Two audio commentaries: one
featuring coscreenwriter Jean Gruault, longtime François Truffaut collaborator Suzanne Schiffman, editor Claudine Bouché, and film scholar Annette Insdorf; the other featuring actor Jeanne Moreau and Truffaut biographer Serge Toubiana
It's a fairly stupid premise that's employed to progressively unwatchable effect by filmmaker Eli Roth, as the director, along with
coscreenwriters Nicolás López and Guillermo Amoedo, proves utterly unable to elevate the narrative above its persistently one - note sensibilities - with the movie, by and large, coming off as a five minute short that's been clumsily, brutally expanded to
feature length.