Sentences with phrase «featuring essays by its curators»
A beautiful, fully illustrated catalogue of the exhibition featuring essays by its curators and guest scholars, as well as entries on all the artists in the exhibition, is available now.
https://wexarts.org/
Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.
The publication features essays by curators Naomi Beckwith and Cesar Garcia, as well as contributions by each of the members of The Propeller Group: Nguyen pens an obituary for the group that pays homage to Vietnamese funereal celebrations, Phunam shares an astrological reading and Lucero creates a travelogue that records the group's recent exploration of Papua New Guinea.
Accompanying the exhibition is a catalogue featuring an essay by curator Bartholomew Ryan, in which he wrestles with the show's themes and the questions posed by each artist.
Martial Raysse: Visages will be complemented by a publication featuring essays by curator and art historian Jane Livingston and sociologist Dr. Eduardo de la Fuente, as well as a specially commissioned poem by Leopoldine Core.
All Of Us Have A Sense Of Rhythm is accompanied with an exhibition leaflet featuring an essay by the curator.
The exhibition is accompanied by a fully illustrated catalogue designed by Seoul - based design studio Sulki & Min featuring essays by the curators and an interview between the artist and Maria Lind, Director of Tensta Konsthall, Stockholm.
The introductory chapter features an essay by curator Lorenzo Benedetti, whose point of departure is the fine line and particular interaction between production and presentation at the art centre.
A catalogue featuring an essay by the curator and an interview with Muniz by art historian Diana Wechsler accompanies the exhibition.
It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran.
Coupled with a catalogue featuring essays by the curators as well as by Thomas Crow, David Joselit, Maria Loh, and Howard Singerman, this show will no doubt attest to the emotional resonance, historical insight, and exceptional taste that have always characterized Levine's work.
With each exhibition, we produce and distribute an illustrated brochure featuring an essay by the curator detailing the raison d'etre for the exhibition.
This fully illustrated volume features essays by curator Robert Leonard and writer Chris Kraus.
This full - color book chronicles fifty years of painting and features essays by curator Brad Thomas and Roger Manley ’72...
Accompanying the show, a catalogue / artist's book mimicking a 1950s travel guide features essays by curator Constance Lewallen and Greil Marcus.
A catalogue will feature essays by the curators and six other contributors from diverse fields.
Not exact matches
A fully illustrated catalogue featuring an interview of the artist by Hans - Ulrich Obrist, an essay by curator and scholar Hui Kyung An, and a specially commissioned poem by Mónica De La Torre will accompany the exhibition.
Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.
The lavishly illustrated publication will also feature essays by MASS MoCA Curator Susan Cross; Connie Butler, Chief Curator at the Hammer Museum, Los Angeles; and José Luis Blondet, Curator of Special Projects at LACMA, Los Angeles.
Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.
It features over 140 color plates, an essay by Donald Kuspit, and an interview with Dede Young, Contemporary Curator at the Neuberger Museum.
An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.
This exhibition is organized by Howard Singerman, Phyllis and Joseph Caroff Chair, Department of Art and Art History, Hunter College with Sarah Watson, Acting Director and Curator, Hunter College Art Galleries and Annie Wischmeyer, Assistant Curator, and will be accompanied by an illustrated catalogue featuring an essay by Howard Singerman.
The four - color illustrated catalogue includes an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a -LSB-...]
Featuring a comprehensive introduction by MoMA Chief Curator Emeritus and AICA - USA member John Elderfield, this collection of 29 essays that range widely, from Cezanne's drawings to Walter de Maria's Lightning Field, focusing in particular on the varieties of artistic response that Downes's preferred subject matter — landscape — provokes.
It features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang TiCurator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Ticurator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Tillmans.
The catalogue features essays and discussions with Klein, Consulting Curator Okwui Enwezor, exhibition advisory board member Koyo Kouoh and urban theorist Edgar Pieterse, among others, complemented by statements from nearly 70 other African design thinkers and practitioners whose interviews are featured in the exhibition.
Designed by Books Are Nice, the 86 - page catalog features an introduction from Girls» Club creative director Michelle Weinberg, an essay on feminism and science fiction by Claire Evans, a work of fiction by Vanessa Garcia and an interview with the curators Monica and Tasha Lopez de Victoria of TM Sisters.
The accompanying monograph features newly commissioned essays by Francis Plagne, Max Delany and the exhibition's curators.
It features ten new essays by curators and historians, as well as interviews with contemporary choreographers — Beth Gill, Maria Hassabi, Rashaun Mitchell and Silas Riener — who address Cunningham's continued influence.
It features essays by the noted Harvard cultural theorist Homi Bhabha and the exhibition curator and noted writer on Modern and contemporary art, Sean Kissane.
Brook Andrew: Eye to Eye will be accompanied by a full colour illustrated catalogue featuring essays by the exhibition curator, Geraldine Barlow; Anne Loxley, Penrith Regional Gallery; Associate Professor Nikos Papastergiadis, School of Culture and Communication, University of Melbourne; and Professor Lynette Russell, Centre for Australian Indigenous Studies, Monash University.
Conceived by the artist, it features new essays by Amy Knight Powell, Associate Professor of Art History at University of California, Irvine; Bennett Simpson, Senior Curator at MOCA Los Angeles; and Andrew Weiner, Assistant Professor of Art Theory and Criticism at NYU Steinhardt, New York.
The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.
The catalogue also features essays by Ottmann and Alicia Longwell, the Lewis B. and Dorothy Cullman Chief Curator, Art and Education at the Parrish Art Museum.
Bringing together the ideas behind this unique commission, this book features an illuminating conversation with Kwade about the work, as well as a detailed survey of her practice to date by curator Cameron Foote and new essays by curator Daniel F. Herrmann and anthropologist Debbora Battaglia.
Jill Freedman: Resurrection City, 1968 features Freedman's original text from 1971 and new essays by John Edwin Mason, historian at the University of Virginia, and by Aaron Bryant, the Mellon Curator of Photography at Smithsonian National Museum of African American History and Culture.
Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its economic implications.
Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its socio - economic implications.
A catalogue from this exhibition is now available featuring an interview between the artist and Ian Berry, Dayton Director of The Frances Young Tang Teaching Museum and Art Gallery and an essay by Ingrid Schaffner, Chief Curator, Carnegie Museum of Art, Pittsburgh.
Dwelling features several never - before published works, newly commissioned photography and essays by Brad Cloepfil of Allied Works and Joseph Becker, Associate Curator of Architecture and Design at the San Francisco Museum of Modern Art.
A fully illustrated catalogue, published by DelMonico Prestel books and Prospect New Orleans, will feature documentation on participating artists and include essays by the Artistic Director Trevor Schoonmaker, with contributions by William Cordova, Miranda Lash, Omar López - Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. Patterson, Ylva Rouse, Ned Sublette and Zoé Whitley along with more than 20 other contributors including Russell Lord, NOMA's Freeman Family Curator of Photographs and Katie Pfohl, NOMA's Curator of Modern and Contemporary Art.
The catalogue [96 pages, hardcover, fully - illustrated] features an essay by Debra Bricker Balken, an independent curator and noted writer who works on subjects relating to American modernism and contemporary art.
The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.
A fully illustrated catalogue co-published with Futurepoem will accompany the exhibition, featuring reprints of seminal texts by Fred Moten and Harryette Mullen, newly commissioned poetry by Morgan Parker and Simone White, and an essay from the curator.
In addition, it features essays by the independent curator and writer Jeremy Lewison and the award - winning novelist Claire Messud, as well as a selected chronological biography and illustrated list of works.
It features essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.
The book is lavishly illustrated with over ninety paintings and features an illuminating essay by Elisabeth Sussman, Curator at the Whitney Museum of American Art, as well as an interview with the artist by Justin Spring.
Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation for the Japanese avant - garde, and features essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter, Curatorial Fellow for the Visual Arts, Walker Art Center, and the late Takamatsu.
In an essay written for the catalogue which accompanies this exhibition, featuring photographs of Herrera's New York studio and home, American curator and critic Robert Storr states: «In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green «tooth» so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.»