Also
features installation shots of an exhibition in Dusseldorf that included massive undulating grid - like wall works related to the works on paper featured here.
L.A. Object & David Hammons Body Prints is the most thorough examination to date of Hammons's early work and
features installation shots, ephemera, and many never - before - published photographs of Hammons in the studio....
Not exact matches
For this exhibition, Hewitt will show her most famous work to date — Untitled (Structures), 2012, a two - channel
installation featuring silent scenes
shot at important sites in the civil rights movement in Chicago, Memphis, and the Arkansas Delta.
Installation shot of «Half Human»,
featuring works by (from left to right) Stephanie Hightower, Pat Lay, Laura Dodson and Artemis Alcalay; photo courtesy Nikos Seferiadis
She studied at the Byam Shaw art school and then the Slade, going on to create performance pieces such as Under Siege, and video
installations such as Corps Étranger,
featuring the footage
shot inside her body; the latter earned her a 1995 Turner prize nomination.
Continuing an anthropomorphic sensibility begun in her dart paintings, Feu à volonté
featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961), which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the
shootings prior to
installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»
In addition to artwork, the Pop Shop
installation will
feature pieces from two of the Keith Haring Foundation's recent collaborations: Keith Haring by Nicholas Kirkwood, haute couture footwear by the
shooting - star British shoe designer, Nicholas Kirkwood; and Keith Haring by Patricia Field, apparel and accessories designed by the celebrated New York stylist and fashion designer, Patricia Field.
Showcasing emerging international art and artists across various locations annually, including Cologne, Miami and Hudson, the NYC program
features a presentation of interactive art projects from San Juan's Beta - Local and Detroit's MOCAD, as well as a site - specific
installation in a Ford Galaxie 500 by
Shoot the Lobster, including work by Lena Henke and Marie Karlberg of M / L Artspace and Bradley Kronz.
The catalog
features an essay by David Kennedy Cutler,
installation shots, and photo credits of all the works in the show!
His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum
installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of
feature - length «foreign films»
shot with different image - capturing devices in various locations throughout the world.
Rondinone's carefully choreographed multi-screen
installation — which
features long
shots, intimate close ups and passages of high - speed editing — keeps pace with Giorno's theatrical delivery and draws attention to the poem's many rhetorical twists and turns.
(The gallery website
features a rotating selection of
installation shots, which changes weekly.)
Featured image: Henry Codax —
Shoot the Lobster
installation view, Gavins Bronwn's Enterprise, New York, 2013
Installation shot of Grady Gerbracht's «#incidentalart» show at Senaspace
features select groupings (photo © 2016 by Grady Gerbracht)
Featuring 33 color plates of art work and
installation shots, artist essays, and exhibition notes from our gallery director, this catalog marks the first edition of the annual Koi No Yokan catalog series.
In a career of more than fifteen years, they have become known for their picturesque, color - saturated photographic series and their deliberately slow - paced video
installations, which
feature slow pan
shots, endless loops, and puzzling plot lines.
For the video
installation, she edits together clips from popular Egyptian films that
feature shots of the pyramids.
Published in conjunction with MoMA's first major exhibition of sound art, Soundings presents an overview essay by Barbara London, Associate Curator in MoMA's Department of Media and Performance Art; a recent history of sonic art by writer Anne Hilde Neset; and a section on each of the
featured artists,
featuring a brief interview and illustrated with
installation shots, field photographs and documentation of performances.
, Dazed 2016 Spellbinding Pieces at the 2016 SPRING / BREAK Art Show, Village Voice 2016 AO On - Site — New York: SPRING / BREAK Art Show, Art Observed 2016 Beyond the Main Fair: 9 Things to see this Armory Arts Week, Paper Mag 2016 Nicole Reber Artist
Feature, Le Roy Magazine 2016 3 Poems, Divine Magnet 2015
Shoot, If That Ain't Too Pretty, Poetry Foundation 2015 Our Time on the Moon, Slow Youth 2015 Hyperallergic's Review of Art Books and Zines # 2, Hyperallergic 2015 This art show aims to slow down time in New York, Dazed 2014 Nicole Reber Explores the Dark Side of Paradise With Hawaiian - Themed Works, Complex 2014 Aloha, Business Casual: Nicole Reber's Hawaiian Shirt Exhibition At AMO Studios, Vice 2014 Cuestiones Generacionales, S Moda 2013 The Language of Passwords as an
Installation, Metal
Featured images:
Installation Shot, Mauvaises Herbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, 2017, Simon Lee Gallery, Hong Kong, Courtesy: The Artists and Simon Lee Gallery Hong Kong.
Check out these
installation shots from the group exhibition «Pictures of Words», which
features Kim Rugg.
It
features Fritsch's most recent graphic and sculptural work, silhouetted on the page and in
installation shots at Matthew Marks Gallery, New York.
We have a few
installation shots of the main hall today,
featuring works from Paco Pomet, Otani Workshop, Austin Lee, Trenton Doyle Hancock, Elisabeth Higgins O «Connor and more.
Documenting the amazing presentation, this fully illustrated catalog
features images of individual works and
installation shots, along with writings by William Ferris, Thomas Lax, Kinshasha Holman Conwill, and Jonathan Berger, among others.
Curated by Stapleton and Amal Khalaf, the group show
features everything from short films and photographs to animations and
installations from Abdullah Al Mutairi, Arwa Al Neami, Monira Al Qadiri, Foundland, Hasan Hujairi and Ahmed Mater, taking its title from a work by Al Neami
shot in a theme park Saudi Arabia.
Highlights include Isaac Julien's nine - screen interactive video
installation «Ten Thousand Waves»,
shot in China and
featuring Maggie Cheung, and William Forsythe's «The Fact of Matter», which challenges visitors to cross the gallery without touching the floor, using 200 gymnastics rings suspended from the ceiling.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel
installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector
installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film
featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video
installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video
installation,
shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video
installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch
The exhibition
installation features video footage documenting the children's performance and including images of a wavering horizon line
shot from a camera suspended in water.
Detail of Emily Jacir's mixed media
installation (in this
shot a photograph of Wael Zuaiter) currently
featured at the 2007 La Biennale di Venezia.