The game
features a synth - heavy soundtrack, something pretty common among indie games nowadays, with a collection of well - composed tunes.
Not exact matches
The Guest Blu - ray — One of the best Halloween - themed John Carpenter movies that John Carpenter never made, The Guest was the most badass movie of 2014, the only one with the balls to
feature some prominent Halloween III Silver Shamrock imagery amid the pounding
synth score and carnage of the mysterious stranger who comes trick or treating.
The «Girls With Guns» films
featured strong female leads, usually supported by ineffective or soon - to - be-killed male counterparts, and blended martial arts action with heavy gunplay, usually supported by eye - piercing 80s fashion, heavy
synth scores, and lots of explosions in empty warehouses and abandoned construction sites.
«Instant Crush,»
featuring The Strokes» Julian Casablancas, is an early standout with its beautifully icy chorus and staccato
synth hook.
Clearly he has musical tastes that aren't driven by any sort of studio trying to push a pop song, so it came as no surprise when the opening credit sequence of The Sacrament
featured «Heartbeats», a ten year old Swedish
synth pop song.
Jewel's score is undoubtedly the film's biggest redeeming
feature: a similar
synth - pop DNA to «Drive» and Jewel's other work is in there, but it's more varied and unexpected, with rockabilly and industrial influences melded into something that sounds coherent, inventive and even catchy.
Nicholas Winding Refn's Drive is a gloriously brutal love letter to action movies of the 70's,
featuring a lead character that doesn't even have a name, a fantastic
synth pop
From the minds that brought you «The Sight of the Sound,» an excellent X-Men-themed music video about Dazzler performing underground
synth - pop, comes this new video
featuring the New Mutants and some 1980s rock n» roll.
Audio gallery
featuring Frank LaLoggia's score and
synth.
-- The Guest One of the best movies of 2014, The Guest is a badass
synth - driven trip into a hyper - realistic world that would make John Carpenter proud, set during the days leading up the big Halloween dance,
featuring not only substantial seasonal imagery but also thematic elements of identity versus disguise that lend well to the holiday, the highlight (for me) is a climactic visual homage to the Silver Shamrock masks from Halloween III: Season of the Witch.
November 8, 2013 • Gary Numan is considered a pioneer of
synth - based electronic music who has often
featured a heavy rock influence.
Nicholas Winding Refn's Drive is a gloriously brutal love letter to action movies of the 70's,
featuring a lead character that doesn't even have a name, a fantastic
synth - pop score and soundtrack and very well stage action set pieces.
The artificial - intelligence film — the directorial debut of Alex Garland, writer of cult zombie game - changer 28 Days Later —
features a minimalist, highly tense mix of beauty and discomfort: dark
synth work, manipulated brass samples, optical - disc keyboard, celeste and the PaulStretch software that helped propel the «800 % Slower» Justin Bieber to ambient meme fame.
Some highlights include an 8 - bit Famicom remix of Frog's theme from Chrono Trigger, a
synth - tastic electro rendition of the music from Romancing SaGa and a driving piano medley of «final boss» music from the Final Fantasy series,
featuring «Dancing Mad,» «Battle at the Big Bridge» and «One - Winged Angel.»
A game that replaces the typical orchestral JRPG music with something like a mix of the Soul Reaver and MGS2 soundtracks with industrial percussion and
synth layers
featuring modern tonalities.
The game
features explosion - based platforming, innovative co-op gameplay and an original all - analog
synth soundtrack.
Of particular note is the spectacular soundtrack (created by the legendary Chris Hülsbeck), which
features some great eighties - style up - tempo
synth - rock tracks that are sometimes amusingly upbeat when compared to the bleak worlds they're set against.
The full game
features thirty levels of colorful action - packed fun and a pretty awesome soundtrack with an 80's
synth - pop feel.
Dungeon in the Desert» is one of his more minimal tracks that relies pretty heavily on a repetitive
synth accompaniment, but also
features some melodic material in the piano and synthesizer.
Now, a year later, the music
synth / block puzzle game comes to the PSN with heightened visuals, twice as many songs, and the most anticipated
feature — a multiplayer mode
featuring up to 4 local friends.
This is a 15 - track compilation album
featuring music from several acclaimed artists, such as «Hitoshi Sakimoto's Basiscape team, electronic master Shinji «MEGATEN» Hosoe and his SuperSweep studio, trance artist bLiNd, EDM artist Steven Silo, and the UK's sentimental
synth - pop sensation, Bentley Jones».
Composed by Norwegian musician Joar Renolen and sound design by Martin Kvale, GoNNER «s soundtrack
features pop - like electronica and
synth ambiance which pairs with the oddness of the game's visuals and platforming gameplay in a interesting way.
The musical similarities extend to the background score composed specifically for the game — many cutscenes and the end credits
feature ambient,
synth - heavy tracks very much in the style of Jan Hammer, who provided the background music for the show, while the «Theme From Vice City» is comparable to Hammer's «Miami Vice Theme».
The whole package is tied together with a great soundtrack by Norio Hanazawa,
featuring some excellent
synth tracks that sounded awesome for Genesis / Mega Drive hardware and honestly still sound amazing even on the Nintendo 3DS.
The game
features an 80's inspired
synth soundtrack, tubular neon blue and pink aesthetic visuals, and a new hero and story.
Both versions
feature music redone in the Amiga MOD format, which uses samples rather than the FM
synth of the Genesis.
Upstairs, a virtual - reality experience titled Spheres
featured narration by Jessica Chastain and Patti Smith, plus music by members of SURVIVE (the
synth group that made the music for Stranger Things).
ARTISTS: Tony Conrad, Jutta Koether, and John Miller (sometimes
featuring Greg Parma Smith) SOUND: Distorted, at times minimal instrumental music fusing Conrad's violin with Koether's Euro - inflected
synths and Miller's looping guitar WHAT THEY DO: A real thinking man's art supergroup, XXX Macarena unites three artistic visionaries who each come from a different corner of the art world — Conrad is a legend in avant - garde video and sound art (he made the landmark, epilepsy - inducing film The Flicker in 1966), Koether is a hypercerebral painter, and Miller is a multitalented artist and critic who teaches at Columbia.
In this interview with
Synth and Jonathan from Skycoin we discuss Skycoins technical
features, decentralization, history, cryptocurrency drama, their price predictions, and exchanges.