But now, by combining a submicron X-ray beam with cross-section geometry, a team of researchers in Brazil and New York has detected new structural
features of human hair.
Not exact matches
The gecko is one
of nature's best climbers, thanks to millions
of microscopic
hairs, with
features about 20 to 30 times smaller than a
human hair, that allow it to climb on virtually any surface.
The list included body
hair, wisdom teeth, and the coccyx — superfluous
features that served as Exhibit A in his argument that
humans did not descend from «demigods» but rather from a long line
of fur - insulated, plant - chewing creatures that sported tails.
Other sexually selected traits include: lion's manes, great tit's or budgie's plumage, grouse mating rituals, insect love tokens, the height
of human males and
human hair, intelligence and facial
features.
LLNL researchers can print woodpile lattices with submicron
features a fraction
of the width
of a
human hair.
Through the two - photon lithography (TPL) 3D printing process, researchers can print woodpile lattices with submicron
features a fraction
of the width
of a
human hair.
Jan. 3, 2018 - Lawrence Livermore National Laboratory (LLNL) researchers have discovered novel ways to extend the capabilities
of two - photon lithography (TPL), a high - resolution 3D printing technique capable
of producing nanoscale
features smaller than one - hundredth the width
of a
human hair.
It seems a ton
of work goes into the
hair, which is incredibly photorealistic, but the rest
of the
human features are pretty lame.
Race — socially - constructed classification
of humans according to some physical
features (e.g.; skin color,
hair texture, body type, etc.).
Pandemics — global outbreaks
of disease across countries and continents — have been a
feature of human history for centuries: as inexplicable and frightening as the contagion in Emily Shultz's novel The Blondes, where women with blonde
hair are turned into crazed maniacs.
His paintings started
featuring anatomical drawings at various depths
of the
human form: outer skin and
hair in one rendering, subcutaneous musculature in the next, skeleton in another.
The figure
of the body plays heavily in her installations, which often
feature fabric printed to evoke
hair or skin, curving steel rods that evince the
human spine, and draped sculptural installations made
of women's clothing.
Identity Shifts A companion exhibition to Posing Beauty, this collection - based display
features works by African American artists who use representations
of the
human figure or some aspect
of the body (including
hair) to explore how we construct and perceive personal and cultural identity.
This collection - based exhibition
features works by African American artists who use representations
of the
human figure or some aspect
of the body (including
hair) to explore how we construct and perceive personal and cultural identity.
Including everything from screw heads to
human hair, the drawing and collage was
featured in the Gallery's 2004 exhibition, The Drawings
of Jim Dine.
The undulating curves
of the girl's facial
features and braided
hair are emphasized, especially in profile, demonstrating the artist's characteristic experiments with the interplay
of large scale and intimacy in three - dimensional representations
of the
human form.
Open January 17 through February 15 at Flashpoint is «Lindsay Pichaske: Everything That Rises,»
featuring a 3D drawing installation crafted from pieces
of human hair.
Thousands
of times thinner than a
human hair, they're highly conductive and
feature a large surface area for the storage and transfer
of electrons.
A striking
feature of human beings is our lack
of a thick coat
of body
hair.