Sentences with phrase «feel like every other battle»

It can feel like every other battle will send you back to town to lick your wounds.

Not exact matches

But that feels a little like a flag that the company is running up the flagpole to see if it can force any of tronc's other shareholders to join the battle.

Imam Abdelhafid said he and other members of his mosque felt like they were on the front lines of a battle, assisting those «fleeing from genocide.»

The box grater on the other hand, is dull enough for me to feel that my hands are safe from looking like they went into battle, yet sharp enough to cut into the zucchini with ease.

(Sometimes I feel like I'm battling with other fall squashes with my chef's knife forever to get them all peeled and chopped up.)

I feel like this is a just reward for all my efforts battling the Whole Coconut the other day.

It may have been the underlying performance of the VJM10, but it felt like the Force India driver took the limelight in many races last year as they always seemed to pressure others, move forward and often battled against each other.

And it helps other parents feel like they aren't in this battle alone.»

«We have never played a battle like this where the national feeling for two groups are being pitted against each other,» said Democratic consultant Hank Sheinkopf, who predicted a renewed focus on Espaillat's background during his final push.

Part of the reason is that it quickly turns into a vicious cycle and these hormone imbalances continue to worsen each other — leaving you feeling like you're fighting a no - win battle.

It's hard to describe because I think people envision depression as wanting to be in bed all day, hiding under the covers + crying (which trust me... some days I definitely feel like doing), however there is «high functioning depression «where you go ahead + try to kick a ** everyday but still feel sad, anxious + hopeless inside... so that is the current boat I am in (sorry this isn't more «upbeat» but I think maybe some people can relate to this + if this can help one other person not feel like they are battling similar issues alone, that makes me feel better to be there to say «it's ok»).

With regards to the introduction of previous Heroes from other games, it's done in the similar fashion as to how any new character is introduced, usually by you joining them in battle to assist them, or having to battle them first and then they join you, but while I would like to applaud its story for the way it does mirror that of one you'd expect from a lesser Fire Emblem game, but there can be no denying that despite the approach taken, it's story does feel like that of Fire Emblem Heroes and Hyrule Warriors slapped together with some of the names, items and minor details changed to something else.

Even though QTE are generally disliked for most games, the implementation in Naruto Ultimate Ninja Storm was unlike any other games and it only added to the immersion offered by the large scale battles, making you feel like you were actually taking part in them.

Never was their battle more clear than in Albany on Tuesday, where each took part in simultaneous rallies — which each insisted had nothing to do with the other, but which felt like a duel nonetheless.

So not only did I get a feel for how the car handles, but also what it's like battling with other GTLM cars.

In what feels like a nod to «The Commute», one of the more popular races in GTA Online, the civilians of Los Santos aren't your only worry as up to 15 other drivers battle along the freeways.

Despite the fact that there's supposed to be seven Ice Lords, you'll only ever see and battle one of them, almost making it feel like the other six were cut out somewhere.

On the other hand, when you're playing against one character or another player, PlayStation All - Stars Battle Royale works well on the Vita, however the more characters you fight, almost make the game feel like you are watching Fight Club at a colony of ants.

While the entire world is enjoying battle royale gaming with the likes of Fortnite and Player Unknown's Battlegrounds on PC and other consoles, one can't help but feel like the Switch has been left in the dust a bit.

It's those single - player - mode fans out there, the ones that prefer to fight battles solo rather than square off against others online, that'll feel like something's lacking here.

God of War has always been about combat, with Kratos slinging around the Blades of Chaos (among others) and using quick time events for what felt like big, cinematic moments in every battle.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including baBattles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including babattles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Something about two opposing teams trying to tear each other's creation apart while also strategizing to keep their own machine from getting destroyed really makes it feel like it did in the past with gladiatorial battles, minus the ending of another life.

The game's soundtrack is a hit and miss and tends to fall a bit short, with a few soundtracks that are great, such as boss battles or other more tense moments, while the remaining soundtrack it almost feels like it's just there and doesn't add anything to the overall experience.

Later missions divert you to other characters as the battles heat up, but they do so in a way that feels disjointed, like someone accidentally dropped in levels from a different game.

If you only buy or find jump cards, than that is all you can do but by adding other types of cards like the fire flower, ice flower, frog suit and raccoon tail, in can make ever battle feel a little different.

With regards to the introduction of previous Heroes from other games, it's done in the similar fashion as to how any new character is introduced, usually by you joining them in battle to assist them, or having to battle them first and then they join you, but while I would like to applaud its story for the way it does mirror that of one you'd expect from a lesser Fire Emblem game, but there can be no denying that despite the approach taken, it's story does feel like that of Fire Emblem Heroes and Hyrule Warriors slapped together with some of the names, items and minor details changed to something else.

The movie scenes, characters and battle system of xenosaga three are a lot more realistic than those of episode one and two.Even though this game does not support surround sound like xenosaga epsode two the audio department of this game is still great, sometimes stereo is better because audio that is recorded in surround sound can sound really artificial ayway.Anyone who knows xenosaa can tell that the audio has changed because voices of the characters sounds live and raw, wich is very good for a change anyway.The graphics of the game are dull and there are a lot of people that despise dull graphics but I think that dull graphics are great because they often create a nice realistic atmosphere that makes a game feel like it's taking place in the very present or the past also I really like to see the way the speed of the camera and the motion of the characters slowain parts of a movie sequence because I think it adds tension and drama.Three other excellent games that Ireco that have great dull graphics are Chaos Legion and KillZone and Resident Evil 4.

I've played quite a lot of PlayStation All - Stars Battle Royale with friends and we just didn't feel any sort of excitement from this game like we did from other fighting games and I really believe it's because of its inability to instill excitement in the player, a fundamental misunderstanding of how some mechanics are meant to work in this genre and its overall presentation.

Unlike other boss tracks it manages to make this final battle feel like a desperate race against time.

This makes ARMS feel like something of a fighter with third - person shooter elements, as the stretchy arms make battles more distanced than in other games of the genre.

Here, these battles feel like a watered down Dynasty Warriors with little to no skill involved other than the constant pressing of the X / A button, with spells thrown in to break up that monotony.

Many times these individuals feel like they are fighting a losing battle, going up against insurance companies and other representation that make it their business to avoid liability.

If other companies like OnePlus, ZTE, and Huawei weren't battling out this war to produce impressive, inexpensive phones, I'm not convinced Lenovo would've felt compelled to make the G5 what it is.

Unlike other games, you never feel like you're battling mindless creatures.

We haven't yet seen other franchisors take up this legal battle — do you feel like a lone voice in the wilderness?