Sentences with phrase «feel creative in»

With over 150 fabulous well - tested raw food recipes ranging from the essence of simplicity to true gourmet fare it is easy to feel creative in the kitchen and delighted with your meals.

Ever get home and have no idea what to cook or are too tired to feel creative in the kitchen?

If you're reading this and realize you haven't felt creative in a while, you've probably been too focused on work and not focused enough on yourself.

We've put together some simple recipes for gluten - free versions of staple sauces you can substitute next time you're feeling creative in the kitchen!

I loved feeling creative in movement, always wanted to dance, but spent my childhood playing sports.

Not exact matches

For example, if you work in a creative career and your clients are attorneys, they will feel more at ease if you are dressed like they are.

Creative types will thrive off this liberty and feel more in charge of their future with your company.

While all are unlikely to pan out, those efforts will let your employees flex their creative muscles and feel more engaged in the future of your business.

«Our company is mid-level in size but has a startup feel with essentially no red tape, which makes it very easy to apply new ideas and creative thinking to solve problems.

In 2013, John Schoolcraft was brought on as creative director to breath new life into the look and feel of the company.

With a well - funded account balance, project team members feel secure in imagining and executing creative paths to success and issues that arise are remedied efficiently and maturely.

So in 1983, when Weisbach felt it was time to publicize the Ha - Lo name (but couldn't spend as much as his competitors could), he was forced once again to devise a creative game plan.

Chiang Mai had a lot of creative young people making contemporary art in a way that felt more organic than the artisan - style «maker movement» happening in Brooklyn, NY, and Portland, Ore..

There are so many ways to be creative, whether in the music or the game play or the landscape of the game... the creative aspects are where I feel like I shine the best.

MTV International's creative vice president Sean Saylor told Fast Company «no matter where in the world you are, we want MTV to feel like a televised GIF.»

In a workplace where EQ components are evident, co-workers have high levels of trust in each other, so they feel secure in taking risks, sharing ideas and finding creative ways to solve problemIn a workplace where EQ components are evident, co-workers have high levels of trust in each other, so they feel secure in taking risks, sharing ideas and finding creative ways to solve problemin each other, so they feel secure in taking risks, sharing ideas and finding creative ways to solve problemin taking risks, sharing ideas and finding creative ways to solve problems.

Some of them experienced higher creativity levels when they worked in corporate America, but for every single participant who felt more creative in the large company, there were six who were more creative in the startup company.

The environment of a collaborative workspace has proven to add a boost of inspiration to your business — in fact, according to Deskmag's annual Global Coworking Survey, 71 % of respondents described feeling more creative since joining a coworking space, and 62 % said their work had improved.

Many professionals who work in coworking spaces feel more self - confident in an atmosphere that encourages creative collaboration.

It felt like an arbitrary question to ask a kid, so I saw it more as an exercise in creative storytelling than actual life planning.

If you feel this is something you'd be interested in participating I will provide you with our confidentiality agreement and summary; if not best of luck with your stimulus plan - it's creative, imaginative, and should create many opportunities for worthwhile projects.

«I feel truly blessed in working with highly professional, ethical and kind teammates to improve our clients» financial futures — brainstorming with them to develop creative solutions to clients» challenges.

My name is Grace Gulley and CYL was born early this year when I realized I needed to feel connected to something in order to refuel my own creative spirit.

One 2011 study in the Journal of Consumer Research (full text, PDF) concluded that, even though the researchers started the study with the assertion that mess was an averse condition that would lead to lower efficiency, their experimentation actually showed that in some people, some clutter actually made them more efficient, helped them make decisions, and made them feel more creative.

Using genuine product reviews in your ad creative helps people to feel safe.

However, those low in conscientiousness may try creative solutions to problems, because they do not feel the need to follow rules.

Probably not, but it's creative and in line with her beliefs and probably helped her feel more in control of the situation.

This theory has clear systematic connections to the doctrine of propositions as «lures for feeling» which are linked with possibilities as «a line to creative emergence in the transcendent future.»

He felt that Whitehead had yielded to the natural human tendency to conceive of God in terms which offered a merely pleasant feeling about religion without demanding the kind of ultimate commitment to the creative process itself which Wieman felt was urgently needed.

And for creative types there are always going to be those in charge with egos that while recognising creativity will consciously or unconsciously discourage it wanting to feel in control and take credit for everything.

I do not feel that this in any way disproves a creative process.

Causal feelings and conceptual feelings are both primary, neither being derived from the other: «In each concrescence there is a twofold aspect of the creative urge.

It is as if he feels that the creative urge of the universe, which the Chinese have traditionally called Tao, is working in and through him.

«The ultimate creative purpose» is «that each unification shall achieve some maximum depth of intensity of feeling, subject to the conditions of its concrescence» (Process and Reality, An Essay in Cosmology 381).

Its technical definition is «positive prehension»; thus to be «felt» means to be included as a prehended datum in an integrative, partly self - creative atom of process.

In these circumstances the possibilities for creative novelty in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indeeIn these circumstances the possibilities for creative novelty in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indeein the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indeed.

If media violence, especially when that violence is in its nature sexual, in fact does threaten the quality of American life, then how do the creative and managerial people in television feel about the use of violence in their productions?

His influence was felt in both contemporary criticism and creative literature, but his presence was there more often «in the nuances of stress and intonation than in the form of documented reference.

Key concepts in the new consciousness are: subject, felt relations, internal relations, sympathy richness of experience, creative solitude, hope, faith affection new being, ultimate concern (= God), compassion and God's action in the world as internally related to all individual entities from protons to people.

But it's also the unreal, the unseen, the you - feel - it - but - can't - say - it of times of creative quiet: I'm empty and I'm tired, I have nothing from which to pull the water out of the well, there isn't a bucket or a scooper and even if I could find one, I suspicion that there isn't much in the bottom of this old well right now.

Zarathustra, Nietzsche's prophetic spokesman, likewise feels his creative implication in a finally significant, permanent realm of life.

Whether heeding rational life or the creative will, both Whitehead and Nietzsche feel called upon to transform the worldly character of time and becoming in order to overcome the evil of time and to explain the finally good life.

But unlike man's experiences which when experienced perish, God's unified feeling is always immediate, never perishing, even as it is always moving forward in a creative advance into novelty.

For Man, by the act of «noospherically» concentrating himself upon himself, not only becomes reflectively aware of the ontological current on which he is borne, but also gains control of certain of the springs of energy which dictate this advance: above all, collective springs, in so far as he consciously realizes the value, biological efficiency and creative nature of social organization; but also individual springs m as much as, through the collective work of science, he feels himself to be on the verge of acquiring the power of physicochemical control of the operations of heredity and morphogenesis in the depths of his own being.

Both «symbolic reference» and «propositional feelings» have receptive and imaginative aspects; but, whereas Whitehead emphasized the former, cognitive aspect in his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worlin his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worlin his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worlin logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worlIn «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external world.

This anecdote communicates a simple but dynamic truth about growth that is often overlooked — that a major dreamsquelcher which causes us to postpone our potentializing indefinitely is the belief that «I can't do what I'd really like to do because...» If you feel some serious inner or outer obstacles to making creative changes in your life, welcome to the human race!

Does Whitehead not say about the consequent nature that «the completion of God's nature into a fullness of physical feeling is derived from the objectification of the world in God,» and that «his derivative nature [the consequent nature] is consequent upon the creative advance of the world» (345)?

For the categories to be illustrated with each new divine feeling, there must obviously be those efficient causes (or there must have been others in place of them) to provide the content for the new creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued below.

«In abstraction from the creative urge... this phase is merely a proposition about its component feelings and their ultimate superject» (PR 342).

Hence it is only regarding them that God could know how much power the creative and postcreative aspects of a feeling would have, namely, none and all that there could have been at that point in cosmic history, respectively.