Sentences with phrase «feeling human movement»
They are feeling human movement.
https://www.pregnancymagazine.com/ Not exact matches
Consequently one feels less inclined to reject as unscientific the idea that the critical point of planetary reflective consciousness which is the result of the forming of humanity into an organized society, far from being a mere spark in the darkness, corresponds on the contrary to our passage (by a movement of reversal or dematerialization) to another face of the universe: not an ending of the ultra-human but its arrival at something trans - human at the very heart of reality.
The reality of human sexuality is a patent fact; and it would seem to be intimately tied in with man's total organic movement, which as we have seen includes his physiology, biology, and psychology, as well as his appreciative (and hence his aesthetic), valuational, and feeling qualities.
As other denominations retreated from activism to a more pietistic inwardness, the UUs were already feeling disenchantment with encounter, sensitivity and human potential movements.
What this suggests to us is that religion, as an inescapable element in that human experience, is one of the ways — indeed it may be the chief way — in which man feels his way into, finds identification with, and becomes participant in, the ongoing «movement of things».
Analogous to this are also feelings, consciousness, and intentions, which the child initially attributes to all beings and eventually limits to animals and humans; typically, as the previous statements about passivity and self - movement indicate, feelings, consciousness, and intentions are explicitly taken away from «things.»
Just as physics generalizes variables of movement so that they can apply not only to a human hunter and his fleeing prey, but also to stars, planets, atoms, and photons, so psychics needs to generalize such ideas as feeling, perceiving, remembering, anticipating, intending, liking and disliking, so that they can apply not only to animals, but even to the real individual constituents of the vegetable and mineral portions of nature.
«The contemporary pope - hunting springs from a secularist movement which feels incapable of asserting a sense of purpose or meaning in any positive, human - centred way - as the great atheists of old such as Marx or Darwin might have done - and which instead can only assert itself negatively, in contrast to the «evil» of religion, by posturing against the alleged wickedness of institutionalised faith.
The humanist movement in its turn gave him a confidence in human culture, a love of the classics and a connatural feeling for language, for beauty in the form of words, and for words in their natural setting of everyday language that eventually flowered in the German Bible, a whole language coming both to birth and to a first apotheosis — a miracle of the sixteenth century to set beside the achievement of Shakespeare in England at the end of the century.
Although they are not free to move on their own when worn, they are feeling and responding to human movement, and they are close to you for the ever important bonding!
Not just because this body has grown four humans into existence (although that is amazing), but truly feeling pretty dadgum great about how responsive it is to proper alignment and movement every single day.
Viewers should feel much more comfortable on this saucier side of Shondaland, where workplace sex and relationships continue unabated by either human - resources departments or social - awareness movements.
While you can move the headset exactly the way you would move your head in real life, the controller still feels very much like a video game controller, with the limitations that technology can sometimes place upon more natural human movements.
Whether capturing a detail of a budding orchid or the movement of human form, Cleary has the ability to render every strand of hair, emotional feeling, and flicker of light.
Dressed in street clothes, often adorned with neon glow sticks, the dancers (the main protagonists are played by Corey, Jay Donn, and Marty McFly) masterfully engage in movements of «flexing,» «bone breaking,» «pauzing,» and «glytching» to portray what at times feels like a new species of human, impacted both by our ever - increasing reliance on technology and by the altered landscape of a changing climate.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
About the Abstract Expressionist movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American art or in that sense to any national art, but that there was such a thing as modern art: that it was essentially international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)
Like his counterparts in the Minimalist movement in sculpture, such as Donald Judd, he felt that sculpture had been tied to the human figure for too long, often having a latent anthropomorphic reference even when the work was completely abstract.
In this new body of work, Mbugua explores «Dance» and the way in which the human body communicates through movement — creating expression, showcasing feelings and inspiring varying degrees of emotion in the observer.