Sentences with phrase «feel as genre»

That said, the multiplayer doesn't feel as genre - defining as the campaign, as it doesn't really introduce anything new to keep you interested after a dozen matches or so.

Not exact matches

The interpreter has to look for that meaning which a biblical writer intended and expressed in his particular circumstances, and in his historical and cultural context, by means of such literary genres as were in use at his time, To understand correctly what a biblical writer intended to assert, due attention is needed both to the customary and characteristic ways of feeling, speaking and storytelling which were current in his time, and to the social conventions of the period.

Little rockers can feel like real drummers in free play mode as they bang out new rhythms with the... MORE included drum sticks to four different musical genres: jazz, rock, dance and pop.

An interesting genre mix of Quest for Infamy comes with a lot of interesting elements bringing a feel into the game you may decide freely as well as fulfill your goals differently.

For a genre that's supposed to be about carefully considering the possibilities of the future, science fiction too often feels just as slick and mindless a genre as any other.

The first half hour is an excellent, deadpan comedy of alienation that feels like a 21st century riff on THE GRADUATE; momentum slowly fades away as the script yields originality to the conventions of the romantic comedy genre.

Too generic, and is contained within a genre that needs innovation and resourcefulness to stand out from the crowd, as a saturated market where so few productions feel unique.

It still lacks a lot to make it genuinely compelling, though, as it feels to heavily influenced by other stories in its genre.

If you feel like the horror genre has been ho - hum lately, rest assured as The Conjuring is one of the best horror films that has come across the screen in the last decade.

Frequently laugh - out - loud funny and tangibly tender where it ought to be, the immensely satisfying screwball romp feels freshly contemporary even as it largely conforms to genre conventions.

This, however, is one of the genre kings of the PS2 generation, and as such, it feels like a much bigger and more advanced experience than virtually anything else available on the App Store.

But when it comes to new open - world games, most aren't as unique or successful as Horizon, and it's led to an overwhelming feeling of homogeny within the genre.

Unfortunately, it appears as though this is one of those cases where the writers» previous filmography is a good indicator of what to expect here; namely, a whole lot of horror genre cliches and familiar setups that lack the precision or creativity, in terms of execution, to make them feel fresh or to create atmosphere.

It's billed as a dungeon crawler, sort of a halfway home between a roguelike and an Action RPG, and though those two genres may feel overplayed as of late, I promise you that you won't be disappointed if you give Wizard of Legend a shot on PC, PS4, XB1, or Switch when it launches later today.

Again, it feels awfully conventional as the take - charge American puts together his team to go fix the situation, and nothing about the way it progresses rises above the crushing genre conventions.

Suspenseful and hilarious, despondent and optimistic, I Don't Feel at Home in This World Anymore is a masterful genre film, one that immerses itself in the small, painful indignities of everyday life, and then casts the battle against those wrongs as a serio - comic odyssey of sleuthing, heavy metal, and nunchakus.

If this was a review of an iPad version then I would probably feel more favourable towards it but here, on the PC, a game as casual and potentially frustrating due to the nature of genre, feels out of place.

Essentially throwing Mad Max and The Hunger Games into a blender, the Maze Runner series wants to appeal to genre fans but still feels (to this reviewer at least) as too over the top and lame for its own good.

Also in contention must be Fremon Craig's script, which plays to the teen audience with recognisable moments of anguish and glee (the romance subplot involving Hayden Szeto's American / Korean student feels both fresh and warmly familiar) while exploring some very adult emotions; as with the best of the genre, it is a film about teenagers but not just for teenagers.

Movies as varied as Total Recall and The Matrix have played with these themes, but Dirty Computer delves into them with a poignancy rarely felt in the genre.

Says Kinberg: «I feel lucky to be able to do something that will shake up not just the spy genre but also Hollywood to show that an ensemble of women are as commercially viable as any ensemble of men.»

Not too many films, particularly in this genre, delve into the mature topics we get here, such as a child's feelings about family, security and the fear of daring to break out of one's own box and become somebody.

But the filmmakers adhere too prominently to the tropes of the sports genre, all leading up to the big, dramatic encounter at the end, whereas tonally it felt the film may have benefited from avoiding such an approach — for while a necessity Billie Jean King took place in the match, the entire endeavour was more about putting Bobby Riggs in his place rather than to prove herself as an athlete.

A stark, brutal, yet tender prison drama starring Jack O'Connell as a violent inmate sent to the same lock - up as his jailbird father (Ben Mendelsohn), the film's shot through with a raw energy and authenticity that's closer to «A Prophet» than to most other British films in the genre, with Mackenzie making the movie feel like he's bottled up a hurricane of tension, which at any second could kick through the screen at you and hit you with a sock full of snooker balls.

It's not genre defining by any means but I also feel like I've been unfair to the film as it's certainly not a complete right - off either.

Until it gets too obvious about itself (somewhere around the halfway mark (like an addict nursing a jones, as it happens)-RRB-, that sense of futile outrage at the fruitlessness of trying to affect change in a world that has never been more informed yet remains incapable of avoiding (recent) history's harshest lessons lends a nice feeling of indignity to what is already a pretty fair genre inversion.

I've never been a massive fan of games in the clicker genre, as apart from a few exceptions, I tend to lose interest over time as it doesn't really feel like I'm doing anything.

The idea that any noise could condemn you to death is almost the fundamental horror movie staple, but it rarely feels as thrillingly fraught as it does in this white - knuckle genre exercise.

Street Fighter 5: Arcade Edition isn't without fault, but it now feels like a complete and compelling package that stands as a testament to why even 26 years after its groundbreaking second entry Street Fighter is still the best the 2D fighter genre has to offer.

The film as a whole has a similar problem, feeling uncertain at the script level about which characters to emphasize or discard, what genre or tone to pursue, and how much flashback or fantasy to incorporate.

She talked about how she feels about the impact of her character and whether she'd add onto her range as an actress by not only doing more award contender films but also maybe still playing with genre, specifically if she'd be open to playing in the Disney Marvel sandbox with the likes of Chris Pratt and Bradley Cooper:

Going into Front Mission Evolved I wasn't sure what to expect.I normally am not the biggest fan of mech games, however, Square Enix and Double Helix Games have done a great job with this title.Long time fans of the series, or of this genre in general, might not like some of the changes that were made in the latest title, however, Square Enix has made it a lot more accessible.The game is much more like a third person action game as opposed to the tactical type of game play that the series is generally known for.There were definitely times when it felt a little like Lost Planet with the difference being this game actually worked pretty well and was fun.

The romance such as it is, is the nicest thing in the film, and there are some other funny moments, but despite the local pedigree in genre and in the veteran talent on - screen feels weirdly unrooted, like so many Hong Kong films trying to appeal to audiences outside the (former) colony.

«As huge racing game fans, we feel that the genre often hasn't been as innovative as we'd like,» said Ben Ward, founder of Trailblazers» developer, SupergonAs huge racing game fans, we feel that the genre often hasn't been as innovative as we'd like,» said Ben Ward, founder of Trailblazers» developer, Supergonas innovative as we'd like,» said Ben Ward, founder of Trailblazers» developer, Supergonas we'd like,» said Ben Ward, founder of Trailblazers» developer, Supergonk.

As huge racing game fans, we feel that the genre often hasn't been as innovative as we'd likAs huge racing game fans, we feel that the genre often hasn't been as innovative as we'd likas innovative as we'd likas we'd like.

Under any name, Doug Liman's fiendishly clever almost - hit already feels like a new classic of the genre, one that can be comfortably re-watched about as many times as its main character croaks.

The cinematography is certainly competent and watchable, but not as gorgeous or interesting as most films within the western genre — it feels a little flat.

But elsewhere, you may feel as though a genre's essence has been betrayed.

She's always swung between the two genres, but it feels like it's been a while since she's done something as natural as Tully, and with any other actress I'm not sure this film works half so well.

It's possible to be funny and make a horror film that deconstructs itself — I'm thinking not of The Monster Squad, probably The Cabin in the Woods» closest spiritual analogue (and even as I say that, I feel bad — while Fred Dekker is an idiot, he's our idiot), but of genuine genre masterpieces like John Landis's An American Werewolf in London, Sam Raimi's Evil Dead II: Dead By Dawn, and Edgar Wright's Shaun of the Dead.

The familiar «noir,» (defined as a genre of crime film or fiction characterized by cynicism, fatalism and moral ambiguity) is made to feel new here - and it does - thanks to its anchor lead actor, Krisztián Kolovratnik.

Why do you feel filming genre films, like the «Sinister» series, independently is beneficial, both for you as a producer, as well the filmmakers and cast?

Even so, Italian - horror buffs may feel a flush of nostalgia watching this bewitching genre whatsit, which manages to evoke the crimson - splashed shockers of the 1970s without so much as a single frame of actual carnage.

Cameraperson (Kirsten Johnson, 2016) O.J.: Made in America (Ezra Edelman, 2016) Kate Plays Christine (Robert Greene, 2016) If there was one genre of film that felt truly innovative this year, it was documentary, and these three films stood out as revolutionary in their own way; even more importantly, all are intensely passionate and emotional.

As part of our regular programming over on our Twitch channel, we look at some of the best games that we feel define a specific genre in Genre Busgenre in Genre BusGenre Busters.

Initially, these Transformer - like creatures that sound as though they could be voiced by Liam Neeson, or even Peter Cullen himself, feel as though they came from a completely different movie — and genre — but not only does Aronofsky eventually go on to integrate them into the narrative well enough to make them feel like a natural part of this world, but he also adds backstory and character features that make them one of the most curious and enjoyable parts of the film.

Scored by another tongue - bath of a score by James Horner (bring a squeegee and a change of clothes, you'll feel like you've taken a swim in a spittoon), Bobby Jones: Stroke of Genius is every bit as episodic, derivative, patronizing, and bloated as Horner's compositions — the man, by himself, defining a genre of picture perhaps fatally damaged by his very intrusion.

Jones» smart handling of the genre is a breath of fresh air, but his messages feel slightly hampered by the bigger studio budget as opposed to his fabulous debut, Moon (2009).

The core gameplay to Grim Dawn should feel familiar to those that have played at least one previous entry in the action RPG genre: click on enemies to kill them, pick up loot and shiny new gear to kill them faster, and repeat as damage and stats on gear increase as the cycle begins anew.

Blade Runner perfectly captured the mental landscape of the cyberpunk literary genre, just as it perfectly captured the feeling of how it must be like to live in the Los Angeles of director Ridley Scott's 2017.