracey Williams is exhibiting works from the artist's first show of new work made after the accident — in 2001 —
featuring a small video of a woman in a dress pirouetting surrounded by
photographs in smashed glass
frames and broken ceramic vessels that were repaired with gold seams according to a Japanese tradition, with the fixed pieces held in the highest esteem.
This black and white
photograph,
featuring a cloud - dappled sky, a lonely tree and an elephant with her calf is one such moment, gorgeously matted,
framed and ready to hang.
All it takes are a few little tweaks to get your dining room up to scratch, whether it's freshening it up with new upholstery or injecting some personality with a
feature wall of
framed photographs or prints.