Sentences with phrase «feel of a movie theater»

Deep bass has the booming, shake - the - seat feel of a movie theater; surround - sound effects seem to fly through the Cadillac's cabin.

You'll have the fancy feel of a movie theater from the comfort of your couch.

An automated home theater system will provide you with the feel of a movie theater in your home.

Not exact matches

In one of the scariest movies ever made, director William Friedkin uses his background as a documentary filmmaker to create horror that feels so real, some people fainted while watching the movie when it was first in theaters.

I love watching animated movies in theaters full of children where I feel less insecure about laughing super-loud and gasping at scary scenes.

It's not often that one leaves a movie theater feeling speechless, but anyone on the right side of the culture wars who views the recent film Blast from the Past will find his jaw scraping the sidewalk» and not out of disgust.

My guy felt really badly for me, so the first weekend of November, he cancelled our movie theater date night, rented a cute animated DVD instead, and pulled out some nails and a sharp knife.

As I left a movie theater Sunday, all alone on the quiet city streets, I relished in the feeling of being unattached.

As a movie to take a girl or guy on a date — it has one of those «make - you - feel - good endings» that will make you happy to hold hands when you leave the theater.

Seniors may not feel comfortable with a lot of children around or a lot of noise so parks, nice restaurants and movie theaters seem to be safe bets because well there are a certain type of manner expected in those places.

After a few hours of this assault, you feel the chair melt and the floor of the movie theater becomes an angry mirror into your soul.

The result is great, as it features the two perfectly in character as seen in the Before films, but also because it plays with the fourth wall and expresses some of the vitriol that many audience members feel when someone else is being inconsiderate in a movie theater.

As you'd expect from a movie that's the first half of a book, there isn't really an ending to the movie, and it doesn't naturally end on much of a cliffhanger either, so if you walk out of the theater feeling tepid, this will likely be one of the major reasons.

Rather than tell the story in a straightforward fashion, the movie is set in a theater, where sets and backdrops are flown in as scenes shift and characters often move to choreography that feels like it's out of a musical number.

But I do remember, on first seeing and loving the movie in the theater, a sense of incompleteness about the ending, a feeling that the weight of what had come before was not quite counterbalanced by the giddy release of that final scene.

It's just an old - fashioned, feel - good movie that, if you let it, will make you appreciate the sight of a grand, timeless movie theater more than you probably should.

«I always feel like a vague failure in L.A.,» said Greta Gerwig, sitting in a movie theater in the heart of Hollywood.

It's not all the necessary vulgarities, but the assumption that it will be another revenge film, much like Inglourious Basterds, where a race can achieve a feeling of vengeance from the seat of a movie theater.

Unless you just saw the movie in theaters and want to see it in a new way, this feels like a waste of time.

I can appreciate the criticisms leveled here but walking out of the theater after seeing this movie, I felt excited about films again and wonderfully engrossed by this well - told story.

You can practically feel the beating heart of the jungle in Jon Favreau's stunning adaptation of «The Jungle Book,» which is the most visually dazzling movie to hit theaters this year.

«Zootopia» is an achievement in world building - it feels as if you could walk out of the movie theater and book a trip to a land where giraffes drink acacia smoothies and an arctic shrew is the local mafia don.

Between the Oscar nominations, Sundance, leftover films from the previous year going into wide release, and the lack of anything good to see otherwise in theaters, January can always feel a bit stop - start in the movie world.

Before the film started, director Adam Wingard and writer Simon Barrett introduced You're Next to the crowded theater by saying up front «We made this movie with the purpose of not making you feel like a horrible person when it ends.

As fitting as it might've been to have the first Marvel Cinematic Universe movie about a black hero in theaters while the first black commander in chief was in office, Narcisse feels it wouldn't have conjured the same kind of pop - cultural moment.

I didn't hate this movie, but I felt tired walking out of the theater.

When I first left the theater, I initially thought I was just being a harsh critic (as I feel I always am with movies), especially considering I was watching it at 12:25 the night of its release.

That's the way I feel about Matthew Vaughn's «X-Men: First Class,» and I only grudgingly went with the slightly positive, because I walked out of the theater feeling like I had just watched an okay superhero movie.

Theodore Melfi's comedy is nowhere the artistic product as are most of the Blu - rays in this week's packed HECG but I can't help but feel the movie got a bit of a bum rap when it was released in theaters.

But when I walked out of the theater after a press screening in October, my dominant feeling about the movie was one of rage, and not even about the film's most obvious targets for that emotion.

But while loads of folks really loved the movie, making it a relatively successful documentary while in theaters, I unfortunately found it to be nothing more than an overly long and tedious documentary that made me feel a tinge of guilt for not fully appreciating its apparent significance.

The newest American crime thriller and cop drama to hit theaters, «Triple 9», is a movie that packs an attractive star studded cast, features intense action and has most of the right elements to make it at least a mediocre genre piece, but it also presents a story that is unfocused and sometimes unclear with feeling that it's incomplete or missing something.

At its core, Coogler's film feels like a love letter to every black person who will step into the movie theater to see it, be they be of American or African descent.

The stunning, cinematic style feels like an homage to sci - fi films past, but within the four walls of the laboratory or Elisa's apartment above a movie theater is a mismatched story with gratuitous nudity and gruesome visuals.

I didn't feel too much like defending the show's concept of completely random humor aimed at college - aged stoners after suffering through the misguidedly feature - length escapades of a pack of fries, a milk shake, and a wad of meat, laboriously titled (I hate having to write this) Aqua Teen Hunger Force Colon Movie Film for Theaters.

He added: «I've always felt that the final scene of a movie should occur on the sidewalk outside the theater.

We both love the popcorn, the feeling of anticipation before the movie starts, and the stadium seating in front of a big screen, an experience which is increasingly uncommon these days of home theaters.

I listened to the fish fly through the air in Life of Pi using my Skullcandy headphones, and the pounding all around made me feel as though I were back in the IMAX 3D theater where I saw the movie the first time.

If you forget, the post office will gladly sell you a roll of tape, but you'll likely feel like you're buying a small bottle of water at the movie theater.

Inside the home, guests will fall in love with the private movie theater, media room and Wi - Fi access, while feeling secure with the state - of - the - art alarm system.

It's no wonder that most consumers with decent home theater systems feel like they're getting an equal or better experience to the movie theater: WITH THE EXCEPTION OF A FEW MORE HORIZONTAL PIXELS, THE IMAGE IS EXACTLY THE SAME RESOLUTION IN 1080P and 2K, and the pixel density (measured in PPI or pixels per inch) is quite a bit denser on a consumer 1080p display.

Every piece of artwork in this game feels like it has been peeled from the movie theater, with intentional blurryness and color issues as if the game was being played by a movie projector that keeps drifting in and out of focus.

The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she «no longer felt pain,» then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely.

The theaters installed new arrays of overhead speakers for the debut of Pixar's animated feature film Brave, which earned critical acclaim for the way it made you feel like you were in a space as part of the movie.