Sentences with phrase «feel about this genre»

With the constant threat of superhero fatigue, it's interesting to see how various actors feel about the genre, especially if they've already dabbled in superheroics.

Not exact matches

ldn About Blog FEEL MY BICEP Blog includes mix tapes and tracks of various electronic music genres.

i lve shonen / action / ecchi / etc.... anime genres i love dogs im a big fan of one peice fairy tail naruto bleach tokyo ghoul and many others if you wan na know anything else about me feel free to send me a message and ask.

You can choose a musical genre or artist to inspire your Are you tired of having to talk about feelings and find witty things to say in your OkCupid profile?

That's something I've never even said about music of any genre, however, I felt each track (with the exception of Touch) could've easily been 1 min shorter and had more of an impact.

I have gravely mixed feelings about every movie on Marc Forster's résumé, from «Monster's Ball» to «Stranger Than Fiction» to «The Kite Runner» to the 2008 Bond film «Quantum of Solace,» but the guy is undeniably a stylistic virtuoso with a Michael Winterbottom - like ability to jump around from one genre to another.

There's something to be admired about a film that can gracefully defy simple genre categorization but Submergence feels like a clumsy melange, a confused adaptation made by people who don't seem quite sure what they have on their hands.

For a genre that's supposed to be about carefully considering the possibilities of the future, science fiction too often feels just as slick and mindless a genre as any other.

Regardless of your feelings about the fantasy genre, there's one thing everyone can agree on: Elves should not be 5 - foot - 6.

When the only «negative» aspect about this game I can think of is that it felt too short, I feel very confident about recommending it to all gamers, both fans of point and click adventure and those new to the genre alike.

It feels like a detached exercise rather than a project which the director was passionate about, a chance for him to develop his skillset in another genre and while there is certainly nothing wrong with a stripped down action film too often Haywire feels diffuse and perfunctory.

The good parts are worth sitting through the slow parts — particularly if, like me, you're a sucker for the genre to begin with — but it feels less a giddy merger of what's great about TV and movies than a reluctant alliance.

Because until those last 20 minutes, and in particular in the film's second act, Jenkins flirts with a bevy of ideas that feel fresh to the superhero genre, the most scintillating of which is that Diana could be wrong about how to save the world.

Again, it feels awfully conventional as the take - charge American puts together his team to go fix the situation, and nothing about the way it progresses rises above the crushing genre conventions.

Also in contention must be Fremon Craig's script, which plays to the teen audience with recognisable moments of anguish and glee (the romance subplot involving Hayden Szeto's American / Korean student feels both fresh and warmly familiar) while exploring some very adult emotions; as with the best of the genre, it is a film about teenagers but not just for teenagers.

My hope was that through that genre, I could actually say something about being a young artist with huge dreams that don't feel very realistic.

Yet for the 32 - year - old musician and actress those genres have never been about escapism but, rather, a means to express how it feels to be an outcast.

Not too many films, particularly in this genre, delve into the mature topics we get here, such as a child's feelings about family, security and the fear of daring to break out of one's own box and become somebody.

But the filmmakers adhere too prominently to the tropes of the sports genre, all leading up to the big, dramatic encounter at the end, whereas tonally it felt the film may have benefited from avoiding such an approach — for while a necessity Billie Jean King took place in the match, the entire endeavour was more about putting Bobby Riggs in his place rather than to prove herself as an athlete.

It's rare for a film in any genre to valorize writing poetry and literacy, and rarer still for a film essentially about nothing to sport so many moments of genuinely fruitful observation in its interpersonal interactions, which makes the picture's flights of fancy feel the more unnecessary.

Until it gets too obvious about itself (somewhere around the halfway mark (like an addict nursing a jones, as it happens)-RRB-, that sense of futile outrage at the fruitlessness of trying to affect change in a world that has never been more informed yet remains incapable of avoiding (recent) history's harshest lessons lends a nice feeling of indignity to what is already a pretty fair genre inversion.

How the film's compelling star Jennifer Lawrence may feel about this sentiment is another matter, but this is a tale that, like any number of fanciful genre outings, both pulls you in with its intriguing central dramatic situation and pushes you out with some mightily far - fetched plot contrivances.

The film as a whole has a similar problem, feeling uncertain at the script level about which characters to emphasize or discard, what genre or tone to pursue, and how much flashback or fantasy to incorporate.

She talked about how she feels about the impact of her character and whether she'd add onto her range as an actress by not only doing more award contender films but also maybe still playing with genre, specifically if she'd be open to playing in the Disney Marvel sandbox with the likes of Chris Pratt and Bradley Cooper:

Under any name, Doug Liman's fiendishly clever almost - hit already feels like a new classic of the genre, one that can be comfortably re-watched about as many times as its main character croaks.

While it feels perhaps too familiar in its topic for genre fanatics to rave about, for an old - fashioned chiller, it's not half bad for most of the first hour.

Indie movies these days can be hard to categorize — while the genre used to simply include films that were independently produced, it's now become an arena for films that have an «indie feel», which means that just about anything can be an indie flick.

I feel like the genre is at a turning point where it's about to be reinvigorated, I've already seen a few of the films coming out next year (ones that simultaneously fit the definitions of the genre while taking it to new places) and I think 2013 will represent a turning point.

by Walter Chaw I'm most familiar with Thomas M. Disch for his sterling non-fiction work (The Dreams Our Stuff is Made Of and The Castle of Indolence) and a few samplings of his less impressive genre short fiction, and though I was aware that he'd written a couple of children's books about a band of appliances, I'd never felt compelled to investigate.

Signs is different, using genre conventions brilliantly to tell a more intimate story about a man and where he feels his authority comes from.

How did this acknowledgment of the clichés of this genre make you feel about the movie?

The Battle Royale genre has become so popular, and I feel like we've already reached an oversaturation point, but once again, Treyarch somehow made me care about its take on the game type.

My favourite thing about Mission Impossible III is that it feels more genuine that the second's stylised approach to the genre.

I was curious how you felt about the movie musical genre.

Life - long fans of science fiction know only too well that their beloved genre can sometimes get a very bad rap from those who feel it's solely about aliens, ray guns and flying saucers.

What's most impressive about «Abbott and Costello Meet Frankenstein,» however, is the feel of the film (aided immeasurably by Frank Skinner's score) and how successfully it straddles the comedy and horror genres of the era, offering as many chills as guffaws.

Your reaction to the movie will ultimately vary based on how you feel about its ending, but for fans of the sci - fi genre and time travel in particular, «Source Code» doesn't disappoint.

Please feel free to query us about stories in other genres, because the list of what we would like to see is far too long to include here.

Looking at previous projects is an important one — not just whether the work is in a similar genre to your own work, but how you feel about the work that came out of the collaboration, whether you like the text after editing or like the cover design.

I'm not sure how I feel about the covers on these... on one hand, they're kind of classic at this point, and they definitely show the YA fantasy genre clearly.

Polly Courtney first made news on this site earlier this year for abandoning traditional publishing after her self - published titles gained some well - deserved attention from the industry; at the time, Courtney had some strong words for her feelings about the experience, including her embarrassment over her book titles and the way traditional publishing lumped her into genre categories.

That solution might work great for us — many writers find lifelong friends that way — but it might also leave us open to harsh criticism from those who don't know our genre or care about our feelings.

You don't have to fall about laughing, you don't have to be a standup comic but something of your pitch, premise, whatever, I feel, should have some of the emotion of your genre, too.

Feel free to add information about the book (cover, title, author, genre, blurb, promotional links) as well.

A good agent will help you edit your book, make sure it fits squarely into the genre it needs to be in, review and negotiate any publishing contracts for you, and pull your head above those rough literary waters when it inevitably feels like you're about to go under.

I certainly feel much more knowledgeable about the genre and best practices after reading the book... at least enough to understand their questions and to point them in the right direction with Stahle's guidance.

Usually you reference other covers in your genre that evoke a similar feel, talk about particular color palettes you like or don't like, reference illustrations / designs that appeal to you, and so on.

To make sure that your readers will get what they want regardless of reading formats, you might want to consider offering a POD alongside with your typical eBook and strategize yourself to experiment with new genres you might feel passionate about researching and writing (e.g. cooking, non-fiction, comics, business knowhow).

There's a lot to like about Anti-Hero — it's kind of hard to get too much of a read on it, because it's so early in the story, but the creative team has done a nice job blending two genres and making it feel like something that would actually happen.

I've been moved beyond words by the conversations I shared with the women there and it left me feeling heartened about the perception of female authors writing in genres that haven't always accepted them.