Sentences with phrase «feel during the film»

Just realize that whatever you feel during the film, it's by design.

Not exact matches

The Harris Poll that Jet Blue commissioned for the film also indicated that more than one third (37 percent) feel burdened by «busyness» during the holidays.

«You feel like it's a holiday when you smell the bone broth during film,» Sixers coach Brett Brown said.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

We felt your support with us during this birth and look forward to continuing to share all that we discover over the coming months and years with more films, books and articles.

The hills are alive... During the first of many backpacking trips, Gazzaley shot 70 rolls of film, including this view of Otago Peninsula on New Zealand's South Island, and experienced a sense of connectedness with nature that he'd never felt before.

I knew something wasn't right, and during one section of filming a full - length class, I rolled up for the closing breaths and felt the bleeding.

Whether you are video chatting during it or not, something as simple as watching a film, reading a book, or cooking together can work wonders for making you feel closer.

The best part about this is that because everyone's in their own car, you can feel free to have a little chat with yourselves during the film without having a theatre of angry viewers pester you!

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

The film works as supernatural horror at the same time as you feel the chaos and fear in everyday life during the Iran - Iraq War as experienced by people like the rest of us and not by presidents and kings.

The lead actors fought to maintain their characters» drive to maintain their passion during times of glossed over turmoil, but the continued lack of emotional connection to each other and the scantily adapted source material made the final film installment feel anti-climatic.

Most of all, it contains a powerful, deeply felt performance by Kruger that is both the best thing that she has ever done in a film and worthy of all the accolades that it has received — even during the ludicrous final section, she keeps things from totally spinning out of control.

This «lightness» is thanks to good dark comedy elements and the hopefulness you feel for a better future at different times during the film.

Throughout the film, which loosely adapts the first book in a trilogy by Jeff VanderMeer, Garland returns to Lena's after - action reports to add some insight into what she was feeling and thinking during her experience.

Honestly, I felt this to be a very slow - moving and pedestrian film about the Vatican during the 60s.

While the film doesn't span decades, but instead concentrates on a moretightly prescribed patch of time in Darwin's life, it still proves true an old maxim regarding cinematic postscripts: the more you feel it necessary to say in pre-end credit crawl text, the less you've probably said during the entire rest of your movie's running time.

I feel that it is meant to be a bad film, spoofing these types of movies, but that didn't help the fact that I laughed during ever death.

I think the main reason that many people were really skeptical about the film was probably due to how a superhero film probably wouldn't do as well as it could or wouldn't be as serious as it could be since it takes place in the 40s during WWII and sine Captain america, was more of a piece for its time when it was made, so people felt that the Nazi shtick would probably get old after a while, especially since it had been done in so many films and video games prior.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

It has become a horribly familiar feeling: watching a film starring an actor who died during production, and waiting for the moment when their absence is felt.

Panahi admits to resorting to deception to get permission to film on location during the competition, which enabled him to achieve a pseudo-documentary feel in his film he describes as neo-realism.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

O'Connell, who also appeared in the 2014 prison drama Starred Up and thriller» 71, set in Belfast during the Troubles, said he was «honoured to be considered... especially for films I feel incredibly fortunate to have been a part of».

The ethereally beautiful Mia Sara, fifteen during filming, admits she was love - struck by Scott's directorial confidence and felt devastated when she saw the butchered end - product.

It almost feels like Murray and Lieberher shared something special on set that allowed them to deeply connect with one another during filming.

The film feels close to the recent Spider - Man and X-Men installments, not merely because of common origins (as one of many noteworthy Marvel lines introduced by Stan Lee and Jack Kirby during the medium's Silver Age), but also because of its grand sense of adventure, diverse roster of powerful mutants, and epic stage of effects - enabling spectacle.

The film feels very authentic and picks up every Americans angst and fear during this time.

While the film doesn't span decades, but instead concentrates on a more tightly prescribed patch of time in Darwin's life, it still proves true an old maxim regarding cinematic postscripts: the more you feel it necessary to say in pre-end credit crawl text, the less you've probably said during the entire rest of your movie's running time.

It has a surprising amount of heart and emotion that you almost feel like you are in a David Fincher film during scenes in the diner.

Walter Mitty is a good film to start with and the greatness you feel, during the film just adds to that.

But it isn't all good because Wonder Woman is also let down by the trappings of having to tell an origin story, and there are moments when the film feels like a box - ticking exercise in how to create a superhero origin, especially during the final act when — shock!

During the making of (Johnny X), everything started shifting over to digital, but I still wanted to finish it on film because I feel that film delivers something (organic) that you still can not quite replicate (digitally.)

When asked by journalist Raffaella Serini if he and Crowe felt like «bad men» during the film, Gosling misheard the last two words of the question as «Batman.»

Some wag commented on Twitter during the festival that when a film is described as «soporific,» it means that the critic fell asleep during the screening, but here, we'd mean the word as a compliment; Tsai conjures up a surreal tone closest to the moments after waking where you try and work out if your dreams were real or not, and it's a feeling that lingers long after the credits roll.

At no time during this film do we ever feel that Cole Trickle isn't the biggest jackass on the face of the Earth, so why have a rooting interest in his infantile whining and silly need to win races?

Walt Disney Pictures feel very confident on the film itself, and are going to be a force once again during the season.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

From a scholarly standpoint, there's actually much horror film theory out there (including a famous essay by Robin Wood) and I feel bad that York University never offered their horror genre studies course during the time I was a student there (I did take a David Cronenberg course though)

To translate that experience into a horror film, Peele tapped into the paranoia he felt during that first meeting with his ex-girlfriend's family.

The film's strength lies in its engaging visuals, namely the impressive opening sequence and the clever editing during certain fight scenes which lends them a greater feel of urgency and excitement.

In addition to the most interesting moments, I was usually busy with my main work, also because of the tense situation during filming I felt uncomfortable to be active in this matter.

Yet whereas the movie is most impressive during its final scene, its random conclusion leaves us feeling like there's a whole half of the film missing.

Bad Moms is one of the more pushy raunchy comedies you'll likely come across, a film so reliant on using vulgarity as a crutch it has characters drop F - bombs at their children's schools and during PTA meetings because without them, the makers of this film feel like they won't get a laugh from audiences prone to guffaw just because they heard harsh language.

Deepwater Surveillance (17:40) consists of twelve clips from secondary cameras running during the filming of action and stunt scenes, giving you the feel of being a fly on the set.

It's dark enough to feel real but not too dark to keep you from laughing your ass off during the many hilarious parts in this film.

By the films conclusion it feels obligated to preach that gamers should at least take two days off during the week to enjoy their reality.

«Rampage» feels like a cross section of different films, it opens like a sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash during the two - hour film.

While Jarmusch mostly described it as a romance during the NYFF Q&A, that feels like only one facet of a layered film that says so much about culture and its erosion, idols, nostalgia, civilization's decline, and art.