I loved
feeling creative in movement, always wanted to dance, but spent my childhood playing sports.
We've put together some simple recipes for gluten - free versions of staple sauces you can substitute next time you're
feeling creative in the kitchen!
If you're reading this and realize you haven't
felt creative in a while, you've probably been too focused on work and not focused enough on yourself.
Ever get home and have no idea what to cook or are too tired to
feel creative in the kitchen?
With over 150 fabulous well - tested raw food recipes ranging from the essence of simplicity to true gourmet fare it is easy to
feel creative in the kitchen and delighted with your meals.
Not exact matches
For example, if you work
in a
creative career and your clients are attorneys, they will
feel more at ease if you are dressed like they are.
Creative types will thrive off this liberty and
feel more
in charge of their future with your company.
While all are unlikely to pan out, those efforts will let your employees flex their
creative muscles and
feel more engaged
in the future of your business.
«Our company is mid-level
in size but has a startup
feel with essentially no red tape, which makes it very easy to apply new ideas and
creative thinking to solve problems.
In 2013, John Schoolcraft was brought on as
creative director to breath new life into the look and
feel of the company.
With a well - funded account balance, project team members
feel secure
in imagining and executing
creative paths to success and issues that arise are remedied efficiently and maturely.
So
in 1983, when Weisbach
felt it was time to publicize the Ha - Lo name (but couldn't spend as much as his competitors could), he was forced once again to devise a
creative game plan.
Chiang Mai had a lot of
creative young people making contemporary art
in a way that
felt more organic than the artisan - style «maker movement» happening
in Brooklyn, NY, and Portland, Ore..
There are so many ways to be
creative, whether
in the music or the game play or the landscape of the game... the
creative aspects are where I
feel like I shine the best.
MTV International's
creative vice president Sean Saylor told Fast Company «no matter where
in the world you are, we want MTV to
feel like a televised GIF.»
In a workplace where EQ components are evident, co-workers have high levels of trust in each other, so they feel secure in taking risks, sharing ideas and finding creative ways to solve problem
In a workplace where EQ components are evident, co-workers have high levels of trust
in each other, so they feel secure in taking risks, sharing ideas and finding creative ways to solve problem
in each other, so they
feel secure
in taking risks, sharing ideas and finding creative ways to solve problem
in taking risks, sharing ideas and finding
creative ways to solve problems.
Some of them experienced higher creativity levels when they worked
in corporate America, but for every single participant who
felt more
creative in the large company, there were six who were more
creative in the startup company.
The environment of a collaborative workspace has proven to add a boost of inspiration to your business —
in fact, according to Deskmag's annual Global Coworking Survey, 71 % of respondents described
feeling more
creative since joining a coworking space, and 62 % said their work had improved.
Many professionals who work
in coworking spaces
feel more self - confident
in an atmosphere that encourages
creative collaboration.
It
felt like an arbitrary question to ask a kid, so I saw it more as an exercise
in creative storytelling than actual life planning.
If you
feel this is something you'd be interested
in participating I will provide you with our confidentiality agreement and summary; if not best of luck with your stimulus plan - it's
creative, imaginative, and should create many opportunities for worthwhile projects.
«I
feel truly blessed
in working with highly professional, ethical and kind teammates to improve our clients» financial futures — brainstorming with them to develop
creative solutions to clients» challenges.
My name is Grace Gulley and CYL was born early this year when I realized I needed to
feel connected to something
in order to refuel my own
creative spirit.
One 2011 study
in the Journal of Consumer Research (full text, PDF) concluded that, even though the researchers started the study with the assertion that mess was an averse condition that would lead to lower efficiency, their experimentation actually showed that
in some people, some clutter actually made them more efficient, helped them make decisions, and made them
feel more
creative.
Using genuine product reviews
in your ad
creative helps people to
feel safe.
However, those low
in conscientiousness may try
creative solutions to problems, because they do not
feel the need to follow rules.
Probably not, but it's
creative and
in line with her beliefs and probably helped her
feel more
in control of the situation.
This theory has clear systematic connections to the doctrine of propositions as «lures for
feeling» which are linked with possibilities as «a line to
creative emergence
in the transcendent future.»
He
felt that Whitehead had yielded to the natural human tendency to conceive of God
in terms which offered a merely pleasant
feeling about religion without demanding the kind of ultimate commitment to the
creative process itself which Wieman
felt was urgently needed.
And for
creative types there are always going to be those
in charge with egos that while recognising creativity will consciously or unconsciously discourage it wanting to
feel in control and take credit for everything.
I do not
feel that this
in any way disproves a
creative process.
Causal
feelings and conceptual
feelings are both primary, neither being derived from the other: «
In each concrescence there is a twofold aspect of the
creative urge.
It is as if he
feels that the
creative urge of the universe, which the Chinese have traditionally called Tao, is working
in and through him.
«The ultimate
creative purpose» is «that each unification shall achieve some maximum depth of intensity of
feeling, subject to the conditions of its concrescence» (Process and Reality, An Essay
in Cosmology 381).
Its technical definition is «positive prehension»; thus to be «
felt» means to be included as a prehended datum
in an integrative, partly self -
creative atom of process.
In these circumstances the possibilities for creative novelty in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indee
In these circumstances the possibilities for
creative novelty
in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indee
in the synthesis of
feeling which constitutes the satisfaction of the concrescing actual entity are great indeed.
If media violence, especially when that violence is
in its nature sexual,
in fact does threaten the quality of American life, then how do the
creative and managerial people
in television
feel about the use of violence
in their productions?
His influence was
felt in both contemporary criticism and
creative literature, but his presence was there more often «
in the nuances of stress and intonation than
in the form of documented reference.
Key concepts
in the new consciousness are: subject,
felt relations, internal relations, sympathy richness of experience,
creative solitude, hope, faith affection new being, ultimate concern (= God), compassion and God's action
in the world as internally related to all individual entities from protons to people.
But it's also the unreal, the unseen, the you -
feel - it - but - can't - say - it of times of
creative quiet: I'm empty and I'm tired, I have nothing from which to pull the water out of the well, there isn't a bucket or a scooper and even if I could find one, I suspicion that there isn't much
in the bottom of this old well right now.
Zarathustra, Nietzsche's prophetic spokesman, likewise
feels his
creative implication
in a finally significant, permanent realm of life.
Whether heeding rational life or the
creative will, both Whitehead and Nietzsche
feel called upon to transform the worldly character of time and becoming
in order to overcome the evil of time and to explain the finally good life.
But unlike man's experiences which when experienced perish, God's unified
feeling is always immediate, never perishing, even as it is always moving forward
in a
creative advance into novelty.
For Man, by the act of «noospherically» concentrating himself upon himself, not only becomes reflectively aware of the ontological current on which he is borne, but also gains control of certain of the springs of energy which dictate this advance: above all, collective springs,
in so far as he consciously realizes the value, biological efficiency and
creative nature of social organization; but also individual springs m as much as, through the collective work of science, he
feels himself to be on the verge of acquiring the power of physicochemical control of the operations of heredity and morphogenesis
in the depths of his own being.
Both «symbolic reference» and «propositional
feelings» have receptive and imaginative aspects; but, whereas Whitehead emphasized the former, cognitive aspect
in his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worl
in his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter,
creative aspect
in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worl
in his discussion of «propositions,» an emphasis needed to counter «the interest
in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worl
in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33)
In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external worl
In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external world.
This anecdote communicates a simple but dynamic truth about growth that is often overlooked — that a major dreamsquelcher which causes us to postpone our potentializing indefinitely is the belief that «I can't do what I'd really like to do because...» If you
feel some serious inner or outer obstacles to making
creative changes
in your life, welcome to the human race!
Does Whitehead not say about the consequent nature that «the completion of God's nature into a fullness of physical
feeling is derived from the objectification of the world
in God,» and that «his derivative nature [the consequent nature] is consequent upon the
creative advance of the world» (345)?
For the categories to be illustrated with each new divine
feeling, there must obviously be those efficient causes (or there must have been others
in place of them) to provide the content for the new
creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued below.
«
In abstraction from the
creative urge... this phase is merely a proposition about its component
feelings and their ultimate superject» (PR 342).
Hence it is only regarding them that God could know how much power the
creative and postcreative aspects of a
feeling would have, namely, none and all that there could have been at that point
in cosmic history, respectively.