Sentences with phrase «feel after the film»

How did you feel after the film was over?

When I asked him how the audience should feel after the film he chuckled, «depressed».

Not exact matches

Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.

After the discussion, volunteers who had been treated to the great film reported feeling far lousier than their counterparts, who'd had a subpar viewing but were able to commiserate with one another after the After the discussion, volunteers who had been treated to the great film reported feeling far lousier than their counterparts, who'd had a subpar viewing but were able to commiserate with one another after the after the fact.

Although I do not approve of such punishments which could go out of hand and reach any who expresses with drawing or writing but after all still I would not approve with those who draw cartoons and picture films that are intended for the insult or humiliation of the Holy Prophets, Massengers of God Almighty and hurting the feeling of their followers!

I can't argue with his marketing savvy — a month after its release, Love & Friendship had already become Stillman's most successful film — but I also can't help feeling that we Janeites were onto something when we wondered about the aptness of the new title.

Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.

After watching the film, I felt an unexpected connection with Djokovic, such is the power of food and its ability to stir nostalgia.

At times the Labour leadership race has felt like one of those films where you work out the ending after just five minutes but still feel obliged to watch the rest.

After switching careers, going from on - the - go film producer to the more - sedentary role of screenwriter, the 36 - year - old from Los Angeles began to feel lethargic.

After yesterday's» Hot Tushie Workout» I was so sore that filming this stretching video felt incredible!

After years of running a talent agency, Sasha Madarasz felt ready to get out of the fast - paced film industry and make more of a difference in the world.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

But after the first third — the film is more than 3 hours long — Schindler begins to recognize the horrors that are going on around him and feels compelled to do something about it.

It's about how you personally feel after you are presented with everything the film throws at you.

The film isn't really fooling anyone into feeling doom - laden suspense (Paris, after all, is still standing), but the principal performers sell the momentousness of the drama.

I now have to say I feel as weary as the film's characters look after the final defeat of Voldemort.

The feeling that ran through me after The Piano Teacher, Haneke's latest effort, was very similar to the feeling that I got from his most well known film, Funny Games.

The film also touches on Bell's work for the British government, drawing up the boundaries of Iraq after WWI — which was to have consequences still felt today.

I felt the need to state that after my viewing of The Killing of a Sacred Deer, because this is a film that will truly make people not see another movie for weeks or just simply turn it off after the very first frame (I'm not exaggerating).

It pulls the heartstrings 20 minutes longer than it should — after it runs out of story — but it's a much needed feel - good film.

But unlike the rigorous skepticism of films like Blood Simple, Fargo, and Burn After Reading, I Don't Feel at Home in This World Anymore uses its allegorical narrative to further a simplistic political message meant to give it an aura of timely social commentary.

Throughout the film, which loosely adapts the first book in a trilogy by Jeff VanderMeer, Garland returns to Lena's after - action reports to add some insight into what she was feeling and thinking during her experience.

But in crafting a film about the pain a parent feels after losing a child in battle, Crowe transcends borders and politics.

Their is definitely a feel of realism coming from these teens and for the most part the film doesn't hold back, but after a while I started to wonder how much I cared.

The Post is a film that feels in constant motion, where the camera is often hurtling forward to catch up to the drama, which here takes the form of heated negotiations between Post publisher Katharine Graham and her editor Ben Bradlee around the ethics and efficacy of continuing to publish the Papers after the Times had raised the ire of the Nixon administration.

After so many films, it hardly seems possible that the best may be yet to come, but that's the feeling that I got from seeing Black Panther.

Their is definitely a feel of realism coming from these teens and for the most part the film doesn't hold back, but after a while I started to wonder how much I

This is a true story, after all, and Zamperini (who died this year at the age of 97) survived unimaginable horrors, but within the context of the film, the torture starts feeling repetitive and masochistic.

It's a device that will recur throughout the film and one that has the feeling of having been tacked on after someone saw a rough cut of the film and went «uh-oh.»

After watching the film on DVD nearly a year later, my enthusiasm was somewhat tempered but I still felt that it was a great movie.

The film also is not edited that well and starts to feel repetitious after a while.

Today, after seeing the film again for the first time in years, I feel that Saving Private Ryan is, if not an absolute masterpiece, an extremely powerful and moving work that stands as one of the greatest war films of this or any era.

I think the main reason that many people were really skeptical about the film was probably due to how a superhero film probably wouldn't do as well as it could or wouldn't be as serious as it could be since it takes place in the 40s during WWII and sine Captain america, was more of a piece for its time when it was made, so people felt that the Nazi shtick would probably get old after a while, especially since it had been done in so many films and video games prior.

While the film feels similar to a film like «Burn After Reading,» the stylish fashions of Steven Soderbergh fit in surprisingly well.

Anyway, the entire purpose of Zoolander 2 — and any comedy sequel made more than 10 years after the original, and comedy sequels in general — is to facilitate the repetition of jokes from the original film among fans who prefer to communicate their thoughts and feelings in movie - quote form, so reference away, referencers.

Green Zone's 115 minutes seem like an overlong rollercoaster ride, and not in a good way: never have I felt so physically unwell after a film than after this one.

The film would open in US theaters three months after Hitchcock left this Earth, demonstrating quickly that the Master of Suspense's work would give him immortality, a fact that feels no less true thirty - five years later.

The ending went completely against the tone of the rest of the film, and to have that cheezy ending after all that intense violence and realism made the film feel like a sham.

So much has been written online about Martin Scorsese's brilliant new film The Wolf of Wall Street that trying to follow the talented likes of Richard Brody, Glenn Kenny, and Nick Pinkerton in 150 words feels akin to being the guy who has to give a speech after Jordan Belfort at Stratton Oakmont.

It's a pity, because for all the wonderful moments of the film, it never feels truly menacing — I never believed that it would be a fable that ended in a moral, hard - won, rather than a fairytale with a happily ever after.

I think it was also helpful to have this movie come out so soon after The Conjuring, which had taken itself so seriously, that this film felt all the more fun.

Allied is unusually linear, after the initial setup: Max is told he married a German spy in Marianne; against orders and behind Marianne's back, he sets out to disprove it.2 The apologist urge is to call it a maturation of Zemeckis's style, to tell a story so simply and economically (even if we've kind of been here before with Cast Away), but the film feels conspicuously underdeveloped as opposed to streamlined, to the extent that the big reveal seems as if it was decided on a coin toss; it's easy to imagine the opposite outcome without any sort of retrofitting to accommodate it.

Colin Farrell took «five or six days off» after filming the thriller «Killing of a Sacred Deer» because he felt down due to the movie's «bleak core».

I like focused biopics that don't feel they need to go from cradle to grave, but the focus here gives the film a bit of unearned hero worship, as we see LBJ hold the country together after tragedy and fight for civil rights against caricaturish opponents.

After all of this examination about the experience of Man on the Moon, the film goes even deeper as Carrey discusses life itself and his own feelings on truth and honesty.

For a spell, it feels as if the film will transcend the unpromising irony of its title with a female protagonist painted as unflattering and tortured, but by the time the final credits roll after an unforgivable third act, Murder by Numbers washes out as just another imminently forgettable movie starring Sandra Bullock.

Where the film derails — besides being a little too like the films cited above — is when you start to see the inevitable end - point (in this case, it has to do with the completion of some rather radical landscaping), and feel like you're just ticking off incident after incident to get there.

Exarchopoulos takes us deep inside Adèle's skin in the film's more compelling final third, and she is especially heartbreaking when she portrays the character's attempts to move on with stunned dignity despite the crushing physical isolation she feels even years after the carnal relationship has run its course.